Early modern Spain was a global empire in which a startling variety of medical cultures came into contact, and occasionally conflict, with one another. Spanish soldiers, ambassadors, missionaries, sailors, and emigrants of all sorts carried with them to the farthest reaches of the monarchy their own ideas about sickness and health. These ideas were, in turn, influenced by local cultures. This volume tells the story of encounters among medical cultures in the early modern Spanish empire. The twelve chapters draw upon a wide variety of sources, ranging from drama, poetry, and sermons to broadsheets, travel accounts, chronicles, and Inquisitorial documents; and it surveys a tremendous regional scope, from Mexico, to the Canary Islands, the Iberian Peninsula, Italy, and Germany. Together, these essays propose a new interpretation of the circulation, reception, appropriation, and elaboration of ideas and practices related to sickness and health, sex, monstrosity, and death, in a historical moment marked by continuous cross-pollination among institutions and populations with a decided stake in the functioning and control of the human body. Ultimately, the volume discloses how medical cultures provided demographic, analytical, and even geographic tools that constituted a particular kind of map of knowledge and practice, upon which were plotted: the local utilities of pharmacological discoveries; cures for social unrest or decline; spaces for political and institutional struggle; and evolving understandings of monstrousness and normativity. Medical Cultures of the Early Modern Spanish Empire puts the history of early modern Spanish medicine on a new footing in the English-speaking world.

Russell's classic examination of the relation between individual experience and the general body of scientific knowledge. It is a rigorous examination of the problems of an empiricist epistemology.

Early modern Spain was a global empire in which a startling variety of medical cultures came into contact, and occasionally conflict, with one another. Spanish soldiers, ambassadors, missionaries, sailors, and emigrants of all sorts carried with them to the farthest reaches of the monarchy their own ideas about sickness and health. These ideas were, in turn, influenced by local cultures. This volume tells the story of encounters among medical cultures in the early modern Spanish empire. The twelve chapters draw upon a wide variety of sources, ranging from drama, poetry, and sermons to broadsheets, travel accounts, chronicles, and Inquisitorial documents; and it surveys a tremendous regional scope, from Mexico, to the Canary Islands, the Iberian Peninsula, Italy, and Germany. Together, these essays propose a new interpretation of the circulation, reception, appropriation, and elaboration of ideas and practices related to sickness and health, sex, monstrosity, and death, in a historical moment marked by continuous cross-pollination among institutions and populations with a decided stake in the functioning and control of the human body. Ultimately, the volume discloses how medical cultures provided demographic, analytical, and even geographic tools that constituted a particular kind of map of knowledge and practice, upon which were plotted: the local utilities of pharmacological discoveries; cures for social unrest or decline; spaces for political and institutional struggle; and evolving understandings of monstrousness and normativity. Medical Cultures of the Early Modern Spanish Empire puts the history of early modern Spanish medicine on a new footing in the English-speaking world.

From 1931 to 1935 Bertrand Russell was one of the regular contributors to the literary pages of the New York American, together with other distinguished authors such as Aldous Huxley and Vita Sackville-West. Mortals and Others presents a selection of his essays, ranging from the politically correct to the perfectly obscure: from Is the World Going Mad? to Should Socialists Smoke Good Cigars? Even though written in the politically heated climate of the 1930s, these essays are surprisingly topical and engaging for the present-day reader. Mortals and Others serves as a splendid, fresh introduction to the compassionate eclecticism of Bertrand Russell's mind.

`It is the nearest thing to a systematic philosophy written by one who does not believe in systems of philosophy. Its scope is encyclopedic ... a joy to read.' - Sydney Hook, New York Times

`His intelligibility comes of stating things directly as he himself sees them, sharply defined and readily crystallised in the best English philosophical style.' - TLS

`Of peculiar importance in that it is an exemplar, for the general reader, of Russell's special contribution to human knowledge. In it he applies with his usual lucidity and wit, the methods of inquiry, which he has done so much to develop, to the question of how we come to know whatever we do know about the universe.' - The Observer

'Philosophy, from the earliest times, has made greater claims, and acheived fewer results than any other branch of learning ... I believe that the time has now arrived when this unsatisfactory state of affairs can be brought to an end' - Bertrand Russell So begins Our Knowledge of the Eternal World, Bertrand Russell's classic attempt to show by means of examples, the nature, capacity and limitations of the logico-analytical method in philosophy.

Our Knowledge of the External World is a compilation of lectures Bertrand Russell delivered in the US in which he questions the very relevance and legitimacy of philosophy. In it he investigates the relationship between 'individual' and 'scientific' knowledge and questions the means in which we have come to understand our physical world. This is an explosive and controversial work that illustrates instances where the claims of philosophers have been excessive, and examines why their achievements have not been greater.

A young pianist (Anne Todd) is prone to fits of depression and suicide attempts. With the help of a psychiatrist (Herbert Lom), she begins to unravel her past, rediscover her true identity and work out who she really loves, in order to enable her to play again. James Mason stars as her sadistic guardian.

Series Information:
Collected Papers of Bertrand Russell

This volume contains Russell's reviews of and introductions to other philosophical works including his famous introduction to Wittgenstein's Tractatus Logico-Philosophicus.

This book is not a treatment of the theory of design patterns. We show design patterns applied in real-world architectural scenarios so that you can see them in action and see the benefits that they bring. It explains why it's worth spending time building design patterns into your applications, even though this may seem at odds with Rapid Application Development. After a fast-paced introduction to design patterns, the core of this book consists of three case studies, which show how design patterns are applied in each of the main tiers of an application: the data, business, and presentation layers. These case studies flesh out the reader's understanding of design patterns, and show how they can be employed in real scenarios that will be instantly recognizable to all VB .NET programmers. The book also shows how design patterns can be used in conjunction with .NET Remoting, so that they can be applied not just within individual tiers, but across them as well. Since many VB .NET programmers may not be completely familiar with UML, we also provide a UML primer as an appendix.

During the period covered by this volume, Bertrand Russell first retired from and then resumed his philosophical career. In 1927 he published two philosophy books, The Analysis of Matter and An Outline of Philosophy. His next book in academic philosophy, An Inquiry into Meaning and Truth, was not published until 1940.
Yet, Russell published a significant amount of essays and popular books between 1927 and 1946, mostly to finance the running of Beacon Hill School, and his growing family. Those years also saw his break-up with Dora Russell, his marriage to Patricia (Peter) Spence and a move of the family to the United States.
Volume 10 brings together Russell's writings on ethics, politics, religion and academic philsophy. It is an invaluable guide to the thought and development of one of the most famous philosophers of this century.

Series Information:
Collected Papers of Bertrand Russell

This volume collects together all of Russell's philosophical papers inspired by his work with Whitehead on "Principia Mathematica."

Gregory Peck stars in this classic adaptation of Mark Twain's short story of the same name. When American sailor Henry Adams (Peck) comes across two wealthy brothers who have, with the help of the Bank of England, developed a single note with a value of one million pounds, he finds himself part of an unusual wager.

Starring Robert Beatty, Jack Warner and Simone Signoret, it is the story of a diverse group of people from very different backgrounds, who were brought together in one of the strangest enterprises of the war. Sabotage was their job; sabotage organised from London in the form of macabre practical jokes as ingenious as they were injurious to the enemy. The work was over-clouded with the constant fear of discovery – and what it would mean.