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Le present livre propose de reflechir sur le texte, produit d'une activite discursive susceptible d'etre mesuree aux differents niveaux de son architecture - aussi bien a l'echelle de la sequence qu'a l'echelle de l'oeuvre entiere. Les enjeux de notre recherche s'articulent autour de la fragmentation et du fragment, deux notions pertinentes qui ne sont pas ici apprehendees en tant qu'agent perturbateur, voire destructeur d'un ensemble regi par un ordre canonique ou par une norme, mais comme une invitation a (re)penser les potentialites latentes de la structure etablie. This book proposes reflections on the text, which we treat as a product of discursive activity that we observe at various levels of its architecture - both at the sequence level and in relation to the global structure. Our research focuses on fragmentation and fragment, two important concepts that we capture here not as a destructive factor for the whole structure according to the canonical order or norm, but as an invitation to reconsider the hidden potential of a once fixed structure.
L'oeuvre litteraire peut etre apprehendee comme un espace ou agissent simultanement deux forces opposees. D'une part, il s'agit des forces de decomposition qui travaillent sa structure, augmentant l'entropie du systeme textuel; de l'autre, il y a des forces de reequilibrage qui tendent a relier, a federer les parties disjointes afin de reussir une (im)possible unite. Les travaux developpes dans ce livre etudient differents aspects du fonctionnement formel et semantique du fragment dans la litterature francaise et francophone. Ils demontrent que la decomposition de la forme ne vise pas la destruction de l'oeuvre, mais permet de faire ressortir son potentiel de recreation. A literary work can be considered as a place under the influence of opposing forces. On the one hand, there are deconstructing forces which, by affecting the structure, interfere with its continuity; on the other hand, there are counteracting forces that seek to connect separated parts to create a new unity. The contributions in this book examine the formal and semantic functioning of a fragment in French and Francophone literature. They prove that the decomposition of form does not cause the destruction of the work, but releases all its creative potential.
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