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40 Lives in 40 Days is a brand-new devotional compilation of MacArthur's extensive studies of the Bible characters who show us that we don't have to be perfect to do God's work. From the twelve disciples to the Samaritan woman, MacArthur shares that Jesus chose average people--fishermen, tax collectors, doubters, political zealots--and gave them a remarkable mission. These encouraging stories, based in Scripture, help shed light on these real men and women who endured struggle, pain, and heartache, just like us. They were perfectly ordinary sinners--living proof of God's kindness--who went on to serve an extraordinary purpose in spreading the gospel. By tracing the lives of these unlikely heroes, MacArthur shows us that the difficulties and temptations that they lived through are the same trials that modern believers face today. Throughout 40 Lives in 40 Days, MacArthur will:
As you get to know each of these 40 figures even better, you'll see why the lives they led can still serve as an inspiration to believers today.
What does spiritual warfare look like for believers today? Authored by
trusted pastor and teacher John MacArthur, Standing Strong: How to
Resist the Enemy of Your Soul offers a practical, biblically sound
approach for facing any spiritual challenge.
Written for coaches and crews that are past beginner level but new to competitive rowing, "High Performance Rowing" doesn't aim to cover every aspect of rowing, but just concentrates on how to make your boat go faster. It is a detailed guide to fitness and strength training, and covers equipment and techniques needed for improving performance at different levels of competition. Topics include tips on improving technique, how to write a training program, and selection of crews.
An exhaustive cross-referencing tool for interpreting Scripture with Scripture. The Bible is its own best commentary. To truly understand what the Bible teaches about a subject, we must consult all of what the Bible itself says about it. The New Treasury of Scripture Knowledge allows you to do just that, providing a selection of other verses which shed light upon, clarify, or explain the verse you are consulting. Unlike a concordance, which is an alphabetical index to the words of the Bible, the cross-references given in the New Treasury are not merely to the same word, but to the same or a related thought, theme, doctrine, subject, concept, or literary motif, even when expressed in entirely different words. Special Features: Indicates degree of clarity, significance, or relationship between references Can be used with any translation or edition of the Bible Is arranged like the Bible (divided into the same books, chapters, and verses) for ease of use Provides a far more complete selection of cross-references than can be found in any other source Contains dozens of special study aids to help you develop powerful lessons or sermons--straight from the Bible itself Contains multiple indexes (subjects, figures of speech, etc.) Uses Strong's numbering system Uses a new font that makes it easier to read than previous versions No combination of other Bible study tools quite duplicates the carefully-research and indexed content in The New Treasury of Scripture Knowledge. When used effectively, this invaluable resource will change your life.
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin's Monument to the Third International and Borromini's dome for Sant'Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant'Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.
This in-depth look at what the Bible has to say about heaven, angels, and the afterlife gives Christians an encouraging glimpse of the home that awaits them.
The words Christ spoke from the cross can inform Christians of the purpose, the meaning, the sufferings, and the sufficiency of his death. After an introduction that discusses the nature of Christ's death as natural, unnatural, preternatural, and supernatural, Dr. Arthur W. Pink clearly illustrates the lessons that can be drawn from Christ's words-lessons on forgiveness, salvation, affection, anguish, suffering, victory, and contentment. This comprehensive and accessible volume is useful for both sermon preparation and personal study.
As we stand on the cusp of a fundamental restructuring of the housing and building industries, this book provides timely insights into the promise of prefabricated housing. The idea of a more industrialised approach to house building is not a new one: since the 19th century, designers, inventors, engineers, builders, developers, and entrepreneurs have all been fascinated by the idea of the factory-built, modular home. But international housing affordability crises, emerging technologies, and concerns for more sustainable building practices have given a new urgency to the need to transform building construction in the 21st century. Richly illustrated and drawing on historical examples and contemporary design studies, the book takes the reader through the foundations of prefab, leading up to a discussion of contemporary problems and opportunities. It includes a broad international survey of leading companies and their products, and draws on research from an international team of experts in the field. This book suggests a future scenario for industrialised house building that will both challenge the existing industry and stimulate the public imagination.
In this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque - when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor - in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows: what the concept of picture does in the picturesque and how this relates to modern theories of the image how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century how visual values such as 'irregularity' become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design why movement is fundamental to picturing the stillness of buildings, cities and landscapes. Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.
In this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque - when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor - in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows: what the concept of picture does in the picturesque and how this relates to modern theories of the image; how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century; how visual values such as 'irregularity' become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design; and why movement is fundamental to picturing the stillness of buildings, cities and landscapes.Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin's Monument to the Third International and Borromini's dome for Sant'Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant'Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.
After years as believers, we can come to find the Christian life too complicated, our zeal diminished, and our relationship with Jesus grown cold and predictable. Award-winning author and respected pastor John MacArthur reminds readers that what's been lost can be found again. This practical tool will help Christians restore the fire and conviction of their first love for Christ by helping them better understand his character, his glory, and his love for them. MacArthur counsels all who want more love for Christ to pursue him by making Christ their focus each day, in every activity, in every contact, and in every thought.
What can God’s creation teach us about ourselves, our communities, and modern Christianity? Talks to Farmers: Inspiring, Uplifting, Faith-Building Meditations, written by world renowned preacher Charles H. Spurgeon, uncovers the lessons we can learn from taking a closer look at nature. Includes Foreword by New York Times bestselling author, pastor, and Spurgeon admirer John MacArthur. < First published in 1882, Talks to Farmers is a collection of nineteen of Spurgeon's best-known sermons. Within each chapter, Spurgeon artfully breaks down biblical parables, psalms, and passages through an agricultural lens to teach you timeless spiritual truths and deepen your relationship with Christ. Updated for today’s reader, this new edition of Talks to Farmers is designed to cultivate your faith along the way. < Talks to Farmers is a hopeful, encouraging read for every Christian. Convicting and enlightening, Spurgeon's style of dissecting a verse and beautifully weaving it back together for its true purpose--to point us to Christ, our everlasting source of hope and joy--truly shines in this modern edition of Talks to Farmers. < Throughout Talks to Farmers, Spurgeon shares the essential life lessons he’s learned about:
Nearly 140 years after these sermons were first delivered, Spurgeon's inspirational messages continue to prove practical and relevant for modern believers, drawing from salt-of-the-earth stories from the Bible that explore our relationship with both God and his creation.
For over 30 years trusted pastor and teacher John MacArthur has delivered practical, Biblical insights for helping Christians grow in their own journey of faith." "Now David C Cook is offering the very best of John MacArthur's Christian living titles in a repackaged and revised format. Based on the timeless originals, these new editions feature a fresh look and study guides for both personal and group reflection, all centered on topics and issues that matter most to believers. We all know that spending time with God is essential to an intimate, growing relationship with Him. Yet many of us struggle to make prayer a consistent, dedicated part of our daily lives. "Alone With God" offers powerful encouragement for anyone longing for a deeper, richer time of prayer. Here John MacArthur turns to the perfect mentor on prayer, Jesus Christ, as he explores the profound insights found in the Lord's Prayer.
Fleeing Europe in 1939 for the Australian state of Queensland, the architect Karl Langer (1903-1969) found himself positioned at the very edge of both European and Australian modernism. Confronted by tropical heat and glare, the economics of affordable housing, fiercely proud regional architectural practices, and a suspicion of the foreign, Langer moulded the European language of international modernism to the unique climatic and social conditions of tropical Australia. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book is both an examination of Langer's work and international legacy, and also a case study in tropical modernism and the trans-global dissemination of design ideas - revealing how Langer sought to reconcile his training in international modernism with a fascination for the formal and visual languages of a regional culture, context, and climate.
Is architecture an art, like literature or music? Or is it more akin to science or engineering? Can buildings be artworks, just like paintings and sculptures, or does their fundamentally functional nature mean they cannot be considered pure works of art? Questions of architecture, art, and aesthetics do not allow for simple answers. But by asking such questions, we can usefully reveal the ways in which the concepts and meanings of architecture have changed over the centuries, and how they continue to change in the contemporary era. Is Architecture Art? explores the key conceptual questions about the aesthetic appreciation of architecture and its persistently contested status as an artform. It engages the work of thinkers ranging from Hume and Kant to Adorno, Tafuri, and Rancière, and draws on accessible and thought-provoking accounts of historical and contemporary architectural and art theory. Taking novel approaches to issues that will be familiar to the practising architect, it shows how aesthetics and art theory can open up and illuminate architectural theory, issue by issue. Is Architecture Art? will provoke discussion and debate among architects and architectural theorists, and force a new understanding of the purpose of architectural practice in the contemporary era as the concepts of ‘art’, ‘the arts’, and of the creative economy have shifted and blurred as never before.
We live in a culture that more and more questions authority, truth
claims, and traditional beliefs. So what are we to believe about
the authority and trustworthiness of a book that is thousands of
years old? Is God's Word truly inerrant? How is it different from
other religious texts? Why should we trust its claims?
Every parent who has lost a child has dealt with disturbing, haunting questions. Why my child? Where is my baby now? Will I ever see my child again? John MacArthur puts parents’ hearts at rest with answers found in Scripture, assuring them that nothing occurs apart from the purposes of God. |
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