Christians and the Middle East Conflict deals with the relationship of Christians and Christian theology to the various conflicts in the Middle East, a topic that is often sensationalized but still insufficiently understood. Political developments over the last two decades, however, have prompted observers to rediscover and examine the central role religious motivations play in shaping public discourses. This book proceeds on the assumption that neither a focus on the eschatological nor a narrow understanding of the plight of Christians in the Middle East is sufficient. Instead, it is necessary to understand Christians in context and to explore the ways that Christian theology applies through the actions of Christians who have lived and continue to live through conflict in the region either as native inhabitants or interested foreign observers. This volume addresses issues of concern to Christians from a theological perspective, from the perspective of Christian responses to conflict throughout history, and in reflection on the contemporary realities of Christians in the Middle East. The essays in this volume combine contextual political and theological reflections written by both scholars and Christian activists and will be of interest to students and scholars of Politics, Religion and Middle East Studies.

What is the proper relationship of religion to power? In this collection of essays, a group of interdisciplinary scholars address that question, building on the scholarship of the late Dr. Jean Bethke Elshtain. The first section of this book provides the reader with three previously unpublished essays by Elshtain on the subject of political sovereignty, followed by an interview with the noted ethicist and political theorist. Dr. Elshtain questions the nature of sovereignty in a world where some have elevated the state and the self above the authority of God himself. In the second section of the book, "Sovereignty through the Ages", four scholars explore some of the key questions raised by Dr. Elshtain's work on Just War, resistance to tyranny, political liberalism, and modernity, questioning the ways in which sovereignty may be conceived to reinforce the limitations of human societies and yet seek the greater good. In the third section of the book, entitled "Sovereignty in Context", three essays extend her analysis of sovereignty to different contexts - Latin America, the Islamic world, and the international system as a whole, all the while demonstrating the importance of how religious interpretation contributes to our understanding of political power.

Christians and the Middle East Conflict deals with the relationship of Christians and Christian theology to the various conflicts in the Middle East, a topic that is often sensationalized but still insufficiently understood. Political developments over the last two decades, however, have prompted observers to rediscover and examine the central role religious motivations play in shaping public discourses. This book proceeds on the assumption that neither a focus on the eschatological nor a narrow understanding of the plight of Christians in the Middle East is sufficient. Instead, it is necessary to understand Christians in context and to explore the ways that Christian theology applies through the actions of Christians who have lived and continue to live through conflict in the region either as native inhabitants or interested foreign observers. This volume addresses issues of concern to Christians from a theological perspective, from the perspective of Christian responses to conflict throughout history, and in reflection on the contemporary realities of Christians in the Middle East. The essays in this volume combine contextual political and theological reflections written by both scholars and Christian activists and will be of interest to students and scholars of Politics, Religion and Middle East Studies.

When released in 2003, The Room, an obscure, self-financed relationship drama by an eccentric self-taught filmmaker named Tommy Wiseau, should have been completely forgotten. Yet nearly two decades later, "the worst movie ever made"—as many a critic would have it—has become the most popular cult film since The Rocky Horror Picture Show. In You Are Tearing Me Apart, Lisa!, contributors explore this priceless cultural artifact, offering fans and film buffs critical insight into the movie's various meanings, historical context, and place in the cult canon. Even if by complete accident, The Room touches on many issues of modern concern, including sincerity, authenticity, badness, artistic value, gender relations, Americanness, Hollywood conventions, masculinity, and even the meaning of life. Revealing the timeless, infamous power of Wiseau's The Room, You Are Tearing Me Apart, Lisa! is a deeply entertaining deconstruction of an original work of all-American failure.

When released in 2003, The Room, an obscure, self-financed relationship drama by an eccentric self-taught filmmaker named Tommy Wiseau, should have been completely forgotten. Yet nearly two decades later, "the worst movie ever made"—as many a critic would have it—has become the most popular cult film since The Rocky Horror Picture Show. In You Are Tearing Me Apart, Lisa!, contributors explore this priceless cultural artifact, offering fans and film buffs critical insight into the movie's various meanings, historical context, and place in the cult canon. Even if by complete accident, The Room touches on many issues of modern concern, including sincerity, authenticity, badness, artistic value, gender relations, Americanness, Hollywood conventions, masculinity, and even the meaning of life. Revealing the timeless, infamous power of Wiseau's The Room, You Are Tearing Me Apart, Lisa! is a deeply entertaining deconstruction of an original work of all-American failure.