This book discusses Alasdair MacIntyre's engagement with Marxism from the early 1950s to the present. It begins with his early writings on Marxism and Christianity, moving through his period in the New Left and the Socialist Labour League and International Socialism in the late 1950s and 1960s. It then discusses MacIntyre's break with Marxism by developing the brief but telling five-point critique he gives of Marxism in his 1981 volume After Virtue. Marxism, Ethics and Politics highlights MacIntyre's continuing admiration for much in Marx's thought, noting that his contemporary project is developed in response to what he now sees as the inadequacies of Marxism, particularly Marxist politics. It concludes by examining the place of Marxism in the contemporary MacIntyrean debate and by pointing out the contested nature of the claims about Marxism that MacIntyre makes.

Collection of eleven classic films from influential filmmakers Michael Powell and Emeric Pressburger. 'The Battle of the River Plate' (1956) tells the true story of the famous 1939 naval battle. Hans Langsdorff (Peter Finch) is captaining the crack German battleship Graf Spee through the South Atlantic, unaware that a small number of lightweight British battle cruisers are hot on his trail. When the British cruisers manage to trap the powerful German ship in the Uruguayan harbour of Montevideo, they attempt to trick Langsdorff into believing that an entire battle fleet is waiting to destroy his vessel at sea. In 'A Canterbury Tale' (1944), a British sergeant, a land girl and a United States Army officer arrive at a Kent village on the same train. The newcomers are brought face to face with the bizarre menace causing bewilderment in the tight-knit community: someone is pouring glue onto the hair of girls who dare to venture out at night with visiting servicemen. Powell and Pressburger offered this 'propaganda' piece as their contribution to the war effort, but the authorities were unsure how its oddball tone would go down with the Allies. In '49th Parallel' (1941), Laurence Olivier and Leslie Howard are among the stars who try to prevent Nazi sailors, from a sunken U-Boat, reaching neutral USA through Canada in this classic war film, which was intended to persuade America to join World War II. Pressburger won an Academy Award for the story and the film was directed by Powell. In 'I Know Where I'm Going!' (1945), a woman (Wendy Hiller) has always known what she wanted in life, and now she is about to marry a millionaire. But when she ends up stranded on a Hebredian island due to a storm, she begins to see things a little differently. 'Ill Met By Moonlight' (1957) was the final film created by Powell and Pressburger together. Set on the island of Crete during the Nazi occupation, the film stars Dirk Bogarde and David Oxley as British officers assigned to kidnap the German commander-in-chief General Kreipe (Marius Goring) and spirit him back to Cairo. If successful, the morale of the Germans would be weakened and the resistance would be stronger. But once he is captured, the British officers have to get him past German patrols at almost every turning. In 'The Life and Death of Colonel Blimp' (1943), stuffy ex-soldier Clive Candy (Roger Livesey) recalls his career which began as a dashing officer in the Boer War. As a young man he lost the woman he loved (Deborah Kerr, who plays three roles) to a Prussian officer (Anton Walbrook), whom he fought in a duel only to become lifelong friends with. Candy cannot help but feel that his notions of honour and chivalry are out of place in modern warfare. The film's title comes from 'Evening Standard' cartoonist David Low's satirical comic creation, Colonel Blimp. In 'The Red Shoes' (1948), ballet impressario Boris Lermontov (Walbrook) hires up-and-coming ballerina Victoria Page (Moira Shearer) and talented young composer Julian Craster (Goring) to work with him on a new ballet, an adaptation of the Hans Christian Andersen story 'The Red Shoes'. The show is a great success and Victoria and Julian fall in love, but Boris is jealous and makes moves to spoil their happiness. 'A Matter of Life and Death' (1946) is a classic wartime propaganda movie, commissioned by the Ministry of Information, but turned into a fantastical allegory by the Archers, aka Powell and Pressburger. David Niven plays an RAF pilot who is ready to be picked up by the angels after bailing out of his plane. But an administrative error in Heaven leads to a temporary reprieve, during which he must prove his right to stay on Earth. A tribunal in heaven ensues to decide the case. In 'They're a Weird Mob' (1966), Nino Culotta (Walter Chiari) is an Italian immigrant who arrives in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine has folded, the cousin has done a runner and the money his cousin sent for the fare was borrowed from the daughter of the boss of a local construction firm. 'The Tales of Hoffman' (1951) is an adaptation of Jacques Offenbach's opera and follows Hoffman's (Robert Rounseville) tales of his love for the doll Olympia, the courtesan Giuletta (Ludmilla Tcherina) and the frail diva Antonia (Anne Ayars), and of how his quest for the eternal woman was always thwarted by evil. Finally, in 'Black Narcissus' (1946), a group of British nuns are sent into the Himalayas to set up a mission in what was once the harem's quarters of an ancient palace. The clear mountain air, the unfamiliar culture and the unbridled sensuality of a young prince (Sabu) and his beggar-girl lover (Jean Simmons) begin to play havoc with the nuns' long-suppressed emotions. Whilst the young Mother Superior, Sister Clodagh (Deborah Kerr), fights a losing battle for order, the jaunty David Farrar falls in love with her, sparking uncontrollable jealousy in another nun, Sister Ruth (Kathleen Byron).

This book discusses Alasdair MacIntyre's engagement with Marxism from the early 1950s to the present. It begins with his early writings on Marxism and Christianity, moving through his period in the New Left and the Socialist Labour League and International Socialism in the late 1950s and 1960s. It then discusses MacIntyre's break with Marxism by developing the brief but telling five-point critique he gives of Marxism in his 1981 volume After Virtue. Marxism, Ethics and Politics highlights MacIntyre's continuing admiration for much in Marx's thought, noting that his contemporary project is developed in response to what he now sees as the inadequacies of Marxism, particularly Marxist politics. It concludes by examining the place of Marxism in the contemporary MacIntyrean debate and by pointing out the contested nature of the claims about Marxism that MacIntyre makes.

War drama starring Richard Attenborough, John Gregson and Michael Craig. Captain Williams (Gregson) is a martinet mine expert who undertakes to whip the hitherto lackadaisacal British Long Range Desert Group patrol into shape. This brings him into conflict with patrol leader Captain Cotton (Craig), but earns him the respect of hard-bitten trooper Brody (Attenborough). The wisdom of Williams' no-nonsense approach is demonstrated when the patrol is besieged by the highly-disciplined members of the German Afrika Korps.

Philip Leacock directs this 1960s British film exploring a childhood friendship threatened by a religious divide. Michael O'Malley (Philip Needs), a young Catholic boy, and Rachel Mathias (Loretta Parry), a young Jewish girl, become friends when the former rescues the latter from schoolyard bullies. With both considered outsiders in Protestant England, a strong basis exists for a bond between the pair. However, in their innocence, Michael and Rachel become friends in spite of, rather than because of, their family backgrounds. Distraught when Rachel's parents declare that they are moving away, the pair set off on an adventure that may well change their lives forever...

Sid James triple. In 'The Big Job' (1965), a gang of hapless crooks successfully perpetrate a robbery only to be caught after the fact. Fifteen years later they emerge from prison intent on retrieving their stolen loot - and discover that a police station has been built over its hiding place. Sylvia Syms, Dick Emery, Jim Dale and Joan Sims co-star. In 'Make Mine a Milluion' (1959), an ad-man teams up with a make-up artist in a cunning plot to advertise Bonko detergent on non-commercial television. Despite the trouble it causes, the plan proves a great success and the two chaps soon set up a pirate television station with the intention of beaming their advertisements into other company's TV shows. Again the idea proves successful - but just how long can these two go on avoiding their come-uppance? 'The Lavender Hill Mob' (1951) is a classic Ealing comedy. Nobody would ever suspect gold bullion delivery man Henry Holland (Alec Guinness) of anything other than total devotion to his job. However, with the aid of fellow lodger Pendlebury (Stanley Holloway), he gathers together a gang to carry out a heist, intending to smuggle the gold out of the country by melting it down into miniature models of the Eiffel Tower. All goes well until the consignment of models becomes muddled up with another, non-golden batch. Watch out for an early cameo by Audrey Hepburn.

Young Jim Hawkins (Bobby Driscoll) finds himself set for adventure on the high seas when he is entrusted with a treasure map by ailing pirate Billy Bones.The map shows the location of treasure buried by Bones' former captain, Flint. Other members of Flint's crew are also after the booty, so Jim is accompanied by Squire Trelawney and Doctor Livesy as they make their way by sea to the island where the treasure is hidden. However, some of Flint's crew, led by the one-legged John Silver (Robert Newton), have managed to inveigle their way aboard Jim's ship as crew members, and will stop at nothing to get their hands on the treasure.

Every year, barrister Alan McKim (John Gregson) and wife Wendy (Dinah Sheridan) compete against Alan's friend (and Wendy's former beau), Ambrose Claverhouse (Kenneth More), in the London to Brighton vintage car race. This time round, however, Alan's 1904 roadster, 'Genevieve', breaks down on route. Angered by Ambrose's jokes at the expense of his beloved car, Alan bets his rival that he can beat him on the return journey to London - and the race is on! Larry Adler's harmonica score was nominated for an Oscar. Also included is a 'making of' documentary.

This semi-documentary, which made stars of Jack Hawkins and John Gregson, is a look at life in an RAF fighter station during the Battle of Britain. Set in the Summer of 1940, a squadron of Hurricanes are followed as they take on the massive wave of Luftwaffe fighters and bombers that are intent on breaking down Britain's defences as a prequel to a German invasion. Without the bravery of these pilots Britain may well have been invaded.

A collection of five classic Ealing comedies. 'Kind Hearts and Coronets' (1949) is a period comedy set in the early 20th century. Young Louis Mazzini (Dennis Price) vows to take revenge on his family, the D'Ascoynes, when he learns how they disinherited his mother. Working his way into their trust, Louis begins to bump off his distant relatives (all played by Alec Guinness) one by one, but complications set in when Edith D'Ascoyne (Valerie Hobson), the widow of his first victim, falls in love with him. In 'The Ladykillers' (1955), eccentric landlady Mrs Wilberforce (Katie Johnson) believes her new lodger Professor Marcus (Guinness) and his associates the Major (Cecil Parker), Louis (Herbert Lom), Harry (Peter Sellers) and One-Round (Danny Green) to be amateur musicians. They are in fact, however, the perpetrators of a bank heist, looking to whisk their ill-gotten gains out of London. All goes well until Mrs Wilberforce is persuaded by Marcus to claim his 'trunk' from the station; it is only then that the criminal genius's carefully laid plans begin to go awry. In 'The Man in The White Suit' (1951), Sidney Stratton (Guiness) is a laboratory cleaner in a textile factory who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing. In 'Passport to Pimlico' (1949), an unexploded bomb goes off in Pimlico, uncovering documents which reveal that this part of London in fact belongs to Burgundy in France. An automonous state is set up in a spirit of optimism, but the petty squabbles of everyday life soon shatter the Utopian vision of a non-restrictive nation. Finally, in 'The Lavender Hill Mob' (1951), nobody would ever suspect gold bullion delivery man Henry Holland (Guinness) of anything other than total devotion to his job. However, with the aid of fellow lodger Pendlebury (Stanley Holloway), he gathers together a gang to carry out a heist, intending to smuggle the gold out of the country by melting it down into miniature models of the Eiffel Tower. All goes well until the consignment of models becomes muddled up with another, non-golden batch. Watch out for an early cameo by Audrey Hepburn.

1950s British comedy adapted from Catherine Cookson's novel. Irish binman James Ignatious Rooney (John Gregson) is a ladies' man and an expert hurler. After moving to a wealthier area with the help of businessman Mr Doolan (Liam Redmond), Rooney falls for his landlady's cousin Maire (Muriel Pavlow) and is picked for the Hurling Championship Final. Can he win the championship and Maire's heart?

Classic Ealing comedy about a group of villagers who, angered by British Rail's decision to close down their local branch line, make a bid to run the service themselves, making use of an antique locomotive liberated from a local museum.

Classic Ealing comedy. During the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the menfolk of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty!

World War II submarine drama chronicling British efforts to destroy the German battleship 'Tirpitz' in a Norwegian fjord. John Mills leads a stalwart British cast in this documentary-style film.