"Taking Place" argues that the relation between geographical location and the moving image is fundamental and that place grounds our experience of film and media. Its original essays analyze film, television, video, and installation art from diverse national and transnational contexts to rethink both the study of moving images and the theorization of place. Through its unprecedented--and at times even obsessive-- attention to actual places, this volume traces the tensions between the global and the local, the universal and the particular, that inhere in contemporary debates on global cinema, television, art, and media.

Contributors: Rosalind Galt, U of Sussex; Frances Guerin, U of Kent; Ji-hoon Kim; Hugh S. Manon, Clark U; Ara Osterweil, McGill U; Brian Price, U of Toronto; Linda Robinson, U of Wisconsin-Whitewater; Michael Siegel; Noa Steimatsky, U of Chicago; Meghan Sutherland, U of Toronto; Mark W. Turner, Kings College London; Aurora Wallace, New York U; Charles Wolfe, U of California, Santa Barbara.

John David Rhodes places the city of Rome at the center of this original and in-depth examination of the work of Italian director Pier Paolo PasoliniOCobut itOCOs not the classical Rome you imagine. "Stupendous, Miserable City" situates Pasolini within the history of twentieth-century Roman urban development. The book focuses first on the Fascist period, when populations were moved out of the urban center and into public housing on the periphery of the city, called the "borgate, " and then turns to the progressive social housing experiments of the 1950s. These environments were the settings of most of PasoliniOCOs films of the early to mid-1960s.

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Discussing films such as "Accattone, Mamma Roma, "and "The Hawks and the Sparrows, "Rhodes shows how Pasolini used the "borgate "to critique Roman urban planning and neorealism and to draw attention to the contemptuous treatment of RomeOCOs poor. To Pasolini, the "borgate, "rich in human incident, linguistic difference, and squalor, OC were lifeOCOOCoand now his passion can be appreciated fully for the first time.

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Carefully tracing PasoliniOCOs surprising engagement with this part of Rome and looking beyond his films to explore the interrelatedness of all of PasoliniOCOs artistic output in the 1950s and 1960sOCoincluding his poetry, fiction, and journalismOCoRhodes opens up completely new ways of understanding PasoliniOCOs work and proves how connected Pasolini was to the political and social upheavals in Italy at the time.

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John David Rhodes is lecturer in literature and visual culture at the University of Sussex."