One of the most influential and compelling books in American literature, Walden is a vivid account of the years that Henry D. Thoreau spent alone in a secluded cabin at Walden Pond. This edition--introduced by noted American writer John Updike--celebrates the perennial importance of a classic work, originally published in 1854. Much of Walden's material is derived from Thoreau's journals and contains such engaging pieces from the lively "Where I Lived, and What I Lived For" and "Brute Neighbors" to the serene "Reading" and "The Pond in the Winter." Other famous sections involve Thoreau's visits with a Canadian woodcutter and with an Irish family, a trip to Concord, and a description of his bean field. This is the complete and authoritative text of Walden--as close to Thoreau's original intention as all available evidence allows. This is the authoritative text of Walden and the ideal presentation of Thoreau's great document of social criticism and dissent.

"In the vast literature of love, "The Seducer's Diary" is an intricate curiosity--a feverishly intellectual attempt to reconstruct an erotic failure as a pedagogic success, a wound masked as a boast," observes John Updike in his foreword to Soren Kierkegaard's narrative. This work, a chapter from Kierkegaard's first major volume, "Either/Or," springs from his relationship with his fiancee, Regine Olsen. Kierkegaard fell in love with the young woman, ten years his junior, proposed to her, but then broke off their engagement a year later. This event affected Kierkegaard profoundly. Olsen became a muse for him, and a flood of volumes resulted. His attempt to set right, in writing, what he feels was a mistake in his relationship with Olsen taught him the secret of "indirect communication." "The Seducer's Diary," then, becomes Kierkegaard's attempt to portray himself as a scoundrel and thus make their break easier for her.

Matters of marriage, the ethical versus the aesthetic, dread, and, increasingly, the severities of Christianity are pondered by Kierkegaard in this intense work."

By turns heartbreaking, hilarious, and utterly human, The House of God is a mesmerizing and provocative novel about what it really takes to become a doctor. "The raunchy, troubling, and hilarious novel that turned into a cult phenomenon. Singularly compelling...brutally honest."-The New York Times Struggling with grueling hours and sudden life-and-death responsibilities, Basch and his colleagues, under the leadership of their rule-breaking senior resident known only as the Fat Man, must learn not only how to be fine doctors but, eventually, good human beings. A phenomenon ever since it was published, The House of God was the first unvarnished, unglorified, and uncensored portrait of what training to become a doctor is truly like, in all its terror, exhaustion and black comedy. With more than two million copies sold worldwide, it has been hailed as one of the most important medical novels ever written. With an introduction by John Updike

"Rabbit, Run "is the book that""established John Updike as one of the major American novelists of his--or any other--generation. Its hero is Harry "Rabbit" Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty--even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler's edge.

The first book of prose published by either James Thurber or E. B. White, Is Sex Necessary? combines the humor and genius of both authors to examine those great mysteries of life -- romance, love, and marriage. A masterpiece of drollery, this 75th Anniversary Edition stands the test of time with its sidesplitting spoof of men, women, and psychologists; more than fifty funny illustrations by Thurber; and a new foreword by John Updike.

John Updike’s twentieth novel, like his first, The Poorhouse Fair (1959), takes place in one day, a day that contains much conversation and some rain. The seventy-eight-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, through the story of her own career, the triumphant, poignant saga of postwar American art. In the evolving relation between the two women, the interviewer and interviewee move in and out of the roles of daughter and mother, therapist and patient, predator and prey, supplicant and idol. The scene is central Vermont; the time is the early spring of 2001.


From the Hardcover edition.

Written in diary form, "The Diary of Adam and Eve" is an ingenious, witty, and ultimately delightful retelling of the dawn of human creation with many a grain of truth for today's gender disputes. Master storyteller Mark Twain hilariously recreates the very first days, portraying Adam as something of a recluse, and a man who is ill prepared for the arrival of Eve, a talkative, emotional, and highly charged female. Yet in time, and after many moments of conflict, they begin to learn to live together and come to realize that men and women can, in fact, exist in harmony.

John Updike's first collection of nonfiction pieces, published in 1965 when the author was thirty-three, is a diverting and illuminating gambol through midcentury America and the writer's youth. It opens with a choice selection of parodies, casuals, and "Talk of the Town" reports, the fruits of Updike's boyish ambition to follow in the footsteps of Thurber and White. These "jeux d'esprit "are followed by "Hub Fans Bid Kid Adieu," an immortal account of Ted Williams's last at-bat in Fenway Park; "The Dogwood Tree," a Wordsworthian evocation of one Pennsylvania childhood; and five autobiographical essays and stories. Rounding out the volume are classic considerations of Nabokov, Salinger, Spark, Beckett, and others, the earliest efforts of the book reviewer who would go on to become, in "The New York Times"'s estimation, "the pre-eminent critic of his generation." Updike called this collection "motley but not unshapely." Some would call it a classic of its kind.

Herman Melville (1819-91) brought as much genius to the smaller-scale literary forms as he did to the full-blown novel: his poems and the short stories and novellas collected in this volume reveal a deftness and a delicacy of touch that is in some ways even more impressive than the massive, tectonic passions of Moby-Dick. In a story like "Bartleby, the Scrivener" -- one of the very few perfect representatives of the form in the English language -- he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In "Benito Cereno," he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime's magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.

In this sequel to "Rabbit, Run, " John Updike resumes the spiritual quest of his anxious Everyman, Harry "Rabbit" Angstrom. Ten years have passed; the impulsive former athlete has become a paunchy thirty-six-year-old conservative, and Eisenhower's becalmed America has become 1969's lurid turmoil of technology, fantasy, drugs, and violence. Rabbit is abandoned by his family, his home invaded by a runaway and a radical, his past reduced to a ruined inner landscape; still he clings to semblances of decency and responsibility, and yearns to belong and to believe.

Sally is big, blonde and pampered. She's married to Richard. But she loves Jerry. Jerry loves Sally in return, but he's also still in love with his wife Ruth. Who's been sleeping with Richard ... As a hot, feverish summer of snatched weekends, secret phone calls and illicit lovemaking on the beach comes to a head, it turns out everyone knows more than they've been letting on. And that no one knows quite when to stop.

The last priest is on the run. During an anti-clerical purge in one of the southern states of Mexico, he is hunted like a hare. Too human for heroism, too humble for martyrdom, the little world 'whisky priest' is nevertheless impelled towards his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers. A baleful vulture of doom hovers over this modern crucifixion story, but above the vulture soars an eagle - the inevitability of the Church's triumph.

Since the series' inception in 1915, the annual volumes of The Best American Short Stories have launched literary careers, showcased the most compelling stories of each year, and confirmed for all time the significance of the short story in our national literature. Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best -- fifty-six extraordinary stories that represent a century's worth of unsurpassed achievements in this quintessentially American literary genre. This expanded edition includes a new story from The Best American Short Stories 1999 to round out the century, as well as an index including every story published in the series. Of all the writers whose work has appeared in the series, only John Updike has been represented in each of the last five decades, from his first appearance, in 1959, to his most recent, in 1998. Updike worked with coeditor Katrina Kenison to choose the finest stories from the years since 1915. The result is "extraordinary . . . A one-volume literary history of this country's immeasurable pains and near-infinite hopes" (Boston Globe).

The first book in his award-winning 'Rabbit' series, John Updike's Rabbit, Run contains an afterword by the author in Penguin Modern Classics. It's 1959 and Harry 'Rabbit' Angstrom, one time high school sports superstar, is going nowhere. At twenty-six he is trapped in a second-rate existence - stuck with a fragile, alcoholic wife, a house full of overflowing ashtrays and discarded glasses, a young son and a futile job. With no way to fix things, he resolves to flee from his family and his home in Pennsylvania, beginning a thousand-mile journey that he hopes will free him from his mediocre life. Because, as he knows only too well, 'after you've been first-rate at something, no matter what, it kind of takes the kick out of being second-rate'. John Updike (1932-2009) was born in Shillington, Pennsylvania. He graduated from Harvard College in 1954, and spent a year at Oxford, England, at the Ruskin School of Drawing and Fine Art. From 1955 to 1957 he was a member of staff at The New Yorker. Updike was the author of twenty-one novels as well as numerous collections of short stories, poems and criticism, and is one of only three authors to win more than one Pulitzer Prize. His most famous works are the Harry 'Rabbit' Angstrom series, all of which are published in Penguin Modern Classics: Rabbit, Run (1960), Rabbit Redux (1971), Rabbit is Rich (1981) and Rabbit at Rest (1990). If you enjoyed Rabbit, Run, you might like Don DeLillo's Americana, also available in Penguin Modern Classics. 'It is sexy, in bad taste, violent and basically cynical. And good luck to it' Angus Wilson, Observer 'That special polish, that brilliance; Updike is among the best' Malcolm Bradbury 'Brilliant and poignant ... By his compassion, clarity of insight, and crystal-bright rose, [Updike] makes Rabbit's sorrow his and our own' Washington Post

It's 1979 and Rabbit is no longer running. He's walking, and beginning to get out of breath. That's OK, though - it gives him the chance to enjoy the wealth that comes with middle age. It's all in place: he's Chief Sales Representative and co-owner of Springer motors; his wife, at home or in the club, is keeping trim; he wears good suits, and the cash is pouring in. So why is it that he finds it so hard to accept the way that things have turned out? And why, when he looks at his family, is he haunted by regrets about all those lives he'll never live?

Self-Consciousness
One of our finest novelists now gives us his most dazzling creation -- his own life. In six eloquent and compelling chapters, the author of The Witches of Eastwick and the wonderful Rabbit trilogy gives us an incitingly honest look at the makings of an American writer -- and of an American man.
Here is Updike on his childhood, on ailments both horrible (psoriasis) and hilarious (his experiences at the hands of a dentist), on his stuttering, on his feelings during the Vietnam War, on his genealogy. and on that most elusive of subjects, his innermost self. What emerges is a fascinating, fully formed portrait -- candid, often very, funny, and always illuminating.
John Updike

"From the Paperback edition."

Using details of the ancient Scandinavian legends that were the inspiration for Hamlet, John Updike brings to life Gertrude's girlhood as the daughter of King Rorik, her arranged marriage to the man who becomes King Hamlet, and her middle-aged affair with her husband's younger brother.

As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

Trio marks the first time these three shorter Pinget works are collected in a single volume. From the sublime surrealism of Between Fantoine and Agapa, through the Faulknerian take on rural life in That Voice, to the musical rhythm and flow of Passacaglia, this collection charts the varied career of one of the French New Novel's true luminaries.The space between the fictional towns of Fantoine and Agapa is akin to Faulkner's Yoknapatawpha County: an area where provincialism is neither romanticized nor parodied; where intrigue -- often violent intrigue -- confronts the bucolic ideal held both by insiders and outsiders; and where reality is shaped not by events, but by talk and gossip, by insinuation and conjecture. Written over the course of his career, these three novels are by turns hilarious and dark, surreal and painstakingly accurate; together they demonstrate the consistent quality of Pinget's versatility.

"IT WILL LEAVE YOU STUNNED AND BREATHLESS. . . . With grand ambition, [Updike] not only tracks the fortunes and falls of an American family through four generations and eight decades but also creates a shimmering, celluloid portrait of the whole century as viewed through the metaphor of the movies."

--Miami Herald



"AN IMPORTANT AND IMPRESSIVE NOVEL: a novel that not only shows how we live today, but also how we got there. . . . A book that forces us to reassess the American Dream and the crucial role that faith (and the longing for faith) has played in shaping the national soul."

--The New York Times



"STIRRING AND CAPTIVATING AND BEAUTIFULLY WRITTEN . . . [This] new novel displays a depth and a narrative confidence that make one sigh with sweet anticipation. This is the Updike of the Rabbit books, who can take you uphill and down with his grace of vision, his gossamer language, and his merciful, ironic glance at the misery of the human condition. "

--The Boston Globe



"AWESOME . . . Updike's genius, his place beside Hawthorne and Nabokov have never been more assured, or chilling."

--The New Yorker



"POWERFUL."

--The Atlanta Journal Constitution