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Showing 1 - 8 of 8 matches in All Departments
Michael Sorkin's iconic list is now in a handsome printed package, a perfect gift for any architect, student of architecture, or design-savvy urbanist. By turns poetic and humorous, practical and wise, this book is a joyful celebration of the craft of architecture. A posthumous book by critic, architect, urban theorist, and educator, Michael Sorkin (1948-2020), 250 Things An Architect Should Know is filled with details that architects love to obsess over, from the expected (golden ratio and the seismic code) to the unexpected (the heights of folly and the prismatic charms of Greek islands.)
Umbr(a) was one of the most important US theory journals of the 1990s and early 2000s, publishing work by some of the greatest philosophers, psychoanalysts and theorists of our era. In every regard, it was ahead of the curve - in content, design, and style - often introducing thinkers who have subsequently become globally influential. This anthology presents a selection of the very best of Umbr(a), including contributions from Joan Copjec, Sam Gillespie, Charles Shepherdson, Russell Grigg, Alenka Zupan?i?, Slavoj i ek, Mladen Dolar, Catherine Malabou, Tim Dean, Steven Miller, Dominiek Hoens, Petar Ramadanovic, Sigi Jottkandt, Colette Soler, Jelica Sumi? and A. Kiarina Kordela.
The giant of Ljubljana marshals some of the greatest thinkers of
our age in support of a dazzling re-evaluation of Jacques Lacan.
A psychoanalytic and philosophical exploration of sublimation as a key term in Jacques Lacan's theories of ethics and feminine sexuality. Jacques Lacan claimed that his theory of feminine sexuality, including the infamous proposition, "the Woman does not exist," constituted a revision of his earlier work on "the ethics of psychoanalysis." In Imagine There's No Woman, Joan Copjec shows how Freud's ragtag, nearly incoherent notion of sublimation was refashioned by Lacan to become the key term in his ethics. To trace the link between feminine being and Lacan's ethics of sublimation, Copjec argues, one must take the negative proposition about the woman's existence not as just another nominalist denunciation of thought's illusions about the existence of universals, but as recognition of the power of thought, which posits and gives birth to the difference of objects from themselves. While the relativist position currently dominant insists on the difference between my views and another's, Lacan insists on this difference within the object I see. The popular position fuels the disaffection with which we regard a world in a state of decomposition, whereas the Lacanian alternative urges our investment in a world that awaits our invention. In the book's first part, Copjec explores positive acts of invention/sublimation: Antigone's burial of her brother, the silhouettes by the young black artist Kara Walker, Cindy Sherman's Untitled Film Stills, and Stella Dallas's final gesture toward her daughter in the well-known melodrama. In the second part, the focus shifts to sublimation's adversary, the cruelly uncreative superego, as Copjec analyzes Kant's concept of radical evil, envy's corruption of liberal demands for equality and justice, and the difference between sublimation and perversion. Maintaining her focus on artistic texts, she weaves her arguments through discussions of Pasolini's Salo, the film noir classic Laura, and the Zapruder film of the Kennedy assassination.
A collection of essays by theorists in culture and politics. Experts from a variety of fields re-examine the origins of the subject as understood by Descartes, Kant and Hegel, and consider contemporary ideas that revive the subject, including queer theory and national identity. Contributors include Parveen Adams, Etienne Balibar, Homi Bhabha, Slavoj Zizek, Joan Copjec, Juliet Flower MacCannell, Charles Shepardson, Mikkei Borch-Jacobsen, Elizabeth Grosz and Miaden Dolar.
For this was the summer when, after the hiatus of the Second World
War, French critics were again given the opportunity to view films
from Hollywood. The films they saw, including "The Maltese Falcon,
Double Indemnity. Laura, Murder, My Sweet," and "The Woman in the
Window," prompted the naming and theorization of a new phenomenon:
"film noir."
In Read My Desire, Joan Copjec stages a confrontation between the theories of Jacques Lacan and those of Michel Foucault, protagonists of two powerful modern disciplines-psychoanalysis and historicism. Ordinarily, these modes of thinking only cross paths long enough for historicists to charge psychoanalysis with an indifference to history, but here psychoanalysis, via Lacan, goes on the offensive. Refusing to cede history to the historicists, Copjec makes a case for the superiority of Lacan's explanation of historical processes and generative principles. Her goal is to inspire a new kind of cultural critique, one that is "literate in desire," and capable of interpreting what is unsaid in the manifold operations of culture.
"Giving Ground" is prompted by two phenomena whose paradoxical
convergence is currently altering our experience and conception of
urban relations and city planning. On the one hand, forces of
globalisation push towards conditions of homogenisation and
deterritorialisation, while, on the other, a surging politics of
identity barricades various groups behind particular claims and
ignites violent persecutions. The covert relation between these
phenomena, wherby territory/ground is both disavowed or abstracted
"and" jealously reclaimed, is the focus of the essays in this
volume, at the heart of these investigations are the notions of
propinquity and neighbourliness whose redefinitions and
redeployments serve widely divergent ends: from the fortification
of the 'new urbanist' fantasy about the possibility of re-creating
small towns, to the validation of the exclusionary tactics of
'sanitization' that guide zoning decisions, to assisting in the
reimagination of an ethical and reasonable urbanism. Directed
against the contracting limits of tolerance, this volume attempts
to reinvent the troubled notion of the 'right to the city'.
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