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This text on communicative ethics, first published in Denmark in
1985, represents an alternative to teleological and deontological
ethics and brings Danish philosophers (such as Kierkegaard,
Logstrup, Gadamer and Habermas) into the Anglo-American debate. A
picture of interpersonal communication emerges via an analysis of
conflicts in Doris Lessing's The Grass is Singing, and the author
identifies a situation based on mutual interdependence and power
relations that must be managed by exercising solidarity.
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Selected Poems (Paperback)
Lars Gustafsson; Translated by John Irons; Introduction by Per W astberg
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Poet, novelist, and philosopher Lars Gustafsson (1936-2016) was one
of Europe's leading literary figures. Much of his writing is
concerned with the search for moral consciousness and the
relationship between personal experience and self-awareness, imbued
with a philosophically founded scepticism toward language. His
poetry is renowned for relating the metaphysical to the mundane
with a particular clarity and precision, illuminating the potency
of ordinary objects and everyday events as he addresses critical
issues that have concerned great thinkers over the centuries. His
first book of poetry to be published in Britain has an introduction
by Per Wastberg. Poetry Book Society Recommended Translation,
shortlisted for the Bernard Shaw Prize 2018 (for translation from
Swedish).
This book provides a new system of communicative ethics which
present an alternative to teleological and deontological ethics. It
brings philosophers such as Kierkegaard, Logstrup, Gadamer and
Habermas into the Anglo-American debate.
Besides products and services multinational corporations also sell
myths, values and immaterial goods. Such "meta-goods" (e.g.
prestige, beauty, strength) are major selling points in the context
of successful marketing and advertising. Fashion adverts draw on
deeply rooted human values, ideals and desires such as values and
symbols of social recognition, beautification and rejuvenation.
Although the reference to such meta-goods is obvious to some
consumers, their rootedness in philosophical theories of human
nature is less apparent, even for the marketers and advertisers
themselves. This book is of special interest for researchers and
students in the fields of Cultural Studies, Media Studies,
Marketing, Advertising, Fashion, Cultural Critique, Philosophy,
Sociology, Anthropology and Psychology, and for anyone interested
in the ways in which fashion operates.
Isn't everyone the 'refrain of other people's lives'? This
collection has to do with the feeling that your own life is
determined by other people.Arnold Jansen op de Haar (1962) moved
from Arnhem to London in 2014. His emigration brought everything
into focus. The poems of this collection combine to form a story.
What makes somebody the person he is?What do you do when everyone
has disappeared and you are the last one?Arnold Jansen op de Haar,
shuttling between two countries, sets out in search of his
history.at my birthmy own father called meson and heir for laterbut
later is lastI am the refrain ofother people's livesI repeat a
self-evident truth
There are creative writers and thinkers who are the origin of words
and expressions that have a long life in history. One of them is
Nikolai Frederik Severin Grundtvig (1783-1872). He is perhaps best
known internationally for his modern ideas about lifelong learning
and a completely new type of school -- the folk high school for
young people as well as adults -- that was to give people the
possibility of developing freely and using their abilities for the
benefit of their national community. In this book we feature a
selection of his well-known hymns and songs. They are among the
most powerful of his entire work marked by an artistic breadth that
is immediately sensed. The present English translations -- the work
of the poet and translator John Irons, in collaboration with the
poet Klaus Hoeck -- can and should be sung at everyday gatherings
of people wishing to express themselves about what is most
important in human existence: faith, hope and love.
A tragic love story about two sisters who cannot live with or
without each other. Far out on the plains of northern Norway stands
a house. It belongs to two middle-aged sisters. They seldom venture
out and nobody visits. The older needs nursing and the younger
keeps house. Then, one day, a man arrives...------- Why Peirene
chose to publish this book: 'This is a tragedy about a woman who
yearns for love but ends up in a painfully destructive conflict
with her sister. It is also a story about loneliness - both
geographical and psychological. Facing the prospect of a life
without love, we fall back into isolating delusions at exactly the
moment when we need to connect.' Meike Ziervogel, Publisher
Dirk van Bastelaere (born 1960) is regarded as one of the leading
poets in Flanders. He came early to prominence with his first
collection 'Vijf jaar' (Five Years, 1984), which was awarded the
prize for the best first collection. In 1988 he published
'Pornschlegel en andere gedichten' (Pornschlegel and other poems),
one of the most hotly debated collections of Flemish poetry in in
recent times, and a volume that was to win for him recognition as
the most important postmodern poet in Flanders. His work has been
strongly influenced by American poets such as Gertrude Stein and
John Ashbery and makes many references to contemporary art and
culture, a fact which has led some critics to attack his work for
its perceived intellectualism. The younger generation of Flemish
poets, however, looks to him as mould-breaker. In 2000, the volume
'Hartswedervaren' (Happenings of the Heart) appeared, and is widely
regarded as his finest book to date. This volume won the Flemish
Culture Prize. Dirk van Bastelaere has also written essays on such
philosophers as Lacan, Barthes and Kristeva. His latest collection,
'Zapruder Stress', will be published in Amsterdam in 2005. The
translations are by Willem Groenewegen, John Irons and Francis R.
Jones.
New poetry collection by Hannie Rouweler, The Netherlands.
Translator Dutch into English: John Irons.
Variations on the theme of the ornament in Kracauer's urban
writings, suggesting ways in which the subjective can reappropraite
urban life. For Siegfried Kracauer, the urban ornament was not just
an aspect of design; it was the medium through which city dwellers
interpreted the metropolis itself. In Ornaments of the Metropolis,
Henrik Reeh traces variations on the theme of the ornament in
Kracauer's writings on urbanism, from his early journalism in
Germany between the wars to his "sociobiography" of Jacques
Offenbach in Paris. Kracauer (1889-1966), often associated with the
Frankfurt School and the intellectual milieu of Walter Benjamin, is
best known for his writings on cinema and the philosophy of
history. Reeh examines Kracauer's lesser-known early work, much of
it written for the trendsetting newspaper Frankfurter Zeitung in
the 1920s and early 1930s, and analyzes Kracauer's continuing
reflections on modern urban life, through the pivotal idea of
ornament. Kracauer deciphers the subjective experience of the city
by viewing fragments of the city as dynamic ornaments; an
employment exchange, a day shelter for the homeless, a movie
theater, and an amusement park become urban microcosms. Reeh
focuses on three substantial works written by Kracauer before his
emigration to the United States in 1940. In the early
autobiographical novel Ginster, Written by Himself, a young
architect finds aesthetic pleasure in the ornamental forms that are
largely unused in the profession of the time. The collection
Streets of Berlin and Elsewhere, with many essays from Kracauer's
years in Berlin, documents the subjectiveness of urban life.
Finally, Jacques Offenbach and the Paris of His Time shows how the
superficial-in a sense, ornamental-milieu of the operetta evolved
into a critical force during the Second Empire. Reeh argues that
Kracauer's novel, essays, and historiography all suggest ways in
which the subjective can reappropriate urban life. The book also
includes a series of photographs by the author that reflect the
ornamental experience of the metropolis in Paris, Frankfurt, and
other cities.
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