It is a startling and somewhat disturbing fact that social work researchers-as well as research psychiatrists and psychologists-have rarely explored the treatment situation from the standpoint of the client. Client and Agency, first published in the 1960s, explores by means of free-fl owing interviews, a close-up picture of the client's experiences at a social work agency. There has been a growing awareness of the importance of consumer opinion in the social services following the wide spread impact of consumer groups, particularly those concerned with educational and medical services. Social work agencies have hesitated, uncertain about the researchers and their methods, and fearful of the outcome. But it is desirable that they incorporate the views of consumer groups because client opinion is one way of checking the effectiveness of their work. The practice of social work requires the application of knowledge derived from a variety of sources and academic disciplines. It is frequently difficult to relate conflicting evidence and diverse theories about human behavior for use in day-to- day work with acutely troubled and deprived people. It points to the need for more extensive studies of both consumers and suppliers of social work services because it raises many pertinent questions. In Client and Agency clients of a Family Welfare Association discuss the kind of help they expect to receive, their impressions of the social worker and the treatment process, and the ways they felt they were helped or not helped.

It is a startling and somewhat disturbing fact that social work researchers-as well as research psychiatrists and psychologists-have rarely explored the treatment situation from the standpoint of the client. "Client and Agency, " first published in the 1960s, explores by means of free-fl owing interviews, a close-up picture of the client's experiences at a social work agency.

There has been a growing awareness of the importance of consumer opinion in the social services following the wide spread impact of consumer groups, particularly those concerned with educational and medical services. Social work agencies have hesitated, uncertain about the researchers and their methods, and fearful of the outcome. But it is desirable that they incorporate the views of consumer groups because client opinion is one way of checking the effectiveness of their work.

The practice of social work requires the application of knowledge derived from a variety of sources and academic disciplines. It is frequently difficult to relate conflicting evidence and diverse theories about human behavior for use in day-to- day work with acutely troubled and deprived people. It points to the need for more extensive studies of both consumers and suppliers of social work services because it raises many pertinent questions. In "Client and Agency" clients of a Family Welfare Association discuss the kind of help they expect to receive, their impressions of the social worker and the treatment process, and the ways they felt they were helped or not helped.

(Easy Guitar). The Strum & Sing series provides an unplugged and pared-down approach just the chords & lyrics with nothing fancy so you can strum along. Here are easy-to-play, artist-approved arrangements of two dozen top tunes by John Mayer: Bigger Than My Body * Come Back to Bed * Daughters * Gravity * Half of My Heart * Slow Dancing in a Burning Room * Vultures * Waiting on the World to Change * Why Georgia * Your Body Is a Wonderland * and more

A young poet wishing to take his own life soon finds events have overtaken him in this experimental 1960s drama from director Don Levy. Disillusioned poet Max (Michael Gothard) decides to commit suicide, but rather than making it a quiet affair, Max contacts the local media so that, he hopes, his name will live on. On the appointed day, however, Max suddenly has a change of heart, but with an eagerly expectant media in attendance, he finds that he is no longer in control of events.

(Play It Like It Is). Here's a stand-out collection of 14 tracks featured on all three of John Mayer's live albums: Any Given Thursday, As/Is, Where the Light Is . The songbook features note-for-note guitar transcriptions with tablature for: Belief * Come When I Call * Comfortable * Every Day I Have the Blues * Gravity * Neon * Vultures * Who Did You Think I Was * Why Georgia * and more Mayer favorites.

(Play It Like It Is). Note-for-note tab transcriptions of the hit "Bigger Than My Body" and 9 others from the sophomore release by singer/songwriter John Mayer: Clarity * Come Back to Bed * Daughters * Home Life * New Deep * Only Heart * Something's Missing * Split Screen Sadness * Wheel. Includes a fact-filled intro and a cool "emoticon" guide to the songs.

(Play It Like It Is). Mayer was recently lauded by Rolling Stone for his massive guitar talent. This folio features notes & tab for all 12 songs from his third CD, including the hits "Gravity" and "Waiting on the World to Change," plus his cover of Hendrix's "Bold as Love." Also includes an intro on the making of the album. Grammy Winner Best Pop Vocal Album

Billy Joel performs live at New York's Shea Stadium in October 2008, just weeks before the iconic arena, home to the New York Mets baseball team for 45 years, was demolished. Billy is joined on stage by special guests including Tony Bennett, Garth Brooks and Paul McCartney.

The Rolling Stone review of John Mayer's major label debut gushed, "The songs are a travelogue of discovery, of love, identity and purpose." Our matching folio features background info on this smart singer/songwriter, and 13 songs, including "Your Body Is a Wonderland," the Grammy winner for Best Male Pop Vocal Performance, and: Back to You * City Love * 83 * Great Indoors * Love Song for No One * My Stupid Mouth * Neon * No Such Thing * Not Myself * St. Patrick's Day * 3X5 * Why Georgia.

A collection of poetry written by a father in the process of grieving his baby daughter. Intended to share the grief and love that loss surfaces.

In 1974, a group of determined, young high school actors started doing plays under the name of Steppenwolf Theatre Company, eventually taking residence in the basement of a church in Highland Park, a suburb of Chicago. Thus began their unlikely journey to become one of the most prominent theatre companies in the world. Steppenwolf Theatre Company has changed the face of American Theatre with its innovative approach that blends dynamic ensemble performance, honest, straightforward acting, and bold, thought-provoking stories to create compelling theatre. This is the first book to chronicle this iconic theatre company, offering an account of its early years and development, its work, and the methodologies that have made it one of the most influential ensemble theatres today. Through extensive, in-depth interviews conducted by the author with ensemble members, this book reveals the story of Steppenwolf's miraculous rise from basement to Broadway and beyond. Interviewees include co-founders Jeff Perry, Gary Sinise and Terry Kinney, along a myriad of ensemble, staff, board members and others.