Wives and Daughters is a portrait of the world of women inside the country houses that symbolised the power and taste of eighteenth-century Britain. If men dominated public life, their wives were responsible for the household, bringing up children, entertaining, employing servants, nursing and dispensing charity. They also kept closely in touch by letter with news of family, comments on books, remedies and gardening tips, as well as the latest gossip. The women of the powerful Fox family, headed by the Whig Earls of Ilchester, have left an exceptional record of their lives in the great Wessex houses, including Redlynch, Melbury, Bowood and Lacock, into which the girls of the family married over several generations. Wives and Daughters traces the lives of individual women. Courtship, marriage and childbirth, education, houses and gardens, reading, hobbies, travel and health were only some of the women's many interests and preoccupations.

Looking at late medieval Scottish poetic narratives which incorporate exploration of the amorousness of kings, this study places these poems in the context of Scotland's repeated experience of minority kings and a consequent instability in governance. The focus of this study is the presence of amatory discourses in poetry of a political or advisory nature, written in Scotland between the early fifteenth and the mid-sixteenth century. Joanna Martin offers new readings of the works of major figures in the Scottish literature of the period, including Robert Henryson, William Dunbar, and Sir David Lyndsay. At the same time, she provides new perspectives on anonymous texts, among them The Thre Prestis of Peblis and King Hart, and on the works of less well known writers such as John Bellenden and William Stewart, which are crucial to our understanding of the literary culture north of the Border during the period under discussion.

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A full survey and overview of the extraordinary flowering of Scottish poetry in the middle ages. The poetry written in Scotland between the late fourteenth and the early years of the sixteenth century is exceptionally rich and varied. The contributions collected here, by leading specialists in the field, provide a comprehensive and up-to-date guide to the material. There are introductions to the literary culture of late medieval Scotland and its historical context; separate studies of the writings of James I, Robert Henryson, William Dunbar, Gavin Douglas, and Sir David Lyndsay; and essays devoted to general themes or genres, including the historiographical tradition, religious verse, romances, and the legendary history of Alexander the Great. A final chapter provides bibliographical guidance on the major advances in the criticism and scholarly study of this poetry during the last thirty years. Contributors: PRISCILLA BAWCUTT, JULIA BOFFEY, JOHN BURROW, ELIZABETH EWAN, R. JAMES GOLDSTEIN, DOUGLAS GRAY, JANET HADLEY WILLIAMS, R. J. LYALL, ANNE MCKIMM, JOANNA MARTIN, RHIANNON PURDIE, NICOLA ROYAN.

A full survey and overview of the extraordinary flowering of Scottish poetry in the middle ages. The poetry written in Scotland between the late fourteenth and the early years of the sixteenth century is exceptionally rich and varied. The contributions collected here, by leading specialists in the field, provide a comprehensive and up-to-date guide to the material. There are introductions to the literary culture of late medieval Scotland and its historical context; separate studies of the writings of James I, Robert Henryson, William Dunbar, Gavin Douglas, and Sir David Lyndsay; and essays devoted to general themes or genres, including the historiographical tradition, religious verse, romances, and the legendary history of Alexander the Great. A final chapter provides bibliographical guidance on the major advances in the criticism and scholarly study of this poetry during the last thirty years. Contributors: PRISCILLA BAWCUTT, JULIA BOFFEY, JOHN BURROW, ELIZABETH EWAN, R. JAMES GOLDSTEIN, DOUGLAS GRAY, JANET HADLEY WILLIAMS, R. J. LYALL, ANNE MCKIMM, JOANNA MARTIN, RHIANNON PURDIE, NICOLA ROYAN.

This new edition of The Only Astrology Book You'll Ever Need is packed with updated information on Sun signs, Moon signs, Ascending signs, the placement of Planets in your Houses, and the latest astronomical discoveries.

This book provides the compatibility between every sign (144 combinations) and dispenses advice about health, money, lifestyle, and romance, while also offering advice on dealing with the negative aspects of each sign. This edition also takes an even closer look at the inner life of the individual and the emotional needs that motivate a person. Chapters include a look back on the history and mythology of astrology as well as the newest developments in astronomy.

This is an indispensable source book for unlocking the mysteries of the cosmos through the twenty-first century and beyond.

Your Sun sign (often referred to simply as your sign) is the zodiac sign the Sun was traveling through at the time of your birth. Your Sun sign is the most important and pervasive influence in your horoscope and in many ways determines how others see you. It governs your individuality, your distinctive style, and your drive to fulfill your goals. It symbolizes the role you are given to play in this life. It’s as if at the moment of your birth you were pushed onstage into a drama called This Is My Life. In this drama, you are the starring actor—and your sign is the character you play. This elegant little volume is packed with what your Sun sign tells you about you. You’ll read about your many positive qualities as well as your negative issues and inclinations. You’ll find insights into your power, potentials, and pitfalls; advice about relationships, love, and sex; clarification on erogenous zones and how you combine romantically with other signs; guidance regarding career, health, and diet; and information about myriads of objects, places, concepts, and things to which you’re attached. You’ll also find topics not usually included in other astrology books—such as how you fit in with Chinese astrology and with numerology.

This classic, which has sold over 600,000 copies to date, offers a guide to astrological history, legend, and practice. This book is now fully revised, updated, and translated for the first time into Spanish. Its simple computer-accurate planetary tables allow anyone born between 1900 and 2100 to pinpoint quickly their sun and moon signs, discover their ascendants, and map out the exact positions of the planets at the time of their birth.

Premodern Scotland: Literature and Governance 1420-1587 brings together original essays by a group of international scholars to offer fresh and ground-breaking research into the 'advice to princes' tradition and related themes of good self- and public governance in Older Scots literature, and in Latin literature composed in Scotland in the fifteenth, sixteenth, and early seventeenth centuries. The volume brings to the fore texts both from and about the royal court in a variety of genres, including satire, tragedy, complaint, dream vision, chronicle, epic, romance, and devotional and didactic treatise, and considers texts composed for noble readers and for a wider readership able to access printed material. The writers and texts studied include Bower's Scotichronicon, Henryson's Testament of Cresseid, and Gavin Douglas's Eneados. Lesser known authors and texts also receive much-needed critical attention, and include Richard Holland's, The Buke of the Howlat, chronicles by Andrew of Wyntoun, Hector Boece, and John Bellenden, and poetry by sixteenth-century writers such as Robert Sempill, John Rolland of Dalkeith, and William Lauder. Non-literary texts, such as the Parliamentary 'Aberdeen Articles' further deepen the discussion of the volume's theme. Writing from south of the Border, which provoked creative responses in Scots authors, and which were themselves inflected by the idea of Scotland and its literature, are also considered and include the Troy Book by John Lydgate, and Malory's Le Morte Darthur. With a focus on historical and material context, contributors explore the ways in which these texts engage with notions of the self and with advisory subjects both specific to particular Stewart monarchs and of more general political applicability in Scotland in the late medieval and early modern periods.

A fascinating account of the life of one of the most famous women of the Victorian era. For more than a decade in the second half of the nineteenth century Georgina Weldon (1837-1914) was one of the most famous women in England. Weldon was an exceptional self-publicist, intelligent and utterly convinced that she was always in the right. A semi-professional singer, she came to prominence as a friend of the composer Charles Gounod. Her husband's unsuccessful attempt to have her carried off to a lunatic asylum caused a public scandal, and her subsequent efforts to drag her enemies through the law courts were widely reported. Weldon's resistance to being certified insane and her unceasing legal claims for defamation and/or loss of earnings contributed to changes in laws relating to private asylums and vexatious litigation. Weldon sang in drawing rooms and concert halls, and on the music hall stage. She lectured on women's rights and law reform. The most notorious female plaintiff, and probably the first married women to represent herself in court, she advised many of her fellow litigants at a time when women were not permitted to practise law professionally. Her campaigns brought her notoriety and two gaol sentences. Joanna Martin expertly retells the story of that notorious Victorian eccentric who suffered many bouts of delusion and was an ardent supporter of spiritualism. Martin's account manages to negotiate a biography situated between crazed behaviour and the pursuit of admirable causes. Weldon's story offers a wide canvas introducing phenomena such as celebrity culture and major and marginal characters of Dickensian quality. This biography of Weldon, based on primary sources including Weldon's own diaries and letters, therefore touches upon a wide variety of issues; Victorian society, nineteenth-century's women's history, the context of a social and cultural history of madness and marriage (law), and nineteenth-century British musical culture.