Off the coast of Istanbul, in the Marmara Sea, lie the Princes’ Islands. An archipelago of unusual natural beauty, they have long been considered the maritime suburb of the imperial capital on the Bosporus and effectively shaped by its manifold history. The poet Joachim Sartorius draws a loving portrait of the landscape and the light; the political observer Sartorius describes the microcosm, which was always a reflection of Istanbul–Constantinople–Byzantium, while the novelist Sartorius introduces us to the characters, who inhabit this time capsule.

Rebecca Horn (*1944) is one of today's most outstanding artists. Since the early 1970s her poetic performances, drawings, films, and kinetic sculptures have laid the foundation for the body-related art of today. In 2018 Saint Hedwig's Cathedral in Berlin showed her installation Glowing Core, which quickly became the highlight of the Berlin Art Week. The cathedral opened each day at sunset and remained open until late in the evening, revealing a new universe of light. In this book three photographers and four renowned authors examine this work. Text in English and German.

The history of the island of Cyprus is in many ways a world history. Its strategic position means it has been coveted by one foreign power after another. All came here: the Phoenicians, Greeks, Romans, Byzantines, crusaders, Venetians, Genoese, Ottomans, British, and they all left their mark. Aside from the Roman and early-Byzantine ruins of Salamis, the most impressive monuments date from the Frankish and Venetian times: the Abbey of Bellapais, the fortified harbour of Kyrenia, the magnificent cathedrals of Nicosia and Famagusta, the setting for Shakespeare's Othello. Sartorius lived in Cyprus for three years. In My Cyprus he returns to the cultures and legends, to the colours and the light of the Levant, sifting the sediments of the island's history, including its division after the Turkish invasion of 1974 and the difficulties that followed. Yet this is not the work of a historian or a political scientist, but of a poet, who with the help of friends, both Greek and Turkish Cypriots, tries to understand this unique place.

For nearly half a century, German artist Max Neumann has worked to create, hone, and elaborate a visual vocabulary that is dark, compulsive, and forceful. A lifelong collaborator, Neumann's paintings have accompanied the work of Cees Nooteboom, Seamus Heaney, Fernando Pessoa, and Laszlo Krasznahorkai, among many others. In Poetry and Time, Neumann's haunting images are accompanied by a lyrical and penetrating text from poet Joachim Sartorius, who notes that a certain silence is at the very heart of poems, stating: "They know what it is they do, but do not say it." Exploring this mystery, he considers examples from Dickinson, Rilke, and Shakespeare, among others, and examines the realities of transience and mortality at the center of poems' reasons for being, their urge to form their own reality and abolish time while being inextricably bound to time. Sartorius's ruminations beautifully complement Neumann's series of thirty poignant paintings, making this volume is an extraordinarily rare and exquisite book.

"Ice Memory" is the first book of poems by the German poet Joachim Sartorius to be published in English. A traveller between continents, cultures and eras, Sartorius is a poet of global reach, whose poems, full of sound and light, documenting the wealth and exhaustion of the world, are magnificently brought into English by translators from Australia, Britain and the United States. In memories and ruins, Joachim Sartorius shows how bridges can be built in a fragmented world. The book includes translations by Richard Dove, Robert Gray, Michael Hamburger, Michael Hulse, Christopher Middleton, Sibylle Schlsier, Andrew Shields, Nathaniel Tarn, and Rosmarie Waldorp.