The art of improvising chord-style solos is an important part of any musician's resources. This book has been written to improve that art for guitar, vibes and all keyboard instruments. A careful study of these solos will give you a thorough understanding of chordal playing and substitutions. It is great for voicing as well as improvisation.

One of the finest books available on jazz guitar chords. Joe covers all the bases with two sections on chord forms and chord passages. Chords are divided into six categories: Major, Seventh, Augmented, Minor, Diminished, and Minor Seventh Flat Fifth, each showing substitutions and inversions that Joe would play when confronted with "basic" chord symbols. The chord passage section is divided into nine categories, including such topics as Major Sounds, Diminished Sounds, Augmented Sounds, Standard Patter Chord Substitutions, and other chord progression - related topics.

One of the finest books available on jazz guitar chords. Joe covers all the bases with two sections on chord forms and chord passages. Chords are divided into six categories: Major, Seventh, Augmented, Minor, Diminished, and Minor Seventh Flat Fifth, each showing substitutions and inversions that Joe would play when confronted with "basic" chord symbols. The chord passage section is divided into nine categories, including such topics as Major Sounds, Diminished Sounds, Augmented Sounds, Standard Patter Chord Substitutions, and other chord progression - related topics.

A comprehensive, easy-to-understand intermediate approach to jazz guitar playing techniques, helps develop an individual concept of improvising by learning scales and their basic chord forms and further develops improvisation skills through the use of practice patterns. Utilizes transcriptions along with several original pieces by Joe Pass.

Music critics and performers alike have hailed Joe Pass as one of the finest jazz musicians to have ever lived. This book effectively combines five previously published books by Joe Pass in a single comprehensive volume including his insights on harmony, melody, and phrasing as well as transcriptions of recorded solos and Joe Pass/Herb Ellis duets. The transcribed solos are: Bay City Blues, Foxy Chick and a Cool Cat, Time In, Blues in G, Dantes Inferno, and Grete. The duet selections are: Bonnie, Jazz Waltz, Some of These Days, G Blues, Hot Stuff, and Ballad. All selections appear in standard notation only with chord symbols written over the staves. The solo and duet selections are intermediate to advanced in difficulty.