John Milsom's selection of 17 of Tallis's shorter anthems and motets includes new editions by Alan Brown and Jason Smart as well as many by himself. The collection is designed to give singers and students alike a useful cross-section of Tallis's output, and includes some of his best-known pieces (freshly edited or revised) together with others that are less familiar. All have general-purpose texts. Critical commentaries are included for each piece, and there is an introduction by the editor.

Salvator Mundi, is suitable for SAATB and optional organ.

Rorate Caeli Desuper, is suitable for unaccompanied SATB.

Ave Maria, is suitable for SATB unaccompanied.

Come Let's Rejoice, is suitable for unaccompanied SATB.

O Lord, Give Thy Holy Spirit, is suitable for unaccompanied SATB.

English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.

English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.