Austrian conductor Hans Rosbaud was a leading figure in European musical life from the late 1920s until his death in 1962. Internationally respected as a conductor of Mozart and Haydn, Bruckner and Mahler, his posthumous reputation rests primarily on his standard-setting performances of modern music. In this complete research tool, musicologist Joan Evans brings together all the materials vital for a full assessment of his career. The eminent composer and conductor Pierre Boulez presents his personal recollections of Rosbaud in a foreword. Because Rosbaud's primary sphere of activity was radio, he made relatively few commercial recordings, but his broadcast recordings number in the hundreds. Evans carefully documents all commercial and private recordings, also providing a biography of the conductor, a section of first performances and an annotated bibliography comprising books, articles, record and concert reviews, radio interviews, and documentary broadcasts. A career chronology appears as an appendix, and a description of his musical compositions and other papers, as well as a list of the works he conducted at the annual Donaueschingen Festival, comprise further appendixes. All sections are fully cross referenced and indexed, thereby providing ready access to this wealth of data.

This Is A New Release Of The Original 1922 Edition.

This Is A New Release Of The Original 1922 Edition.

This is a new release of the original 1928 edition.

1922. Contents: Magical Jewels and Gems in the Ancient World. The Earlier Christian Lapidaries. Lapidaries of Spain and the Nearer East. Western Mediaeval Lapidaries: Mediaeval Popular Lapidaries; Christian Symbolic Lapidaries; Mediaeval Scientific Lapidaries. Mediaeval Astrology: Lapidaries of Engraved Gems. Magical Jewels of the Middle Ages. The Renaissance: Lapidaries of the Sixteenth and Seventeenth Centuries. Magical Jewels of the Renaissance. The Age of Criticism: The Seventeenth and Eighteenth Centuries. Illustrated.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A comprehensive and informative look at the history of jewellery from 1100-1870, broken down into chapers: 'The Early Middle Ages', 'The Gohic Period', 'The Later Middle Ages', 'The Early Renaissance', 'The Later Renaissance', 'The Seventeenth Century', 'The Eighteenth Century' and '1789-1870'. This fascinating work is thoroughly recommended for inclusion on the bookshelf of anyone interested in the history of jewellery.

1922. Contents: Magical Jewels and Gems in the Ancient World. The Earlier Christian Lapidaries. Lapidaries of Spain and the Nearer East. Western Mediaeval Lapidaries: Mediaeval Popular Lapidaries; Christian Symbolic Lapidaries; Mediaeval Scientific Lapidaries. Mediaeval Astrology: Lapidaries of Engraved Gems. Magical Jewels of the Middle Ages. The Renaissance: Lapidaries of the Sixteenth and Seventeenth Centuries. Magical Jewels of the Renaissance. The Age of Criticism: The Seventeenth and Eighteenth Centuries. Illustrated.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Contents: Magical Jewels and Gems in the Ancient World. The Earlier Christian Lapidaries. Lapidaries of Spain and the Nearer East. Western Mediaeval Lapidaries: Mediaeval Popular Lapidaries; Christian Symbolic Lapidaries; Mediaeval Scientific Lapidaries. Mediaeval Astrology: Lapidaries of Engraved Gems. Magical Jewels of the Middle Ages. The Renaissance: Lapidaries of the Sixteenth and Seventeenth Centuries. Magical Jewels of the Renaissance. The Age of Criticism: The Seventeenth and Eighteenth Centuries. Illustrated.

This revival of a famous Phaidon series brings together in an elegant format some of the best-known writings of renowned artists, critics and interpreters of our cultural tradition. Each book, an acknowledged classic, provides insights not only into the worlds of the arts and cultural history, but also into the creative and intellectual preoccupations of its author and his time. These Phaidon editions have an introduction and notes by a distinguished editor and a wide range of illustrations specially chosen to complement the text.

Inspired by Schliemann's discoveries at Mycenae and Troy, Sir Arthur John Evans (1851-1941), keeper of Oxford's Ashmolean Museum from 1884 to 1908, trustee of the British Museum and fellow of the Royal Society, used his inherited wealth to purchase land in Crete at Knossos. From 1900 he commenced excavations there in co-operation with the British School at Athens. Work continued for eight full seasons, uncovering a Bronze Age palace and bringing to light further architectural and artefactual remains of Minoan civilisation, including numerous texts in Linear A and Linear B. Evans' speculative reconstruction of the site in reinforced concrete remains controversial, and some of his interpretations are disputed, but his work was pioneering and published in several volumes between 1921 and 1935. The index to this monumental achievement, published in 1936, was the result of a painstaking collaboration with his half-sister, Dame Joan Evans (1893-1977).

Originally published in 1950, this book examines the art of the Cluniac religious order, specifically the sources of Cluniac iconography and the ways in which the life, practices and needs of the Order influenced the development of its art. Evans details the influence that liturgical dramas, Roman ruins and numismatic imagery held over the artists of the Order, and illustrates her text with over 200 photographs of Cluniac manuscripts, sculpture and architecture. This book will be of value to anyone with an interest in Cluniac art and its roots.

Originally published in 1938, this volume provides a detailed study of the Romanesque style as exemplified by the architecture of the Cluniac Monastic Order. The key features of Cluniac architectural style are discussed in detail and observations are supported with a broad variety of illustrative examples. Other features include comprehensive lists of Cluniac Houses and affiliated Parish Churches, a key to Marrier's Catalogus, and a generous bibliography. This is a well-presented and highly informative book that will be of value to anyone with an interest in Christian monastic architecture.