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Ornaments of the Metropolis - Siegfried Kracauer and Modern Urban Culture (Paperback, New Ed)
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Ornaments of the Metropolis - Siegfried Kracauer and Modern Urban Culture (Paperback, New Ed)
Series: The MIT Press
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Variations on the theme of the ornament in Kracauer's urban
writings, suggesting ways in which the subjective can reappropraite
urban life. For Siegfried Kracauer, the urban ornament was not just
an aspect of design; it was the medium through which city dwellers
interpreted the metropolis itself. In Ornaments of the Metropolis,
Henrik Reeh traces variations on the theme of the ornament in
Kracauer's writings on urbanism, from his early journalism in
Germany between the wars to his "sociobiography" of Jacques
Offenbach in Paris. Kracauer (1889-1966), often associated with the
Frankfurt School and the intellectual milieu of Walter Benjamin, is
best known for his writings on cinema and the philosophy of
history. Reeh examines Kracauer's lesser-known early work, much of
it written for the trendsetting newspaper Frankfurter Zeitung in
the 1920s and early 1930s, and analyzes Kracauer's continuing
reflections on modern urban life, through the pivotal idea of
ornament. Kracauer deciphers the subjective experience of the city
by viewing fragments of the city as dynamic ornaments; an
employment exchange, a day shelter for the homeless, a movie
theater, and an amusement park become urban microcosms. Reeh
focuses on three substantial works written by Kracauer before his
emigration to the United States in 1940. In the early
autobiographical novel Ginster, Written by Himself, a young
architect finds aesthetic pleasure in the ornamental forms that are
largely unused in the profession of the time. The collection
Streets of Berlin and Elsewhere, with many essays from Kracauer's
years in Berlin, documents the subjectiveness of urban life.
Finally, Jacques Offenbach and the Paris of His Time shows how the
superficial-in a sense, ornamental-milieu of the operetta evolved
into a critical force during the Second Empire. Reeh argues that
Kracauer's novel, essays, and historiography all suggest ways in
which the subjective can reappropriate urban life. The book also
includes a series of photographs by the author that reflect the
ornamental experience of the metropolis in Paris, Frankfurt, and
other cities.
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