John Fitchen systematically treats the process of erecting the great edifices of the Gothic era. He explains the building equipment and falsework needed, the actual operations undertaken, and the sequence of these operations as specifically as they can be deduced today. Since there are no contemporary accounts of the techniques used by medieval builders, Fitchen's study brilliantly pieces together clues from manuscript illuminations, from pictorial representations, and from the fabrics of the building themselves.
"Anyone who has caught the fascination of Gothic Churches (and once caught, has almost necessarily got it in the blood) will find this book enthralling. . . . Clearly written and beautifully illustrated." --A. D. R. Caroe, "Annual Review, " Central Council for the Care of Churches
"Fitchen's study is a tribute to the extraordinary creative and engineering skills of successive generations of mediaeval builders. . . . This study enables us to appreciate more fully the technical expertise and improvements which enabled the creative spirit of the day to find such splendid embodiment." --James Lingwood, "Oxford Art Journal"
"Fitchen, in what can only be defined as an architectural detective story, fully explores the problems confronting the medieval vault erectors and uncovers their solution. . . . This is a book that no serious student of architecture will want to miss." --"Progressive Architecture"

Updates the highly acclaimed original edition with extensive new material that relates to the form, essence, and age of each Dutch barn as well as the evolution of the barn building era.

Gregory D. Huber updates John Fitchen's The New World Dutch Barn with extensive new material. Added to Fitchen's descriptions of barn types, framing style, and exterior appearance is research information that relates to the form, fabric, and essence of each Dutch barn. Huber notes the secondary expressions seen in barns in various locations in both New York and New Jersey, the evolution of the barn building tradition, and why only one of the four major tie-beam types found in the Netherlands proliferates in America.

How were huge stones moved from quarries to the sites of Egyptian pyramids? How did the cathedral builders of the Middle Ages lift blocks to great heights by muscle power alone? In this intriguing book John Fitchen explains and illustrates the solutions to these and many other puzzles in preindustrial building construction.This is the first general survey of the practices and role of the builder (as opposed to the designer) in constructing an array of structures. Fitchen's approach gives a valuable hands-on feel for what it's like to work with ropes and ladders, wedges and slings; with crews engaged in well digging, bridge building, and the transporting of obelisks hundreds of miles by water and over land. The buildings discussed range from the tents, tepees, and igloos of nomadic tribes to the monumental pyramids of Egypt, the temples of Greece, the aqueducts of Rome, and the cathedrals of medieval Europe.John Fitchen, a registered architect, is Professor of Fine Arts, Emeritus, at Colgate University and the author of The Construction of Gothic Cathedrals and The New World Dutch Barn.