When on May 15, 1918 a French lieutenant warned Henry Johnson of the 369th to move back because of a possible enemy raid, Johnson reportedly replied: "I'm an American, and I never retreat." The story, even if apocryphal, captures the mythic status of the Harlem Rattlers, the African-American combat unit that grew out of the 15th New York National Guard, who were said to have never lost a man to capture or a foot of ground that had been taken. It also, in its insistence on American identity, points to a truth at the heart of this book--more than fighting to make the world safe for democracy, the black men of the 369th fought to convince America to live up to its democratic promise. It is this aspect of the storied regiment's history--its place within the larger movement of African Americans for full citizenship in the face of virulent racism--that "Harlem's Rattlers and the Great War" brings to the fore.

With sweeping vision, historical precision, and unparalleled research, this book will stand as the definitive study of the 369th. Though discussed in numerous histories and featured in popular culture (most famously the film "Stormy Weather" and the novel "Jazz"), the 369th has become more a matter of mythology than grounded, factually accurate history--a situation that authors Jeffrey T. Sammons and John H. Morrow, Jr. set out to right. Their book--which eschews the regiment's famous nickname, the "Harlem Hellfighters," a name never embraced by the unit itself--tells the full story of the self-proclaimed Harlem Rattlers. Combining the "fighting focus" of military history with the insights of social commentary, "Harlem's Rattlers and the Great War" reveals the centrality of military service and war to the quest for equality as it details the origins, evolution, combat exploits, and postwar struggles of the 369th.

The authors take up the internal dynamics of the regiment as well as external pressures, paying particular attention to the environment created by the presence of both black and white officers in the unit. They also explore the role of women--in particular, the Women's Auxiliary of the 369th--as partners in the struggle for full citizenship. From its beginnings in the 15th New York National Guard through its training in the explosive atmosphere in the South, its singular performance in the French army during World War I, and the pathos of postwar adjustment--this book reveals as never before the details of the Harlem Rattlers' experience, the poignant history of some of its heroes, its place in the story of both World War I and the African American campaign for equality--and its full importance in our understanding of American history.

The Great War is a landmark history that firmly places the First World War in the context of imperialism. Set to overturn conventional accounts of what happened during this, the first truly international conflict, it extends the study of the First World War beyond the confines of Europe and the Western Front. By recounting the experiences of people from the colonies especially those brought into the war effort either as volunteers or through conscription, John Morrow's magisterial work also unveils the impact of the war in Asia, India and Africa. From the origins of World War One to its bloody (and largely unknown) aftermath, The Great War is distinguished by its long chronological coverage, first person battle and home front accounts, its pan European and global emphasis and the integration of cultural considerations with political.

Morrow does more than simply point at a map and intone locations and dates DEL his characters become dramatic and autonomous. We do not simply learn what they did, we understand it. DEL] Morrow is the sort of compassionate, original historian who gives you faith in the future. The Observer Morrow's] work is lively, informative and based on a lifetime of reading. The Independent ANOTHER book on the First World War? Surely not. But this one is different. With a staggering wealth of reference, John H. Morrow has produced a universal historical tapestry which weaves together the international threads that provide the woof and warp of the conflict that introduced and essentially shaped the most barbaric century in human history. The Morning Star The Great War. An Imperial History is a landmark new history that firmly places the First World War in the context of imperialism. It was the desire for empire, deeply engrained in late nineteenth and early twentieth century politics, which sparked conflicts and then war. giving due weight to the non-European people's impact on the conflict and paying attention to colonial settings of war. Now published for the first time in paperback.

A richly illustrated commemoration of African Americans' roles in World War I highlighting how the wartime experience reshaped their lives and their communities after they returned home. This stunning book presents artifacts, medals, and photographs alongside powerful essays that together highlight the efforts of African Americans during World War I. As in many previous wars, black soldiers served the United States during the war, but they were assigned to segregated units and often relegated to labor and support duties rather than direct combat. Indeed this was the central paradox of the war: these men and women fought abroad to secure rights they did not yet have at home in the States. Black veterans' work during the conflict--and the respect they received from French allies but not their own US military--empowered them to return home and continue the fight for those rights. The book also presents the work of black citizens on the home front. Together their efforts laid the groundwork for later advances in the civil rights movement. We Return Fighting reminds readers not only of the central role of African American soldiers in the war that first made their country a world power. It also reveals the way the conflict shaped African American identity and lent fuel to their longstanding efforts to demand full civil rights and to stake their place in the country's cultural and political landscape.

Suffused with the romance of flight and the harsh realities of aerial combat, Rogers's letters to his fiancee, Isabelle Young, vividly detail his wartime experiences against a lethal and elusive opponent exemplified by the likes of Baron von Richthofen's Flying Circus. Of the three hundred-plus Americans who joined the British air corps in 1917, only Rogers and two dozen other volunteers became "aces" by shooting down five or more German planes. He himself claimed six "kills" in fighting during the Second Battle of the Marne, the Somme Offensive, Cambrai, Ypres-Lys, and six other major engagements.