"Riveting...A great read, full of colorful characters and outrageous confrontations back when the west was still wild." --George R.R. Martin A propulsive and panoramic history of one of the most dramatic stories never told--the greatest railroad war of all time, fought by the daring leaders of the Santa Fe and the Rio Grande to seize, control, and create the American West. It is difficult to imagine now, but for all its gorgeous scenery, the American West might have been barren tundra as far as most Americans knew well into the 19th century. While the West was advertised as a paradise on earth to citizens in the East and Midwest, many believed the journey too hazardous to be worthwhile--until 1869, when the first transcontinental railroad changed the face of transportation. Railroad companies soon became the rulers of western expansion, choosing routes, creating brand-new railroad towns, and building up remote settlements like Santa Fe, Albuquerque, San Diego, and El Paso into proper cities. But thinning federal grants left the routes incomplete, an opportunity that two brash new railroad men, armed with private investments and determination to build an empire across the Southwest clear to the Pacific, soon seized, leading to the greatest railroad war in American history. In From the River to the Sea, bestselling author John Sedgwick recounts, in vivid and thrilling detail, the decade-long fight between General William J. Palmer, the Civil War hero leading the "little family" of his Rio Grande, and William Barstow Strong, the hard-nosed manager of the corporate-minded Santa Fe. What begins as an accidental rivalry when the two lines cross in Colorado soon evolves into an all-out battle as each man tries to outdo the other--claiming exclusive routes through mountains, narrow passes, and the richest silver mines in the world; enlisting private armies to protect their land and lawyers to find loopholes; dispatching spies to gain information; and even using the power of the press and incurring the wrath of the God-like Robber Baron Jay Gould--to emerge victorious. By the end of the century, one man will fade into anonymity and disgrace. The other will achieve unparalleled success--and in the process, transform a sleepy backwater of thirty thousand called "Los Angeles" into a booming metropolis that will forever change the United States. Filled with colorful characters and high drama, told at the speed of a locomotive, From the River to the Sea is an unforgettable piece of American history "that seems to demand a big-screen treatment" (The New Yorker).

This book examines the economic circumstances in which films were produced, distributed, exhibited, and consumed during the spoken era of film production until 1970. The periodisation covers the years between the onset of sound and the demise of the phased distribution of films. Films are generally appreciated for their aesthetic qualities. But they are also commodities. This work of economic history presents a new approach, considering consumption behaviour as significant as supply-side decision-making. Audiences' tastes are considered central, with box-office an indicator of what they liked. The POPSTAT Index of Film Popularity is used as a proxy where box office knowledge is missing. Comparative analysis is conducted through the tool RelPOP. The book comprises original case studies covering film consumption in Great Britain, the Netherlands, Sweden, and the United States during the 1930s; Australia and occupied Belgium during the Second World War; and Italy, the United States, Poland and Czechoslovakia during the Post-war. An overriding theme is how the classical American business model, which emerged during the 1910s linking production to distribution and exhibition, adapted to local circumstances, including the two countries behind the Iron Curtain during the years of 'High Stalinism'.

An astonishing untold story from the nineteenth century--a "riveting...engrossing...'American Epic'" (The Wall Street Journal) and necessary work of history that reads like Gone with the Wind for the Cherokee. "A vigorous, well-written book that distills a complex history to a clash between two men without oversimplifying" (Kirkus Reviews), Blood Moon is the story of the feud between two rival Cherokee chiefs from the early years of the United States through the infamous Trail of Tears and into the Civil War. Their enmity would lead to war, forced removal from their homeland, and the devastation of a once-proud nation. One of the men, known as The Ridge--short for He Who Walks on Mountaintops--is a fearsome warrior who speaks no English, but whose exploits on the battlefield are legendary. The other, John Ross, is descended from Scottish traders and looks like one: a pale, unimposing half-pint who wears modern clothes and speaks not a word of Cherokee. At first, the two men are friends and allies who negotiate with almost every American president from George Washington through Abraham Lincoln. But as the threat to their land and their people grows more dire, they break with each other on the subject of removal. In Blood Moon, John Sedgwick restores the Cherokee to their rightful place in American history in a dramatic saga that informs much of the country's mythic past today. Fueled by meticulous research in contemporary diaries and journals, newspaper reports, and eyewitness accounts--and Sedgwick's own extensive travels within Cherokee lands from the Southeast to Oklahoma--it is "a wild ride of a book--fascinating, chilling, and enlightening--that explains the removal of the Cherokee as one of the central dramas of our country" (Ian Frazier). Populated with heroes and scoundrels of all varieties, this is a richly evocative portrait of the Cherokee that is destined to become the defining book on this extraordinary people.

The movie industry boomed in the twentieth century, and is still going strong today. However, the economics of movies has been curiously under explored until now. Innovative and informative, this accessible book, which includes contributions from some of the leading experts in the area, is a huge step forward in our understanding of this important topic.

The economics of the movie industry has been curiously neglected by scholars, especially given the material circumstances in which film has been produced, distributed and exhibited in capitalist economies and its central importance in the lives of the huge numbers attracted to it as a commodity. This book provides an economic framework for understanding developments in film history. Film is a peculiar commodity with a unique set of characteristics. The topic hence is interesting and covered with aplomb by the contributors to the volume. The book includes sections on: long-term trends in the film industry the transformation of film from a primitive commodity to a heavily branded product the operation of the studio system the end of the studio system in post-war America the role and payment of stars Hollywood's approach to risk during the 1990s. Experts from the UK and North America have come together in these pages and the result is a readable, insightful and enlightening book that will gain many fans amongst those with an interest in the economics of film, economic historians, film historians and aficionados of the movie industry generally.

A dead body floating by a pier. An elderly woman curled up on a bed in a department store. A psychiatrist searching for her own identity. These are the pieces of the puzzle that, in John Sedgwick's masterful novel of psychological suspense, begin to come into focus when Madeline Bemis is referred to the treatment of Dr. Alice Matthews at Montrose Psychiatric Hospital.

Mrs. Bemis's treatment gradually peels back the layers of a disturbing past whose shameful secrets and hidden sorrows stem from the war years of the 1940s -- and reveals an unexpected link to the floating corpse. Mrs. Bemis's awakening sparks an intimacy between the two women that goes beyond an ordinary doctor/patient relationship -- but also makes it clear that Mrs. Bemis's recovery, and perhaps even her safety, depends on quickly coming to terms with her secret history.

In what the Washington Post has called "the scoop of the century," the author and political operative John Sedgwick discovered Mitt Romney's secret tell-all memoir in the Romney family vault in the basement of the Mormon tabernacle built in 1867 by Mitt Romney's great grandfather. Never intended for publication, DREAMS FROM MY FATHER, OKAY? lays out, for the first time, aspects of the Romney psyche that have long been baffling mysteries. Among them: Romney's reservations about his Mormon faith, his troubled marriage, his tortured relationship with his father, his insatiable political ambitions, his sexual hang-ups, and his abiding hatred for his dog, Seamus. Fiercely controversial, this work has become the center of an intense legal dispute that is likely to take years to resolve. The book's many revelations have already been seized on by both presidential campaigns, and the memoir seems destined to be a pivotal issue in the fall election. "Amazing in its way, but nowhere near as good as mine." President Barack Obama, author of Dreams From My Father. "I always thought the guy was nuttier than a barrel full of pecans--but now I know I was wrong. It's two barrels." James Carville, political consultant, author of Had Enough? A Handbook for Fighting Back "If you believe his memoir, as I do, Mr. Romney is utterly preposterous. If I were to ask, which is the least ridiculous thing about him--his religion, his politics, his character, or his dog, no one would doubt the answer." Mark Twain, author of Huckleberry Finn.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Hints On The Establishment Of Public Industrial Schools For The Working Classes John Sedgwick Business & Economics; Labor; Business & Economics / Labor

Title: Antinomianisme anatomized, or, A glasse for the lawlesse: who deny the ruling use of the morall law unto Christians under the Gospel.Author: John SedgwickPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP02989300CollectionID: CTRG99-B1161PublicationDate: 16430101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Collation: 8], 46 p

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