The Internship (2013)
Vince Vaughn and Owen Wilson star as two former salesmen who, never having managed to come to grips with the digital age, are left high and dry when their employer suddenly decides to call it a day. Staking everything on one last throw of the dice, the pair, defying all the odds, somehow manage to get themselves accepted onto a coveted internship at tech giants Google. But will they be able to keep up the facade once they take up their positions?

The Watch (2012)
Ben Stiller, Vince Vaughn, Jonah Hill and Richard Ayoade star as a group of friends who form a neighbourhood watch group. While Evan Trautwig, a newcomer to the suburban neighbourhood, may have a legitimate reason for forming a crime watch group following the recent murder of a friend, it is clear that for most of the men ulterior motives are at work. Indeed, Bob Finnerty seems to spend a lot more time examining the dating habits of his daughter, Chelsea, than he does looking for threats. However, when the men stumble across what appears to be an alien plan to destroy humankind, they understand where their responsibilities lie and set out to counter the threat.

Disney Studios follow-on from their classic adaptation of the Rudyard Kipling stories. The story follows Mowgli (voiced by Haley Joel Osment) as he adapts to life with humans, having followed the girl, Shanti, he saw collecting water at the end of the first film. Finding it hard to live among humans all the time he decides to visit his old friend Baloo (John Goodman) but Shere Khan gets wind of this and he still has an old score to settle.

Based on true events, Argo chronicles the life-or-death covert operation to rescue six Americans, which unfolded behind the scenes of the Iran hostage crisis—the truth of which was unknown by the public for decades.

On November 4, 1979, as the Iranian revolution reaches its boiling point, militants storm the U.S. embassy in Tehran, taking 52 Americans hostage. But, in the midst of the chaos, six Americans manage to slip away and find refuge in the home of the Canadian ambassador. Knowing it is only a matter of time before the six are found out and likely killed, a CIA “exfiltration” specialist named Tony Mendez comes up with a risky plan to get them safely out of the country. A plan so incredible, it could only happen in the movies.

Academy Award Winner
- Best Picture Of 2012
- Best Adapted Screenplay
- Best Editing

In the 1920s, actor George Valentin is a bona fide matinee idol with many adoring fans. While working on his latest film, George finds himself falling in love with an ingenue named Peppy Miller and, what's more, it seems Peppy feels the same way. But George is reluctant to cheat on his wife with the beautiful young actress.

The growing popularity of sound in movies further separates the potential lovers, as George's career begins to fade while Peppy's star rises.

Academy Award Winner
- Best Picture Of 2011
- Best Director
- Best Actor
- Best Costume Design
- Best Musical Score

Vince Vaughn and Owen Wilson star in this comedy about two former salesmen blagging their way onto an internship at Google. Never having managed to come to grips with the digital age, old-school salesmen Billy and Nick (Vaughn and Wilson) are left high and dry when their employer suddenly decides to call it a day. Staking everything on one last throw of the dice, the pair, defying all the odds, somehow manage to get themselves accepted onto a coveted internship at tech giants Google. But just when they think that they've finally cracked it, the cerebrally-challenged duo realise that in order to land the job of their dreams, they're going to have to use every trick in the book to triumph in a winner-takes-all battle against the country's smartest kids.

Get back in the groove with Disney's hilarious all-new movie.

After his wild adventures with Pacha and Emperor Kuzco, lovable lug Kronk, Yzma's former henchman, has happily started a new life as the head chef in his very own diner. An all-new, wacky adventure begins, however, when a llama-gram arrives telling him that his father is due for a visit

Before you can say "squeaker, squeak," Kronk is cooking up trouble with the sly enchantress,Yzma, trying to make himself look like a success, in time for Papi's arrival. After a bunch of big blunders and a massive cheese explosion in the restaurant, Kronk finds himself covered in a heap of trouble.

It is only with the help of friends both old and new that Kronk learns to be true to his groove.

This book examines the lives of the Malay and Cham Muslims in Thailand, Cambodia and Vietnam and examines how they co-exist and live in societies that are dominated by an alternative consensus and are illiberal and non-democratic in nature. Focusing on two major Muslim communities in Southeast Asia, both of whom live as minorities in societies that are not democratic and have a history of hostility and repression towards non-conforming ideas, the book explains their circumstances, the choices and life decisions they have to make, and how minorities can thrive in an unfriendly, monocultural environment. Based on original field work and research, the author analyses how people live, and how they adapt to societies which are not motivated by Western liberal ideals of multiculturalism. The book also offers a unique perspective on how Islam develops in an environment where it is seen as alien and disloyal. A useful contribution analyzing historical and post-colonial experiences of Muslim minorities and how they survive and evolve over the course of state monopoly in mainland Southeast Asia, this book will be of interest to academics working on Muslim minorities, Asian Religion and Southeast Asian Studies.

This book examines the lives of the Malay and Cham Muslims in Thailand, Cambodia and Vietnam and examines how they co-exist and live in societies that are dominated by an alternative consensus and are illiberal and non-democratic in nature. Focusing on two major Muslim communities in Southeast Asia, both of whom live as minorities in societies that are not democratic and have a history of hostility and repression towards non-conforming ideas, the book explains their circumstances, the choices and life decisions they have to make, and how minorities can thrive in an unfriendly, monocultural environment. Based on original field work and research, the author analyses how people live, and how they adapt to societies which are not motivated by Western liberal ideals of multiculturalism. The book also offers a unique perspective on how Islam develops in an environment where it is seen as alien and disloyal. A useful contribution analyzing historical and post-colonial experiences of Muslim minorities and how they survive and evolve over the course of state monopoly in mainland Southeast Asia, this book will be of interest to academics working on Muslim minorities, Asian Religion and Southeast Asian Studies.

Animated comedy featuring the voice of David Spade as Inca Emperor Kuzco, a rich, vain man who takes delight in other people's misfortunes. His former-advisor Yzma (Eartha Kitt) would like to get rid of him and hatches a plan to poison him. But when this is botched by Yzma's assistant and instead the potion turns Kuczo into a lowly (but talking) llama, Kuzco finds that he has to learn what life is like for the people at the bottom. Kuzco enlists the help of a poor farmer (voiced by John Goodman) to get him back to the palace and find a sorcerer that can reverse the spell whilst dodging Yzma and her assistant who are still trying to finish off their evil plan. The film features songs by Sting, one of which was nominated for an Oscar.

Directed by Michael Bay and produced by Steven Spielberg, this sci-fi action adventure is the fourth instalment in the film series based on the 1980s cartoons. Four years after the invasion of Chicago, mechanic and single parent Cade Yeager (Mark Wahlberg) discovers what he believes to be a dilapidated truck and takes it home to repair. What he really has resting in his garage is a deactivated Optimus Prime (voiced by Peter Cullen). When government officials learn of the discovery they try to push humanitarian boundaries in the name of scientific development.

Taking Freud's seminal essay A Childhood Memory of Leonardo da Vinci as his starting point and opposite, Hubert Damisch uses the preposition 'by' instead of 'of' in the title of his book to indicate that he is searching for a way of doing psychoanalysis with art that does not amount to psychobiography. The book is in some respects a parody of Freud's work on art. The return to Freud was necessary because work in psychoanalysis and art has not solved the problem of what is being analyzed. Damisch studies Piero della Francesca's painting Madonna del Parto as a construction by the artist of what viewers throughout history may have pursued on the basis of their unconscious fantasies involving what Freud considered the most characteristic question of human beings: where do children come from, and how did they get there?

Taking Freud's seminal essay A Childhood Memory of Leonardo da Vinci as his starting point and opposite, Hubert Damisch uses the preposition 'by' instead of 'of' in the title of his book to indicate that he is searching for a way of doing psychoanalysis with art that does not amount to psychobiography. The book is in some respects a parody of Freud's work on art. The return to Freud was necessary because work in psychoanalysis and art has not solved the problem of what is being analyzed. Damisch studies Piero della Francesca's painting Madonna del Parto as a construction by the artist of what viewers throughout history may have pursued on the basis of their unconscious fantasies involving what Freud considered the most characteristic question of human beings: where do children come from, and how did they get there?

One of today's foremost art historians and critics presents a strikingly original view of architecture and the city through the twin lenses of cultural theory and psychoanalysis. Hubert Damisch--whose work on the history of perspective, the notion of imitation, and the question of representation has emerged as the most important body of critical thought on painting since, perhaps, Meyer Shapiro's collected essays--here engages a subject that has been of continuing interest to him over the last thirty years.
In the field of architecture, this book has been awaited for a long time; in the fields of art history and cultural studies, it will be welcomed as a powerful argument for utilizing in an urban context interpretive approaches developed for the analysis of spatial and visual phenomena. Though architecture has served since Descartes as a structural analogy for philosophical discourse and has played a similar role in literature, contemporary studies on architecture have tended to be very specialized, with little regard for their accessibility to scholars in the humanities and social sciences. This book, however, with its solid grounding in architecture and urban theory and its profoundly humanistic approach, will prove deeply rewarding to specialist and generalist alike.
The book engages a wide range of subjects, including reconstructions of the Egyptian labyrinth, architectural museums, European visions of New World cities, the great spaces and national parks of the American West, and landscape gardening in the United States. These subjects work together to develop a unique way of looking at the city and its architecture, the landscape and its spaces.

One of today's foremost art historians and critics presents a strikingly original view of architecture and the city through the twin lenses of cultural theory and psychoanalysis. Hubert Damisch--whose work on the history of perspective, the notion of imitation, and the question of representation has emerged as the most important body of critical thought on painting since, perhaps, Meyer Shapiro's collected essays--here engages a subject that has been of continuing interest to him over the last thirty years.
In the field of architecture, this book has been awaited for a long time; in the fields of art history and cultural studies, it will be welcomed as a powerful argument for utilizing in an urban context interpretive approaches developed for the analysis of spatial and visual phenomena. Though architecture has served since Descartes as a structural analogy for philosophical discourse and has played a similar role in literature, contemporary studies on architecture have tended to be very specialized, with little regard for their accessibility to scholars in the humanities and social sciences. This book, however, with its solid grounding in architecture and urban theory and its profoundly humanistic approach, will prove deeply rewarding to specialist and generalist alike.
The book engages a wide range of subjects, including reconstructions of the Egyptian labyrinth, architectural museums, European visions of New World cities, the great spaces and national parks of the American West, and landscape gardening in the United States. These subjects work together to develop a unique way of looking at the city and its architecture, the landscape and its spaces.

Disney Studios follow-on from their classic adaptation of the Rudyard Kipling stories. The story follows Mowgli (voiced by Haley Joel Osment) as he adapts to life with humans, having followed the girl, Shanti, he saw collecting water at the end of the first film. Finding it hard to live among humans all the time he decides to visit his old friend Baloo (John Goodman) but Shere Khan gets wind of this and he still has an old score to settle.

Pixar animated sequel to 'Monsters, Inc.' (2001) chronicling the university years of James P. 'Sulley' Sullivan (voice of John Goodman) and Michael 'Mike' Wazowski (Billy Crystal). After meeting in college, Sulley and Mike soon become rivals. When they are rejected from the 'Scare' programme, however, the two put their differences aside and work together in order to fulfil their ambition to become scarers. In the process they join a fraternity of fellow rejects and compete in the Scare Games to prove their worth. The film also features the voice talents of Helen Mirren and Steve Buscemi.