Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Fruits of the most recent research on the worlds of the eleventh and twelfth centuries. This volume of the Haskins Society Journal furthers the Society's commitment to historical and interdisciplinary research on the early and central Middle Ages, focusing on the Anglo-Saxon, Anglo-Norman, and Angevin worlds.The topics of the essays range from the complexities of landholding and service in England after the Norman Conquest and the place of Portugal in the legal renaissance of the twelfth century, to the purpose and audiences of copiesof Anglo-Saxon charters produced by the late medieval community at Bury St Edmunds. There is an investigation of the hitherto overlooked narrative role of material objects in Orderic Vitalis'History, continuing the Journal's investigation of source-specific analyses, together with an exploration of the date and reliability of an important, but neglected, witness to the Norman conquest of Sicily. Other essays look at the longue duree of the ascetic practice of self-flagellation and its emergence in eleventh-century Italy; the place and meaning of religious practices in crusading, using the De expugnatione Lyxbonensi as laboratory; and aural and visual experience in the life and musical opus of Godric of Finchale. Contributors: Howard B. Clarke, Sarah Foot, John Howe, Monika Otter, Daniel Roach, Charles D. Stanton, Susanna A. Throop, Andre Vitoria.

By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history ... The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life. In A Philosophy of Walking, a bestseller in France, leading thinker Frédéric Gros charts the many different ways we get from A to B-the pilgrimage, the promenade, the protest march, the nature ramble-and reveals what they say about us. Gros draws attention to other thinkers who also saw walking as something central to their practice. On his travels he ponders Thoreau's eager seclusion in Walden Woods; the reason Rimbaud walked in a fury, while Nerval rambled to cure his melancholy. He shows us how Rousseau walked in order to think, while Nietzsche wandered the mountainside to write. In contrast, Kant marched through his hometown every day, exactly at the same hour, to escape the compulsion of thought. Brilliant and erudite, A Philosophy of Walking is an entertaining and insightful manifesto for putting one foot in front of the other.

Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career in the industry. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Against this backdrop, Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. As the conversation develops, Godard expounds on his central concerns - how film can 'resurrect the past', the role of rhythm in film, and how cinema can be an 'art that thinks'. Cinema: the archaeology of film and the memory of a century is a dialogue between Godard and the celebrated cinphile Youssef Ishaghpour. Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history.

To celebrate its 40th anniversary, the first ever illustrated edition of this collection of tales which takes readers further into the stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings depicting scenes from the First, Second and Third Ages of Middle-earth. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories. The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf’s lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Númenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantíri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father’s writings. In celebration of its 40th anniversary, this new edition features 18 stunning paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe & Ted Nasmith, which reveal the three Ages of Middle-earth like never before.

Enter an incredible world of magical beasts, dare to draw near to their captivating powers, and discover the spellbinding stories of 16 favourite mythical creatures from around the world. Venture into this world and you'll discover why griffins collect a gem called agate, how to put out dragon fire, how mischievous elves can cause terrible nightmares, and much, much more. A Miscellany of Magical Beasts is a beautiful, luxurious gift book showcasing a fascinating menagerie of creatures from the world's timeless mythologies and legends. Presented in an incredible package with spectacular cover finishes, it is sure to be treasured by fantasy enthusiasts. Each beast is beautifully illustrated with rich, enchanting artworks, accompanied by amazing facts. Five feature spreads take a different approach to each particular beast - including a gleaming guide to the world's dragons and an enchanting introduction to elf spells and tricks. Imaginative flourishes such as cutaways showing constellations (see where Pegasus's story ends), and a die-cut linking the lustrous feathers of the phoenix with those of the terrifying harpies, make this a truly inspiring exploration of some wonderfully strange creatures. List of beasts included: phoenix, harpy, griffin, Pegasus, dragons, elves, unicorn, centaur, mermaids and mermen, werewolf, troll, sphinx, basilisk, Cerberus, giant, chimera