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Showing 1 - 7 of 7 matches in All Departments

Phillips Martindale Families - Including Tanner, Fairhurst and other related families (Paperback): John Eacott Phillips Martindale Families - Including Tanner, Fairhurst and other related families (Paperback)
John Eacott
R410 Discovery Miles 4 100 Ships in 18 - 22 working days
Eacott Reynolds Families (Paperback): John Eacott Eacott Reynolds Families (Paperback)
John Eacott
R507 Discovery Miles 5 070 Ships in 18 - 22 working days
The Eacott Name History (Paperback): John Eacott The Eacott Name History (Paperback)
John Eacott
R651 Discovery Miles 6 510 Ships in 18 - 22 working days
McBride Mast Families (Paperback): John Eacott McBride Mast Families (Paperback)
John Eacott
R535 Discovery Miles 5 350 Ships in 18 - 22 working days
The Eacott History (Paperback): John Eacott The Eacott History (Paperback)
John Eacott
R809 Discovery Miles 8 090 Ships in 18 - 22 working days
Sunshine Sketches of Nizwa (Paperback): John Eacott Sunshine Sketches of Nizwa (Paperback)
John Eacott
R639 Discovery Miles 6 390 Ships in 18 - 22 working days
Various Artists - Mind Bomb (CD): The The, Warne Livesey, Matt Johnson, Roli Mosimann, Johnny Marr, Howie Weinberg, Danny... Various Artists - Mind Bomb (CD)
The The, Warne Livesey, Matt Johnson, Roli Mosimann, Johnny Marr, … 1
R316 Discovery Miles 3 160 Ships in 10 - 17 working days

With 1989's MIND BOMB, while Matt Johnson's songs still address internal guilt, his lyrics here strive to place that guilt more firmly within the context of societal decay, in particular on "Armageddon Days Are Here (Again)". With the addition of Johnny Marr--who had just left the Smiths--on guitar and occasionally harmonica, the music is also fuller and more confident, even introducing Eastern rhythms to the palette, and finally displaying the muscle behind the previous album's punches. Highlights include "Kingdom of Rain", featuring Sinead O'Connor's distinctive vocals, and a lyrical continuation of the crumbling relationship begun on INFECTED's "Slow Train to Dawn". "The Beat(en) Generation", a suspiciously chipper and upbeat track augmented by Marr's trademarked guitar sound, makes no bones about its indictment of political manipulation, while "Gravitate to Me" features stuttering horns and a massive bass line, courtesy of James Eller. If you buy only one The The release, MIND BOMB ought to be it--true to its title, this album will stick in your head for a long time.

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