The coming of Diotti to America had awakened more than usual interest in the man and his work. His marvelous success as violinist in the leading capitals of Europe, together with many brilliant contributions to the literature of his instrument, had long been favorably commented on by the critics of the old world. Many stories of his struggles and his triumphs had found their way across the ocean and had been read and re-read with interest. Therefore, when Mr. Henry Perkins, the well-known impresario, announced with an air of conscious pride and pardonable enthusiasm that he had secured Diotti for a limited'' number of concerts, Perkins' friends assured that wide-awake gentleman that his foresight amounted to positive genius, and they predicted an unparalleled success for his star. On account of his wonderful ability as player, Diotti was a favorite at half the courts of Europe, and the astute Perkins enlarged upon this fact without regard for the feelings of the courts or the violinist.

John Philip Sousa's The Washington Post March was written in 1889 for the newspaper's essay-writing competition award ceremony, and very swiftly gained the wide popularity it has retained to this day. Robert Gower's well-crafted and playable arrangement will work well on pretty much any size of instrument, and will make a welcome addition to the organist's repertoire of ceremonial voluntaries for grand occasions.

Simon Rattle leads the Berliner Philharmoniker in this New Year's Eve Concert in Berlin. The orchestra, accompanied by soprano Pauline Malefane and bass-baritone Thomas Quasthoff perform a number of works by John Adams, Samuel Barber, George Gershwin, Jerome Kern and John Philip Sousa.

Simon Rattle leads the Berliner Philharmoniker in this New Year's Eve Concert in Berlin. The orchestra, accompanied by soprano Pauline Malefane and bass-baritone Thomas Quasthoff perform a number of works by John Adams, Samuel Barber, George Gershwin, Jerome Kern and John Philip Sousa.

John Philip Sousa was known to millions of Americans as the "March King," but Sousa was also a formidable writer, as this volume amply demonstrates. The Fifth String sees Sousa laying down his baton and taking picking up his pen to tell the story of Diotti, a renowned violinist, coming to America. This novellette is a must addition to any collection of Sousa's works, musical or otherwise.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

The book contains full scores to five Sousa marches for modern band instruments. These were originally published without scores or condensed scores. The marches in this first volume are: The Stars and Stripes Forever, The Pathfinder of Panama, The Gallant Seventh, The Glory of the Yankee Navy, and Hands Across the Sea. The format is reduced size for study.

The book contains full scores to five Sousa marches for modern band instruments. These were originally published without scores or only condensed scores. The marches in this second volume are: The Stars and Stripes Forever, The Pathfinder of Panama, The Invincible Eagle, Jack Tar, The Liberty bell, The Thunderer, and Washington Post. The format is reduced size for study.