"One of the penalties of an ecological education," wrote Aldo Leopold, "is that one lives alone in a world of wounds." As climate change and other environmental degradations become more evident, experts predict that an increasing number of people will suffer emotional and psychological distress as a result. Many are feeling these effects already. In the pages of Solastalgia, they will find a source of companionship, inspiration, and advice. The concept of solastalgia comes from the Australian philosopher Glenn Albrecht, who describes it as "the homesickness we feel while still at home." It's the pain and longing we feel as we realize the world immediately around us is changing, with our love for that world serving as a catalyst for action on its behalf. This powerful anthology brings together thirty-four writers-educators, journalists, poets, and scientists-to share their emotions in the face of environmental crisis. They share their solastalgia, their beloved places, their vulnerability, their stories, their vision of what we can create.

Each year, the best books of poetry published in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world's most prestigious and richest literary awards. Since 2001 this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Each year The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections. Royalties generated from The 2017 Griffin Poetry Prize Anthology will be donated to UNESCO's World Poetry Day, which was created to support linguistic diversity through poetic expression and to offer endangered languages the opportunity to be heard in their communities. Shortlist announced: April 11, 2017 Readings: June 7, 2017 Prizes awarded: June 8, 2017

Dark Traffic creates landmarks through language, by which its speakers begin to describe traumas in order to survive and move through them. With fine detail and observation, these poems work in some way like poetic weirs: readers of Kane's work will see the artic and subarctic, but also, more broadly, America, and the exigencies of motherhood, indigenous experience, feminism, and climate crises alongside the near-necropastoral of misogyny, violence, and systemic failures. These contexts catch the voice of the poems' speakers, and we perceive the currents they create.

Milk Black Carbon works against the narratives of dispossession and survival that mark the contemporary experience of many indigenous people, and Inuit in particular. In this collection, autobiographical details – motherhood, marriage, extended family and its geographical context in the rapidly changing arctic – negotiate arbitrary landscapes of our perplexing frontiers through fragmentation and interpretation of conventional lyric expectations.

Winner of the 2012 Donald Hall Prize in Poetry
Selected by Arthur Sze"
Hyperboreal" originates from diasporas. It attempts to make sense of change and to prepare for cultural, climate, and political turns that are sure to continue. The poems originate from the hope that our lives may be enriched by the expression of and reflection on the cultural strengths inherent to indigenous culture. It concerns King Island, the ancestral home of the author's family until the federal government's Bureau of Indian Affairs forcibly and permanently relocated its residents. The poems work towards the assembly of an identity, both collective and singular, that is capable of looking forward from the recollection and impact of an entire community's relocation to distant and arbitrary urban centers. Through language, "Hyperboreal" grants forum to issues of displacement, lack of access to traditional lands and resources and loss of family that King Island people--and all Inuit--are contending with.