The study presents archival evidence to show how President Kaunda raised political and economic exclusivity in Zambia in the early years of Zambia's independence, and how this retarded capital investment. Despite formal reforms and a new government, this institutional mechanism still dominates and constrains Zambia's political economy today.

In Joel and Obadiah, John Barton furnishes a fresh translation of the ancient manuscripts and discusses questions of historical background and literary architecture before providing a theologically sensitive and critically informed interpretation of the text. The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.

John Barton and Peter Groves present a range of chapters by leading scholarly voices from the worlds of biblical studies and the Church, looking at the study of the New Testament within and around the Church and the impact it has had and can have on Christian theology. The essays in the volume adopt a style of critical engagement with biblical texts, through the prism of a modern and living Church. The focus of the volume is thus not only upon the New Testament itself, but upon how reading the New Testament is important for dialogue within the Church and within Christian denominations. Among the highly distinguished contributors are John Barton, Eric Eve, Mark Goodacre, Christopher Rowland, and Rowan Williams.

A definitive look at how church music is changing in the 21st century. There is no lack of resources for the church musician focusing on particular skills or repertoire. But this is the first collection of essays created specifically for musicians working in parish ministry that imagines how those vocations will change along with the evolving church. Ponder Anew chronicles the rapid changes in the church music landscape in the last 20 years including the role of technology, education, relationships with clergy and choristers, and cultural presumptions. Contributors are parish musicians, professors, clergy, and bishops.

The volume presents the results of a joint research project run by the Universities of Bonn and Oxford.

This collection of John Barton's work engages with current concern over the biblical canon, in both historical and theological aspects; with literary reading of the Bible and current literary theory as it bears on biblical studies; and with the theological reading and use of the biblical text. John Barton's distinctive writing reflects a commitment to a 'liberal' approach to the Bible, which places a high value on traditional biblical criticism and also seeks to show how evocative and full of insight the biblical texts are and how they can contribute to modern theological concerns. This invaluable selection of published writings by one of the leading authorities on biblical text and canon, also includes new essays and editorial introductions from the author.

This revised edition of a best-selling book continues to provide a basis for the identification and evaluation of chemical reaction hazards for chemists, engineers, plant personnel, and students.
Before undertaking the design of a chemical manufacturing process it is vital that the chemical reactions involved be fully understood, potential hazards assessed, and safety measures planned. Chemical Reaction Hazards aims to help the people responsible for this design and operation to meet the general duties of safety.
Two major additions to this revised book are the appendices. One of these describes 100 incidents, illustrating their cause and indicating consequences if appropriate procedures within this guide are not followed. The second provides a practical example of a typical chemical reaction hazard assessment, from consideration of the process description, through experimental testing to the specification of safety measures.

From the Sunday Times bestselling author of A History of the Bible, this is the story of how the Bible has been translated, and why it matters The Bible is held to be both universal and specific, the source of fundamental truths inscribed in words that are exact and sacred. For much of the history of Judaism and almost the entirety of Christianity, however, believers have overwhelmingly understood scripture not in the languages in which it was first written but rather in their own - in translation. This book examines how saints, scholars and interpreters from ancient times down to the present have produced versions of the Bible in the language of their day while remaining true to the original. It explains the challenges they negotiated, from minute textual ambiguities up to the sweep of style and stark differences in form and thought between the earliest writings and the latest, and it exposes the bearing these have on some of the most profound questions of faith: the nature of God, the existence of the soul and possibility of its salvation. Reading dozens of renderings alongside their ancient Hebrew and Greek antecedents, John Barton traces the migration of biblical words and ideas across linguistic borders, illuminating original meanings as well as the ways they were recast. 'Translators have been among the principal agents in mediating the Bible's message,' he writes, 'even in shaping what that message is.' At the separation of Christianity from Judaism and Protestantism from Catholicism, Barton demonstrates, vernacular versions did not only spring from fault lines in religious thinking but also inspired and moulded them. The product of a lifetime's study of scripture, The Word itself reveals the central book of our culture anew - as it was written and as we know it.

This collection of John Barton's work engages with current concern over the biblical canon, in both historical and theological aspects; with literary reading of the Bible and current literary theory as it bears on biblical studies; and with the theological reading and use of the biblical text. John Barton's distinctive writing reflects a commitment to a 'liberal' approach to the Bible, which places a high value on traditional biblical criticism and also seeks to show how evocative and full of insight the biblical texts are and how they can contribute to modern theological concerns. This invaluable selection of published writings by one of the leading authorities on biblical text and canon, also includes new essays and editorial introductions from the author.

A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.

This title was first published in 2000. From the work of Hegel and Schelling to the dialectical theology of Barth, Bultmann and Gogarten, "Revelation" has developed a long, rich tradition of diverse thought, as well as many misunderstandings. Meaning, first and foremost, "God's encounter with those to whom God wishes to communicate God's own self", Revelation seeks to be recounted and communicated to others. As a theological expression, Revelation aims to direct our attention to the modes and areas in which we have a basis for expecting encounter with God - through stories, nature, the world as creation. From a rediscovered emphasis on "story", narrative theology has emerged - a concept the English-speaking world has welcomed for its neutrality between history and imaginative fiction and stress on narrative rather than doctrinal dimension of biblical text. This volume brings into relationship a concern with theology of revelation and an interest in the theology of story or narrative theology.

Fire, flood, earthquake, vandalism, a terrorist attack-the issues of safety measures, emergency response, and disaster recovery have now become an important part of the planning strategies for most organizations. For the information organization, such as a library, archives, or record center, this responsibility has taken on new dimensions with the proliferation of various forms of electronic media. The authors take the approach that disaster recovery planning must touch every department of an organization and that emergency response must be a carefully mapped strategy. This broad-based approach to "integrated disaster planning" explains each phase of disaster planning, with chapters covering prevention planning, protection planning, preparedness planning, response planning, and recovery planning. The authors consider collections, records, facilities, and systems and include a chapter on post-disaster planning as well. The authors also cover federal and local assistance programs and list other sources for financial assistance. Although the main thrust of the book is the protection of documents, human safety in case of disaster is stressed explicitly and implicitly throughout. Indispensible for every information organization.

This entertainment by and about the Kings and Queens of England includes music, poetry, speeches, letters and other writings. The Hollow Crown has been performed in America and England by stars from the Royal Shakespeare Theatre. The four readers enact the writings of royals from William I to Victoria; the three singers intersperse songs from the proper period - some of which are sad tunes on the death of kings while others are uproariously funny.1 woman, 3 men

This title was first published in 2000. From the work of Hegel and Schelling to the dialectical theology of Barth, Bultmann and Gogarten, "Revelation" has developed a long, rich tradition of diverse thought, as well as many misunderstandings. Meaning, first and foremost, "God's encounter with those to whom God wishes to communicate God's own self", Revelation seeks to be recounted and communicated to others. As a theological expression, Revelation aims to direct our attention to the modes and areas in which we have a basis for expecting encounter with God - through stories, nature, the world as creation. From a rediscovered emphasis on "story", narrative theology has emerged - a concept the English-speaking world has welcomed for its neutrality between history and imaginative fiction and stress on narrative rather than doctrinal dimension of biblical text. This volume brings into relationship a concern with theology of revelation and an interest in the theology of story or narrative theology.

John Barton used to live in the non-disabled world. Then he developed symptoms of an obscure inherited condition that affected his mobility, closely followed by Parkinson’s disease. And suddenly he found himself propelled into the kingdom of the disabled. There are two worlds, he writes: ‘In one lies power, privilege and validity, in the other, the supposed lack, shame and misery of the invalids. The barriers that separate them – physical, political and psychological – diminish us all. They cripple our societies.’ This is a book not about disability but about our shared humanity. Barton takes us on a journey through history, politics, sociology, medical science and psychology, to explore the meanings of disability. Why do we, as a species, find it so hard to share our common world with people who are different from us? When you meet a disabled person in the street, socially, or in your work, do you pass the Humanity Test? Read this book. You may learn something.

Revelation and Story explores the relationship between the theology of revelation and the theology of story or narrative theology. Mediating between German systematic theology's concern for revelation and current Anglo-Saxon interest in narrative theology and centrality of 'story', this book illuminates both traditions. Exploring 'revelation' and 'story' from both theological and philosophical perspectives, this book connects these concepts with questions of the authority of religious and literary texts, particularly the Bible. Believing that God's revelation precedes and forestalls all human perception of God, all speech about God, and every attempt to experience anything about God or know Him, leading scholars from both Anglo-Saxon and German traditions are brought together to present a diverse range of conceptions relating to how God's revelation occurs, resulting in a new theory of the relation of revelation and story which transcends the traditional cultural divide. Stanley Hauerwas contributes the Foreword. Revelation and Story offers a valuable new contribution to systematic theology, hermeneutics, and the study of the authority of Scripture, as well as presenting insights into important overlaps between British and German theology. This book will be of particular interest to scholars and students of philosophy and theology, and to students of literature and literary theory with an interest in hermeneutics.

In modern times Amos has come to be considered one of the most important prophets, mainly for his uncompromising message about social justice. This book provides a detailed exploration of this theme and other important elements of the theology underlying the book of Amos. It also includes chapters on the text itself, providing a critical assessment of how the book came to be, the original message of Amos and his circle, which parts of the book may have been added by later scribes, and the finished form of the book. The author also considers the book's reception in ancient and modern times by interpreters as varied as rabbis, the Church Fathers, the Reformers, and liberation theologians. Throughout, the focus is on how to read the book of Amos holistically to understand the organic development of the prophet's message through the many stages of the book's development and interpretation.

WINNER OF THE 2019 DUFF COOPER PRIZE A SUNDAY TIMES BESTSELLER 'With emotional and psychological insight, Barton unlocks this sleeping giant of our culture. In the process, he has produced a masterpiece.' Sunday Times The Bible is the central book of Western culture. For the two faiths which hold it sacred, it is the bedrock of their religion, a singular authority on what to believe and how to live. For non-believers too, it has a commanding status: it is one of the great works of world literature, woven to an unparalleled degree into our language and thought. This book tells the story of the Bible, explaining how it came to be constructed and how it has been understood, from its remote beginnings down to the present. John Barton describes how the narratives, laws, proverbs, prophecies, poems and letters which comprise the Bible were written and when, what we know - and what we cannot know - about their authors and what they might have meant, as well as how these extraordinarily disparate writings relate to each other. His incisive readings shed new light on even the most familiar passages, exposing not only the sources and traditions behind them, but also the busy hands of the scribes and editors who assembled and reshaped them. Untangling the process by which some texts which were regarded as holy, became canonical and were included, and others didn't, Barton demonstrates that the Bible is not the fixed text it is often perceived to be, but the result of a long and intriguing evolution. Tracing its dissemination, translation and interpretation in Judaism and Christianity from Antiquity to the rise of modern biblical scholarship, Barton elucidates how meaning has both been drawn from the Bible and imposed upon it. Part of the book's originality is to illuminate the gap between religion and scripture, the ways in which neither maps exactly onto the other, and how religious thinkers from Augustine to Luther and Spinoza have reckoned with this. Barton shows that if we are to regard the Bible as 'authoritative', it cannot be as believers have so often done in the past.

In the first two chapters of the book of Amos, the prophet denounces a number of neighbouring nations for committing atrocities in war and then declares Israel to be equally blameworthy in view of the social injustices prevailing in his time (the eighth century BC). Amos is widely held to be ahead of his age, not only in recognising the idea of 'war crimes' but also in attributing to the God if Israel any concern with or power over other nations. In this detailed study of Amos 1 and 2, Dr Barton shows that the book in fact presupposes both these notions; there were already accepted conventions of warfare in the ancient Near Eastern cultures and there was already recognition in Israel of the universality of God's power. The essential contribution of Amos to Old Testament theology is to be found in his radical criticism of Israel and in his prediction that it is about to be destroyed by its own God.