This volume explores agricultural commercialization from a gender equality and right to food perspective. Agricultural commercialization, involving not only the shift to selling crops and buying inputs but also the commodification of land and labour, has always been controversial. Strategies for commercialization have often reinforced and exacerbated inequalities, been blind to gender differences and given rise to violations of the human rights to food, land, work and social security. While there is a body of evidence to trace these developments globally, impacts vary considerably in local contexts. This book systematically considers these dynamics in two countries, Cambodia and Ghana. Profoundly different in terms of their history and location, they provide the basis for fruitful comparisons because they both transitioned to democracy in the early 1990s, made agricultural development a priority, and adopted orthodox policies of commercialization to develop the sector. Chapters illustrate how commercialization processes are gendered, highlighting distinctive gender, ethnic and class dynamics in rural Ghana and Cambodia and the different outcomes these generate. They also show the ways in which food cultures are changing and the often-problematic impact of these changes on the safety and quality of food. Specific policies and legal norms are examined, with chapters addressing the development and implementation of frameworks on the right to food and land administration. Overall, the volume brings into relief multiple dimensions shaping the outcomes of processes of commercialization, including gender orders, food cultures, policy translation, national and sub-national policies, corporate investments and programmes, and formal and informal legal norms. In doing so, it offers insight not only on our case countries, but also provides proposals to advance rights-based research on food security. This book will be of great interest to students and scholars of food security, agricultural development and economics, gender, human rights and sustainable development.

Offers a fascinating window into how the fraught politics of apology in the East Asian region have been figured in anglophone literary fiction. The Pacific War, 1941-1945, was fought across the world’s largest ocean and left a lasting imprint on Anglophone literary history. However, studies of that imprint or of individual authors have focused on American literature without drawing connections to parallel traditions elsewhere. Beyond Hostile Islands contributes to ongoing efforts by Australasian scholars to place their national cultures in conversation with those of the United States, particularly regarding studies of the ideologies that legitimize warfare. Consecutively, the book examines five of the most significant historical and thematic areas associated with the war: island combat, economic competition, internment, imprisonment, and the atomic bombing of Hiroshima and Nagasaki. Throughout, the central issue pivots around the question of how or whether at all New Zealand fiction writing differs from that of the United States. Can a sense of islandness, the ‘tyranny of distance,’ Māori cultural heritage, or the political legacies of the nuclear-free movement provide grounds for distinctive authorial insights? As an opening gambit, Beyond Hostile Islands puts forward the term ‘ideological coproduction’ to describe how a territorially and demographically more minor national culture may accede to the essentials of a given ideology while differing in aspects that reflect historical and provincial dimensions that are important to it. Appropriately, the literary texts under examination are set in various locales, including Japan, the Solomon Islands, New Zealand, New Mexico, Ontario, and the Marshall Islands. The book concludes in a deliberately open-ended pose, with the full expectation that literary writing on the Pacific War will grow in range and richness, aided by the growth of Pacific Studies as a research area.

"Working Class Cultures in Britain" uniquely approaches the social history of the working class from the standpoint of the workers themselves. Integrating a variety of of historical methods, the book examines the construction of class within the intimate contexts of the body, the home, the marketplace, the locality and nation. Using these locations, Joanna Bourke assesses how the subjective identity of the "working class"in Britain has been maintained through seventy years of radical social, cultural and economic change.
The book uses gender and ethnicity as a crucial reference point in making the argument for class identity as an social and cultural phenomenon, rather than a political or institutional product. "Working Class Cultures in Britain" provides an excellent introduction to the history and analysis of the working class in this period.

"Working Class Cultures in Britain" uniquely approaches the social history of the working class from the standpoint of the workers themselves. Integrating a variety of of historical methods, the book examines the construction of class within the intimate contexts of the body, the home, the marketplace, the locality and nation. Using these locations, Joanna Bourke assesses how the subjective identity of the "working class"in Britain has been maintained through seventy years of radical social, cultural and economic change.
The book uses gender and ethnicity as a crucial reference point in making the argument for class identity as an social and cultural phenomenon, rather than a political or institutional product. "Working Class Cultures in Britain" provides an excellent introduction to the history and analysis of the working class in this period.

Birkbeck traces the 200-year history of Birkbeck, University of London from its founding at a time when social elites deplored the notion of educated working people to the present day. Joanna Bourke writes a lively history of the institution, and how it contributed to the shaping of modern British higher education. Two hundred years ago, Birkbeck was founded as the London Mechanics' Institution (LMI). When it was established in 1823, one third of all men and half of all women were unable to read or write. British elites were vehemently hostile to educating working people. The country was in political turmoil and it was feared that education would destroy society. This was the context in which the LMI was established. From its foundation, it was unique. Birkbeck traces its history from 1823 to the present, with Joanna Bourke using the history of Birkbeck to reflect on life and culture in London over the past two centuries. What does it mean to be educated? Why have Birkbeck's students been prepared to give up so much in order to study for a higher degree? How does education help us become fully human and self-fulfilled by learning how to use all our faculties - knowledge, imagination, sympathy? The story of Birkbeck contains some blood, oceans of scholarly sweat, and not a few tears. But it is also a story of laughter, intellectual excitement, scholarly eccentricity, collective as well as personal ambition, and, most of all, the quirky passions and personalities that make up the Birkbeck community. It is a story of a unique university but also of higher education of Britain. It shows how knowledge can empower people to better themselves and improve the world.

Offers a fascinating window into how the fraught politics of apology in the East Asian region have been figured in anglophone literary fiction. The Pacific War, 1941-1945, was fought across the world’s largest ocean and left a lasting imprint on Anglophone literary history. However, studies of that imprint or of individual authors have focused on American literature without drawing connections to parallel traditions elsewhere. Beyond Hostile Islands contributes to ongoing efforts by Australasian scholars to place their national cultures in conversation with those of the United States, particularly regarding studies of the ideologies that legitimize warfare. Consecutively, the book examines five of the most significant historical and thematic areas associated with the war: island combat, economic competition, internment, imprisonment, and the atomic bombing of Hiroshima and Nagasaki. Throughout, the central issue pivots around the question of how or whether at all New Zealand fiction writing differs from that of the United States. Can a sense of islandness, the ‘tyranny of distance,’ Māori cultural heritage, or the political legacies of the nuclear-free movement provide grounds for distinctive authorial insights? As an opening gambit, Beyond Hostile Islands puts forward the term ‘ideological coproduction’ to describe how a territorially and demographically more minor national culture may accede to the essentials of a given ideology while differing in aspects that reflect historical and provincial dimensions that are important to it. Appropriately, the literary texts under examination are set in various locales, including Japan, the Solomon Islands, New Zealand, New Mexico, Ontario, and the Marshall Islands. The book concludes in a deliberately open-ended pose, with the full expectation that literary writing on the Pacific War will grow in range and richness, aided by the growth of Pacific Studies as a research area.

This book explores the concept of 'resilience' in the context of militaries and militarization. Focusing on the U.S., Britain, Canada, Australia, and continental Europe, it argues that, post-9/11, there has been a shift away from 'trauma' and towards 'resilience' in framing and understanding human responses to calamitous events. The contributors to this volume show how resilience-speech has been militarized, and deeply entrenched in imagined communities. As the concept travels, it is applied in diverse and often contradictory ways to a vast array of experiences, contexts, and scientific fields and disciplines. By embracing diverse methodologies and perspectives, this book reflects on how resilience has been weaponized and employed in highly gendered ways, and how it is central to neoliberal governance in the twenty-first century. While critical of the use of resilience, the chapters also reflect on more positive ways for humans to respond to unforeseen challenges.

Disgrace is the first truly global history of sexual violence. The book explores how sexual violence varies widely across time and place, from nineteenth-century peasant women in Ireland who were abducted as a way of forcing marriage, to date-raped high-school students in twentieth-century America, and from girls and women violated by Russian soldiers in 1945 to Dalit women raped by men of higher castes today. It delves into the factors that facilitate violence – including institutions, ideologies and practices – but also gives voice to survivors and activists, drawing inspiration from their struggles. Ultimately, Joanna Bourke intends to forge a transnational feminism that will promote a more harmonious, equal and rape- and violence-free world.

Edward Casey, an underfed, under-sized and semi-literate Irish Cockney from Canning Town, was no war hero. Even so, his account of four years of war service with the Royal Dublin Fusiliers is a remarkable chronicle, revealing his personal and sexual insecurities, his remarkable experience of Irish unrest during periods of training and leave, and his excitement as a military tourist in France, Salonica and Malta.The memoir was written in 1980, six decades after his departure for New Zealand, yet retains a strong Cockney flavor. The editor has selected the chapters with the greatest interest for Irish readers, placing Casey 's story in the broader context of the Great War and its sometimes devastating psychological consequences.

Sex with animals is one of the last taboos but, for a practice that is generally regarded as abhorrent, it is remarkable how many books, films, plays, paintings, and photographs depict the subject. So, what does loving animals mean? In this book the renowned historian Joanna Bourke explores the modern history of sex between humans and animals. Bourke looks at the changing meanings of "bestiality" and "zoophilia," assesses the psychiatric and sexual aspects, and she concludes by delineating an ethics of animal loving.

The Penguin Illustrated History of Britain and Ireland is a wonderfully rich and comprehensive guide to the eventful history of England, Scotland, Wales and Ireland--from the arrival of the first humans half a million years ago right up to the present day.

It traces the unfolding of key events through the Roman and Norman conquests, the Civil War, the World Wars, and the rise and fall of the British Empire. At the same time, it looks at the life of society, focusing on such subjects as the growth of towns, the changing languages of the British Isles, women's suffrage, and the ascent of Victorian seaside resorts and the spread of the suburbs.

Readers can explore the streets and landscapes of historical cities in artwork reconstructions--from Roman London via medieval Norwich to eighteenth-century Dublin and Enlightenment Edinburgh. And superbly detailed maps depict such intriguing aspects of history as Neolithic monuments, Viking raids, the Napoleonic wars, the home front during the Second World War--and even Beatles concert venues in the 1960s--as well as painstakingly showing the influence that humans have had on the landscape over the centuries.

Meticulously researched by a team of experts to offer a wide variety of perspectives, The Penguin Illustrated History of Britain and Ireland provides a kaleidoscopic account of centuries of change and achievement, bringing the diverse and fascinating history of the British Isles vividly to life.

In 1872, a woman known only as 'An Ernest Englishwoman' published an open letter entitled 'Are women animals?', in which she protested the fact that women were not treated as fully human. In reality, their status was worse than that of animals: regulations prohibiting cruelty against dogs, horses and cattle were significantly more punitive than laws against cruelty to women. What does it mean to be 'human' rather than 'animal'? If the Ernest Englishwoman had turned her gaze to the previous century, her critique could equally have applied to slaves. In her time and beyond, the debate around human status involved questions of language, facial physiology, and vegetarianism. If she had been capable of looking 100 years into the future, she might have wondered about chimeras, created by transplanting animal fluids and organs into human bodies, or the ethics of stem cell research. In this meticulously researched, wide-ranging and illuminating book, Joanna Bourke explores the legacy of more than two centuries, and looks forward to what the future might hold for humans and animals.

Joanna Bourke, author of the critically-acclaimed Fear, unflinchingly and controversially moves away from looking at victims to look at the rapists. She examines the nature of rape, drawing together the work of criminologists, sociologists and psychiatrists to analyse what drives the perpetrators of sexual violence. Rape - A History looks at the perception of rape, both in the mass media and the wider public, and considers the crucial questions of treatment and punishment. Should sexual offenders be castrated? Will Freud's couch or the behaviourists' laboratory work most effectively? Particular groups of offenders such as female abusers, psychopaths and exhibitionists are given special attention here, as are potentially dangerous environments, including the home, prison, and the military. By demystifying the category of the rapist and revealing the specificities of the past, Joanna Bourke dares to consider a future in which sexual violence has been placed outside the human experience.

Fear is one of the most basic and most powerful of all the human emotions. Sometimes it is hauntingly specific: flames searing patterns on the ceiling, a hydrogen bomb, a terrorist. More often, anxiety overwhelms us from some source within: there is an irrational panic about venturing outside, a dread of failure, a premonition of doom.;In this astonishing book we encounter the fears and anxieties of hundreds of British and American men, women and children. From fear of the crowd to agoraphobia, from battle experiences to fear of nuclear attack, from cancer to AIDS, this is an utterly original insight into the mindset of the twentieth century from one of most brilliant historians and thinkers of our time.

Avoiding the impenetrable prose often found in academic books, this deeply scholarly work is lively and challenging in equal measure, and rewarding throughout. --Boston Globe In this fascinating account, Joanna Bourke addresses the profound question of what it means to be human rather than animal. How are people excluded from political personhood? How does one become entitled to rights? The distinction between the two concepts is a blurred line, permanently under construction. If the Earnest Englishwoman had been capable of looking 100 years into the future, she might have wondered about the human status of chimeras, or the ethics of stem cell research. Political disclosures and scientific advances have been relocating the human-animal border at an alarming speed. In this meticulously researched, illuminating book, Bourke explores the legacy of more than two centuries, and looks forward into what the future might hold for humans, women, and animals.

Joanna Bourke takes the issue of rape out of the academic ghettos and distills the truth so often exploited to sell newspapers. Neither prurient nor overly sympathetic toward any party, she investigates rape from a historical standpoint, examining the history of sexual aggression, the idea of rape as a social construct, and the often-ignored idea of embodiment, and analyzes the physical response of rapists as well as the theory that rape is "about" power.
Indebted to a growing body of sophisticated feminist analyses about rape victims, Bourke here shifts the emphasis from the victims to the perpetrators in order to place rapists in their historical context. An invaluable study, this book delivers the hard truth that if we are to imagine a world free of unwanted sexual violence, then we must consider the issue of rape from every angle.

Everyone knows what is feels like to be in pain. Scraped knees, toothaches, migraines, giving birth, cancer, heart attacks, and heartaches: pain permeates our entire lives. We also witness other people - loved ones - suffering, and we 'feel with' them. It is easy to assume this is the end of the story: 'pain-is-pain-is-pain', and that is all there is to say. But it is not. In fact, the way in which people respond to what they describe as 'painful' has changed considerably over time. In the eighteenth and nineteenth centuries, for example, people believed that pain served a specific (and positive) function - it was a message from God or Nature; it would perfect the spirit. 'Suffer in this life and you wouldn't suffer in the next one'. Submission to pain was required. Nothing could be more removed from twentieth and twenty-first century understandings, where pain is regarded as an unremitting evil to be 'fought'. Focusing on the English-speaking world, this book tells the story of pain since the eighteenth century, addressing fundamental questions about the experience and nature of suffering over the last three centuries. How have those in pain interpreted their suffering - and how have these interpretations changed over time? How have people learnt to conduct themselves when suffering? How do friends and family react? And what about medical professionals: should they immerse themselves in the suffering person or is the best response a kind of professional detachment? As Joanna Bourke shows in this fascinating investigation, people have come up with many different answers to these questions over time. And a history of pain can tell us a great deal about how we might respond to our own suffering in the present - and, just as importantly, to the suffering of those around us.

"Fear -- the word, itself, conjures the appropriate response. With a dark cacophony of associations like fright, dread, horror, panic, alarm, anxiety, and terror, fear is universally understood as one of the most basic and powerful of human emotions, obtaining a nearly palpable and overwhelming substance in today's world.
In this remarkable, groundbreaking book, acclaimed historian Joanna Bourke covers the landscape of fear over the past two hundred years: From the 19th century dread of being buried alive -- a subject dear to the heart of Edgar Allen Poe -- to the current worry over being able to die when one chooses; from the diagnoses of phobias and anxieties produced by psychotherapists and lovingly catalogued to the role of popular culture and media in inciting panic and dread; from the horrors of the nuclear age to the cold fear of 21st century terrorism. "Fear" tells the compelling story of anguish in modern times.
A blend of social and cultural history with psychology, philosophy, and popular science, this astonishing book -- exhaustively researched and beautifully written -- offers strikingly original insights into the mind and worldview of the "long twentieth century" from one of the most brilliant scholars of our time.

The characteristic act of men at war is not dying, but killing. Politicians and military historians may gloss over human slaughter, emphasizing the defense of national honor, but for men in active service, warfare means being - or becoming - efficient killers. In "An Intimate History of Killing," historian Joanna Bourke asks: What are the social and psychological dynamics of becoming the best "citizen soldiers?" What kind of men become the best killers? How do they readjust to civilian life?These questions are answered in this groundbreaking new work that won, while still in manuscript, the Fraenkel Prize for Contemporary History. Excerpting from letters, diaries, memoirs, and reports of British, American, and Australian veterans of three wars (World War I, World War II, and Vietnam), Bourke concludes that the structure of war encourages pleasure in killing and that perfectly ordinary, gentle human beings can, and often do, become enthusiastic killers without being brutalized.This graphic, unromanticized look at men at war is sure to revise many long-held beliefs about the nature of violence.

This sumptuously illustrated volume, edited by eminent war historian Joanna Bourke, offers a comprehensive visual, cultural and historical account of the ways in which armed conflict has been represented in art. Covering the last two centuries, the book shows how the artistic portrayal of war has changed, from a celebration of heroic exploits to a more modern, truthful depiction of warfare and its consequences. Featuring illustrations by artists including Paul Nash, Judy Chicago, Pablo Picasso, Melanie Friend, Francis Bacon, Kathe Kollwitz, Yves Klein, Robert Rauschenberg, Dora Meeson, Otto Dix and many others, as well as those who are often overlooked, such as children, women, non-European artists and prisoners of war, this extensive survey is a fitting and timely contribution to the understanding, memory and commemoration of war, and will appeal to a wide audience interested in warfare, art, history or politics. Introduction by Joanna Bourke, with essays by Jon Bird, Monica Bohm-Duchen, Joanna Bourke, Grace Brockington, James Chapman, Michael Corris, Patrick Crogan, Jo Fox, Paul Gough, Gary Haines, Clare Makepeace, Sue Malvern, Sergiusz Michalski, Manon Pignot, Anna Pilkington, Nicholas J. Saunders, John Schofield, John D. Szostak, Sarah Wilson and Jay Winter.