Although examinations have been the traditional method for evaluation of learning outcomes, a variety of alternate evaluation methods are now used, predominantly in graduate education and increasingly in undergraduate education. Written for nurse educators, this book is unique in its provision of rigorous rubrics to promote objective grading. It examines a variety of alternative evaluation methods, discusses how to design them, and best practices for using them.

The book comprehensively addresses the evaluation of learning outcomes, examines different types of assignments and teaching strategies, and tracks the development of grading rubrics. It describes how to design effective assignments for evaluation, and examines in detail specific evaluation methods including best practices for their use and exemplar analytic scoring rubrics. Evaluation methods covered include papers, presentations, concept maps, case studies, and portfolios, and others.

Key Features: Provides rigorous rubrics for objective grading Describes best practices for a variety of teaching/learning strategies Includes guidelines for writing clear assignment descriptions Discusses papers, presentations, concept maps, case studies, portfolios, and more

Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

During the Napoleonic Wars, Sicily was of some tactical importance, and a British garrison was established there in 1806. For the next five years domestic and diplomatic affairs became increasingly complicated, and at last, in 1811, Lord William Bentinck was sent out to restore order. Dr Rosselli's account of his unsuccessful mission is a story of strange people and strange events. The main characters in the drama are colourful enough: King Ferdinand, lazy, irresponsible and likely to withdraw at the sign of trouble to his shooting lodge at La Ficuzza, leaving the affairs of state in the hands of his son; Queen Maria-Carolina, devoid of all common sense, enfeebled by opium and full of violent distrust of British interference; Prince Francis, a broken reed, weak-willed, vacillating, afraid of his parents, as much as of Bentinck; and the politicians of Palermo, occasionally scheming and ambitious, but more often too naive to be reliable.

Verdi's long life spanned Napoleonic rule and the age of broadcasting. He was the last great composer to give direct voice to basic human emotions yet he was not always as straightforward as the directness of his work suggests: he was neither the uneducated peasant he claimed to be nor the conservative nationalist he seemed to become in his later years. In this biography, John Rosselli traces the life and work of a boldly innovative artist. He investigates Verdi's businesslike running of a landed estate as well as a highly successful career, and looks into his complex relationships - still not quite clear - with two women singers: his second wife Giuseppina Strepponi and his probable lover Teresa Stolz. At the same time he considers the music with clarity and insight, dwelling on the most important operas and showing us why they still fill theatres and rouse enthusiasm today.

Mozart was not only an extraordinary musical genius but a man who lived through the great change from the old society to the modern one in which we still live. He was one of the "new men" of the age--his music gives voice to anxieties and consolations that are still ours. This biography sets Mozart's life within the history of an age plunging into revolution and European war. Avoiding guesswork, it probes his crucial relationships with his father, his wife and his employer. It studies--in depth though in nontechnical language--characteristic examples of his music and asks what they can tell us about their author and ourselves.

Vincenzo Bellini's physical beauty, boundless success, and untimely death at the age of thirty-three combined to give him instant mythical status. In John Rosselli's new account, the first in English in twenty-five years, of his life and music, a more accurate view of Bellini emerges. Carefully sorting through fact, legend and even spurious documentation, Rosselli reassesses Bellini's personality, his relationships, and his short but dazzling career in Naples, Milan and Paris. He introduces the operatic world of the early nineteenth century, the singers of Bellini's roles, and, above all he explains the writing and performance of the operas themselves. What emerges from this level-headed biography is a portrait of an otherwise normal young man with uncommon musical gifts.

Verdi's long life spanned Napoleonic rule and the age of broadcasting. In this new biography, John Rosselli considers a boldly innovative artist whose twenty-eight operas still speak to us. He investigates Verdi's businesslike running of a landed estate as well as a highly successful career, and looks into his complex relationships with two women singers: his second wife Giuseppina Strepponi and his probable lover Teresa Stolz. At the same time Roselli reinterprets the operas with novel insights showing us why Verdi still fills theaters and rouses enthusiasm.