This is not the usual self-help book. It's time to unf*ck yourself and unleash your greatness!

This is blunt force trauma to the way you think life has to be for you. Most importantly, it is designed to give you an authentic leg up - one that feels genuine and right for you, and can propel you to new levels of greatness.

It will teach you not to look to the outside world for answers, but inside yourself. You will learn how to take full responsibility of your life, the highs and the lows, and you'll actually feel good about it - no, in fact, you'll feel f*cking great about it!

Double bill of stand up performances from Liverpudlian comic and TV star John Bishop. In 'The Elvis Has Left the Building Tour', recorded in 2010 at The Liverpool Empire, he shares his thoughts on middle-age, male grooming, football and more. In 'The Sunshine Tour', taken from his show at Liverpool's Echo Arena in 2011, he reflects on his new-found fame and discusses what his children make of him.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Liverpudlian comedian John Bishop performs his 'Supersonic' show live at London's Royal Albert Hall in April 2015.

The Liverpudlian stand-up comic and TV star, John Bishop takes to the road once again on his sell-out 2012 tour.

Do you want to be the best parent you can be? We all want to be good parents, but our pasts hold us back. We all feel like we're failing at parenting. In Grow Up, personal development guru Gary John Bishop shows us how to let go of what came before and start taking action. Gary argues we're never going to measure up to the perfect parent model - this book will equip you to think about how you show up in the world to nurture your children in the present. No more tips and tricks, Grow Up will help you take charge of the direction of your life and show your kids how to follow theirs.

James Joyce's preoccupation with space-be it urban, geographic, stellar, geometrical or optical-is a central and idiosyncratic feature of his work. In Making Space in the Works of James Joyce, some of the most esteemed scholars in Joyce studies have come together to evaluate the perception and mental construction of space, as it is evoked through Joyce's writing. The aim is to bring together several recent trends of literary research and criticism to bear on the notion of space in its most concrete sense. The essays move dialectically out of an immediate focus on the phenomenological and intra-psychic, into broader and wider meditations on the social, urban and collective. As Joyce's formal experiments appear the response to the difficulty of enunciating truly the experience of lived space, this eventually leads us to textual and linguistic space. The final contribution evokes the space with which Joyce worked daily, that of his manuscripts-or what he called "paperspace." With essays addressing all of Joyce's major works, this volume is a critical contribution to our understanding of modernism, as well as of the relationship between space, language, and literature.

From the author of the New York Times and international bestseller Unfu*k Yourself Gary John Bishop presents a no-holds-barred guide to breaking through our cycles of self-sabotage to get what we want out of life. In Unfu*k Yourself, Gary John Bishop told us it was time to stop making excuses- to recognize and take responsibility for the negative self-talk holding us back. In Stop Doing That Sh*t, he builds on that message, teaching us how to stop self-sabotaging behavior. Bishop explains how our destructive cycles come down to the way that we're wired. He then identifies different types of people and the ways we fu*k ourselves over: We can't save money. We land in the same type of toxic relationship. We're stuck in a rut at work. Analysing why we act the way we do, including what our common grenades are that blow up our lives, Bishop then shows how we can interrupt the cycle and stop self-sabotaging our lives. Written in the same in your face style as Unfu*k Yourself, Stop Doing that Sh*t will help us get in touch with our psychological machinery so we learn to interrupt negative thoughts and behaviour before they start, allowing us to give our attention to something else, and start to find success in the areas we thought we never could. We can take back our lives. We may have fu*ked up in the past, but Stop Doing That Sh*t will show us how to break the patterns in order to live the lives we yearn to have.

The last three decades of the twentieth century saw dramatic changes in the bus industry with deregulation of bus services nationally in October 1986 in the provincial areas. Visually London seemed to stay the same with the buses still operating in the customary red liveries which all cherished from childhood. This book sets out to show how the vehicles moved forward from the traditional layout of rear platform and open half cab to the introduction of one man buses with their front entrances. The effects of deregulation are shown with dynamic colour schemes especially with the Bexleybus blue and cream colour scheme. With the passing of years we progress to the now familiar single deck buses, and also cover various other transport experiments.

The Liverpudlian stand-up comic and TV star, John Bishop takes to the road once again on his sell-out 2012 tour.

Can it be justifiable to commit oneself 'by faith' to a religious claim when its truth lacks adequate support from one's total available evidence? In Believing by Faith, John Bishop defends a version of fideism inspired by William James's 1896 lecture 'The Will to Believe'. By critiquing both 'isolationist' (Wittgensteinian) and Reformed epistemologies of religious belief, Bishop argues that anyone who accepts that our publicly available evidence is equally open to theistic and naturalist/atheistic interpretations will need to defend a modest fideist position. This modest fideism understands theistic commitment as involving 'doxastic venture' - practical commitment to propositions held to be true through 'passional' causes (causes other than the recognition of evidence of or for their truth).
While Bishop argues that concern about the justifiability of religious doxastic venture is ultimately moral concern, he accepts that faith-ventures can be morally justifiable only if they are in accord with the proper exercise of our rational epistemic capacities. Legitimate faith-ventures may thus never be counter-evidential, and, furthermore, may be made supra-evidentially only when the truth of the faith-proposition concerned necessarily cannot be settled on the basis of evidence. Bishop extends this Jamesian account by requiring that justifiable faith-ventures should also be morally acceptable both in motivation and content. Hard-line evidentialists, however, insist that all religious faith-ventures are morally wrong. Bishop thus conducts an extended debate between fideists and hard-line evidentialists, arguing that neither side can succeed in establishing the irrationality of itsopposition. He concludes by suggesting that fideism may nevertheless be morally preferable, as a less dogmatic, more self-accepting, even a more loving, position than its evidentialist rival.

James Joyce's preoccupation with space -- be it urban, geographic, stellar, geometrical or optical -- is a central and idiosyncratic feature of his work. In Making Space in the Works of James Joyce, some of the most esteemed scholars in Joyce studies have come together to evaluate the perception and mental construction of space, as it is evoked through Joyce's writing. The aim is to bring together several recent trends of literary research and criticism to bear on the notion of space in its most concrete sense. The essays move dialectically out of an immediate focus on the phenomenological and intra-psychic, into broader and wider meditations on the social, urban and collective. As Joyce's formal experiments appear the response to the difficulty of enunciating truly the experience of lived space, this eventually leads us to textual and linguistic space. The final contribution evokes the space with which Joyce worked daily, that of his manuscripts -- or what he called "paperspace." With essays addressing all of Joyce's major works, this volume is a critical contribution to our understanding of modernism, as well as of the relationship between space, language, and literature.