Outside is dangerous... but inside is terrifying in the heart-pounding new thriller from producer J.J. Abrams that's a companion sequel to Cloverfield.

Waking up from a car accident, a young woman finds herself in the basement of a man who says he's saved her life from a chemical attack that has left the outside uninhabitable. But as his increasingly suspicious actions lead her to question his motives, she'll have to escape in order to discover the truth.

But she is unaware of what awaits her outside...

The Internship (2013)
Vince Vaughn and Owen Wilson star as two former salesmen who, never having managed to come to grips with the digital age, are left high and dry when their employer suddenly decides to call it a day. Staking everything on one last throw of the dice, the pair, defying all the odds, somehow manage to get themselves accepted onto a coveted internship at tech giants Google. But will they be able to keep up the facade once they take up their positions?

The Watch (2012)
Ben Stiller, Vince Vaughn, Jonah Hill and Richard Ayoade star as a group of friends who form a neighbourhood watch group. While Evan Trautwig, a newcomer to the suburban neighbourhood, may have a legitimate reason for forming a crime watch group following the recent murder of a friend, it is clear that for most of the men ulterior motives are at work. Indeed, Bob Finnerty seems to spend a lot more time examining the dating habits of his daughter, Chelsea, than he does looking for threats. However, when the men stumble across what appears to be an alien plan to destroy humankind, they understand where their responsibilities lie and set out to counter the threat.

A compelling, original adventure from director Jordan Vogt-Roberts, the film tells the story of a diverse team of scientists, soldiers and adventurers uniting to explore a mythical, uncharted island in the Pacific, as dangerous as it is beautiful.

Cut off from everything they know, the team ventures into the domain of the mighty Kong, igniting the ultimate battle between man and nature.

As their mission of discovery becomes one of survival, they must fight to escape a primal Eden in which humanity does not belong.

In the 1920s, actor George Valentin is a bona fide matinee idol with many adoring fans. While working on his latest film, George finds himself falling in love with an ingenue named Peppy Miller and, what's more, it seems Peppy feels the same way. But George is reluctant to cheat on his wife with the beautiful young actress.

The growing popularity of sound in movies further separates the potential lovers, as George's career begins to fade while Peppy's star rises.

Academy Award Winner
- Best Picture Of 2011
- Best Director
- Best Actor
- Best Costume Design
- Best Musical Score

This book examines the lives of the Malay and Cham Muslims in Thailand, Cambodia and Vietnam and examines how they co-exist and live in societies that are dominated by an alternative consensus and are illiberal and non-democratic in nature. Focusing on two major Muslim communities in Southeast Asia, both of whom live as minorities in societies that are not democratic and have a history of hostility and repression towards non-conforming ideas, the book explains their circumstances, the choices and life decisions they have to make, and how minorities can thrive in an unfriendly, monocultural environment. Based on original field work and research, the author analyses how people live, and how they adapt to societies which are not motivated by Western liberal ideals of multiculturalism. The book also offers a unique perspective on how Islam develops in an environment where it is seen as alien and disloyal. A useful contribution analyzing historical and post-colonial experiences of Muslim minorities and how they survive and evolve over the course of state monopoly in mainland Southeast Asia, this book will be of interest to academics working on Muslim minorities, Asian Religion and Southeast Asian Studies.

This book examines the lives of the Malay and Cham Muslims in Thailand, Cambodia and Vietnam and examines how they co-exist and live in societies that are dominated by an alternative consensus and are illiberal and non-democratic in nature. Focusing on two major Muslim communities in Southeast Asia, both of whom live as minorities in societies that are not democratic and have a history of hostility and repression towards non-conforming ideas, the book explains their circumstances, the choices and life decisions they have to make, and how minorities can thrive in an unfriendly, monocultural environment. Based on original field work and research, the author analyses how people live, and how they adapt to societies which are not motivated by Western liberal ideals of multiculturalism. The book also offers a unique perspective on how Islam develops in an environment where it is seen as alien and disloyal. A useful contribution analyzing historical and post-colonial experiences of Muslim minorities and how they survive and evolve over the course of state monopoly in mainland Southeast Asia, this book will be of interest to academics working on Muslim minorities, Asian Religion and Southeast Asian Studies.

John Goodman and Diane Keaton star in this festive romantic comedy. On Christmas Eve four generations of the Cooper family reunite to spend the holiday season together. Although matriarch Charlotte Cooper (Keaton) just wants everyone together to enjoy the perfect Christmas, the holiday celebration doesn't quite go according to her plan. Before the festivities even get under way, her daughter Eleanor (Olivia Wilde) convinces a stranger to pose as her new boyfriend for the weekend, her sister Emma (Marisa Tomei) is arrested for shoplifting and their brother Hank (Ed Helms) is struggling to cope with single parenthood. With the whole family under one roof, Charlotte's dreams of a perfect holiday are put in serious jeopardy. The film also stars Alan Arkin, June Squibb and Amanda Seyfried.

New York cop Frank Keller (Al Pacino) is divorced, disenchanted and coming close to retirement. A serial killer strikes in the city, attacking men in their bedrooms and it would seem that a woman using the personal ads is responsible. Keller teams up with fellow cop Sherman (John Goodman), who has also had a serial killer operating on his patch, and together they dream up the idea of placing their own advertisements in the personal columns, dating the women and collecting their fingerprints. One woman who answers the ad is the beautiful and seductive Helen (Ellen Barkin). Frank falls heavily for her and against his better judgement begins an affair with the prime suspect.

The Coen Brothers own unique take on Homer's Odyssey sets the action in 1930s Mississippi, where three clueless convicts escape a chain gang and go in search of buried treasure. This leads to a series of unlikely adventures - involving one-eyed con-men, seductive sirens and Ku Klux Klan lynchings - which culminate with the boys inadvertently discovering fame as hit recording artists The Soggy Bottom Boys. Starring George Clooney, John Turturro and Tim Blake Nelson as the hapless heroes, and featuring a soundtrack jam-packed with American folk standards, 'O Brother, Where Art Thou?' takes its title from the film-within-a-film in Preston Sturges' 1941 classic 'Sullivan's Travels'.

Directed by Michael Bay and produced by Steven Spielberg, this sci-fi action adventure is the fourth instalment in the film series based on the 1980s cartoons. Four years after the invasion of Chicago, mechanic and single parent Cade Yeager (Mark Wahlberg) discovers what he believes to be a dilapidated truck and takes it home to repair. What he really has resting in his garage is a deactivated Optimus Prime (voiced by Peter Cullen). When government officials learn of the discovery they try to push humanitarian boundaries in the name of scientific development.

Taking Freud's seminal essay A Childhood Memory of Leonardo da Vinci as his starting point and opposite, Hubert Damisch uses the preposition 'by' instead of 'of' in the title of his book to indicate that he is searching for a way of doing psychoanalysis with art that does not amount to psychobiography. The book is in some respects a parody of Freud's work on art. The return to Freud was necessary because work in psychoanalysis and art has not solved the problem of what is being analyzed. Damisch studies Piero della Francesca's painting Madonna del Parto as a construction by the artist of what viewers throughout history may have pursued on the basis of their unconscious fantasies involving what Freud considered the most characteristic question of human beings: where do children come from, and how did they get there?

Taking Freud's seminal essay A Childhood Memory of Leonardo da Vinci as his starting point and opposite, Hubert Damisch uses the preposition 'by' instead of 'of' in the title of his book to indicate that he is searching for a way of doing psychoanalysis with art that does not amount to psychobiography. The book is in some respects a parody of Freud's work on art. The return to Freud was necessary because work in psychoanalysis and art has not solved the problem of what is being analyzed. Damisch studies Piero della Francesca's painting Madonna del Parto as a construction by the artist of what viewers throughout history may have pursued on the basis of their unconscious fantasies involving what Freud considered the most characteristic question of human beings: where do children come from, and how did they get there?

One of today's foremost art historians and critics presents a strikingly original view of architecture and the city through the twin lenses of cultural theory and psychoanalysis. Hubert Damisch--whose work on the history of perspective, the notion of imitation, and the question of representation has emerged as the most important body of critical thought on painting since, perhaps, Meyer Shapiro's collected essays--here engages a subject that has been of continuing interest to him over the last thirty years.
In the field of architecture, this book has been awaited for a long time; in the fields of art history and cultural studies, it will be welcomed as a powerful argument for utilizing in an urban context interpretive approaches developed for the analysis of spatial and visual phenomena. Though architecture has served since Descartes as a structural analogy for philosophical discourse and has played a similar role in literature, contemporary studies on architecture have tended to be very specialized, with little regard for their accessibility to scholars in the humanities and social sciences. This book, however, with its solid grounding in architecture and urban theory and its profoundly humanistic approach, will prove deeply rewarding to specialist and generalist alike.
The book engages a wide range of subjects, including reconstructions of the Egyptian labyrinth, architectural museums, European visions of New World cities, the great spaces and national parks of the American West, and landscape gardening in the United States. These subjects work together to develop a unique way of looking at the city and its architecture, the landscape and its spaces.

One of today's foremost art historians and critics presents a strikingly original view of architecture and the city through the twin lenses of cultural theory and psychoanalysis. Hubert Damisch--whose work on the history of perspective, the notion of imitation, and the question of representation has emerged as the most important body of critical thought on painting since, perhaps, Meyer Shapiro's collected essays--here engages a subject that has been of continuing interest to him over the last thirty years.
In the field of architecture, this book has been awaited for a long time; in the fields of art history and cultural studies, it will be welcomed as a powerful argument for utilizing in an urban context interpretive approaches developed for the analysis of spatial and visual phenomena. Though architecture has served since Descartes as a structural analogy for philosophical discourse and has played a similar role in literature, contemporary studies on architecture have tended to be very specialized, with little regard for their accessibility to scholars in the humanities and social sciences. This book, however, with its solid grounding in architecture and urban theory and its profoundly humanistic approach, will prove deeply rewarding to specialist and generalist alike.
The book engages a wide range of subjects, including reconstructions of the Egyptian labyrinth, architectural museums, European visions of New World cities, the great spaces and national parks of the American West, and landscape gardening in the United States. These subjects work together to develop a unique way of looking at the city and its architecture, the landscape and its spaces.

Baseball-themed drama starring Clint Eastwood and Amy Adams. Gus Lobel (Eastwood) is a veteran baseball scout who is nearing the end of his career. Realising that her father is struggling to keep up with the demands of his job as his eyesight deteriorates, Gus's daughter Mickey (Adams) reluctantly agrees to accompany her father on his upcoming scouting venture. Justin Timberlake co-stars as Mickey's love interest Johnny Flanagan, an aspiring sports announcer whose career was first launched when he was scouted by Gus years ago.

An odd couple (Nicolas Cage and Holly Hunter), are desperate for a child but are both infertile, so they kidnap one of the famous Arizona quintuplets, believing that one wouldn't be missed. This proves not to be the case, and a frenetic chase ensues. The Coen brothers ('Barton Fink', 'The Hudsucker Proxy') bring their quirky sensibilities to this comic caper.

Pixar animated sequel to 'Monsters, Inc.' (2001) chronicling the university years of James P. 'Sulley' Sullivan (voice of John Goodman) and Michael 'Mike' Wazowski (Billy Crystal). After meeting in college, Sulley and Mike soon become rivals. When they are rejected from the 'Scare' programme, however, the two put their differences aside and work together in order to fulfil their ambition to become scarers. In the process they join a fraternity of fellow rejects and compete in the Scare Games to prove their worth. The film also features the voice talents of Helen Mirren and Steve Buscemi.