Che Guevara's legend is unmatched in the modern world. Since his assassination in 1967 at the age of 39, the Argentine revolutionary has become an internationally famed icon, as revered as he is controversial. A Marxist ideologue, he sought to end global inequality by bringing down the American capitalist empire through armed guerrilla warfare - and has few rivals in the Cold War era as an apostle of change. In Che: A Revolutionary Life, Jon Lee Anderson and Jose Hernandez reveal the man behind the myth, creating a complex portrait of this passionate idealist. Adapted from Anderson's masterwork, Che transports us from young Ernesto's medical school days to the battlefields of the Cuban revolution; from his place of power alongside Castro to his disastrous sojourn in the Congo, and his violent end in Bolivia. Through renowned Mexican artist Jose Hernandez's drawings, we feel the bullets fly past in Cuba; smell the smoke of Castro's cigars; and scrutinize the face of the weary guerrilla as he is called 'Comandante' for the first time. With astonishing precision, colour, and drama, Che makes us first-hand witnesses to the revolutionary life and times of this historic figure. Combining Anderson's unprecedented access and research with Hernandez's emotionally gripping artwork, Che resurrects the man for a new generation of readers.

“There are photographs in this book that will stay in the hearts and minds of the people who view them, and who, like Corinne Dufka, will resolve to make it their life’s purpose to do what they can to help stop war.� — Jon Lee Anderson, staff writer, The New Yorker   This is War presents a tour de force of one of most celebrated women war photographers of her generation. From 1988 to 1999, Capa Gold Medal winner and Pulitzer Prize–nominated photographer Corinne Dufka covered some of the bloodiest conflicts of the late twentieth century. The devastatingly powerful and intimate images in this book chart revolutions and coups, separatist movements, and mass atrocities across nine different countries on three continents.  Starting in El Salvador during the Cold War, This Is War moves onto Bosnia, and then Africa, where Dufka reported on the Rwandan genocide and conflicts in South Sudan, Liberia, Sierra Leone, Burundi, Ethiopia, and the Congo. Her photographs are as brutal as they are tender, as mournful as they are meaningful, and are, above all, a testament to the profound toll conflict leaves in its wake. Her images interrogate abuse of power, celebrate defiance, and seek out the humanity of civilians and combatants who lives were torn apart by war.    More than just a documentary, This is War is an extraordinary photographic record of war and personal enlightenment. It adds to the historical record of many under-covered conflicts and of the role of women in photojournalism, and urges the viewer to interrogate why conflict in many countries covered in the book, persist to this day.    After leaving photojournalism, Dufka went on to a career as a war crimes investigator, for which she was, in 2003, awarded a MacArthur Fellowship.  In her introduction to This is War, she notes: “These images beseech us to work harder to honor those who have perished and protect the rest of us from humanity’s worst, most abject failure: its capacity for war.�

"Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis-and its ongoing cost in an age of increasing urgency." -Jeremy Garber, Powell's Books "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." -Stephen Sparks, Point Reyes Books"Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017."-Katharine Solheim, Unabridged Bookstore "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see."-Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt."-Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential."-Mark Haber, Brazos Bookstore

A New York Times Notable Book of the year. Acclaimed around the world and a national best-seller, this is the definitive work on Che Guevara, the dashing rebel whose epic dream was to end poverty and injustice in Latin America and the developing world through armed revolution. Jon Lee Anderson's biography traces Che's extraordinary life, from his comfortable Argentine upbringing to the battlefields of the Cuban revolution, from the halls of power in Castro's government to his failed campaign in the Congo and assassination in the Bolivian jungle. Anderson has had unprecedented access to the personal archives maintained by Guevara's widow and carefully guarded Cuban government documents. He has conducted extensive interviews with Che's comrades--some of whom speak here for the first time--and with the CIA men and Bolivian officers who hunted him down. Anderson broke the story of where Guevara's body was buried, which led to the exhumation and state burial of the bones. Many of the details of Che's life have long been cloaked in secrecy and intrigue. Meticulously researched and full of exclusive information, Che Guevara illuminates as never before this mythic figure who embodied the high-water mark of revolutionary communism as a force in history.

New Yorker staff writer Jon Lee Anderson arrived in Afghanistan to report for the magazine ten days before U.S. bombers began pounding Al Qaeda and Taliban forces. His dispatches provide an unprecedented and riveting on-the-ground account of the Afghan conflict, and his e-mails to the magazine -- selections of which frame the pieces here -- paint a vivid behind-the-scenes portrait of war journalism. From the battle for the Taliban bastion of Kunduz and the interim government's clumsy takeover of Kabul, to the search for Osama bin Laden in the Tora Bora caves and the truth of Al Qaeda's assassination of charismatic Northern Alliance leader Ahmad Shah Massoud -- two days before September 11, 2001 -- Anderson offers an unprecedented look into the forces that shape the conflict and the players who may threaten Afghanistan's future. In the distinguished tradition of New Yorker war reporting, The Lion's Grave illuminates a region to which we will be inextricably bound for some time to come.

El Salvador and Honduras have had the highest homicide rates in the world over the past ten years, with Guatemala close behind. Every day more than 1,000 people-men, women, and children-flee these three countries for North America. Oscar Martinez, author of The Beast, named one of the best books of the year by the Economist, Mother Jones, and the Financial Times, fleshes out these stark figures with true stories, producing a jarringly beautiful and immersive account of life in deadly locations. Martinez travels to Nicaraguan fishing towns, southern Mexican brothels where Central American women are trafficked, isolated Guatemalan jungle villages, and crime-ridden Salvadoran slums. With his precise and empathetic reporting, he explores the underbelly of these troubled places. He goes undercover to drink with narcos, accompanies police patrols, rides in trafficking boats and hides out with a gang informer. The result is an unforgettable portrait of a region of fear and a subtle analysis of the North American roots and reach of the crisis, helping to explain why this history of violence should matter to all of us.

For every great historical event, there is seemingly always one reporter whose eyewitness accounts are infused with such power and literary impact that they become joined with the subject in our minds. Widely considered the on-the-ground authority by both journalists and news sources, Jon Lee Anderson's dispatches out of Baghdad for the "New Yorker" were hailed as the best writing published anywhere on the war. "The Fall of Baghdad" is a masterpiece of literary reportage about the experience of ordinary Iraqis living through the endgame of the Saddam Hussein regime, its violent fall, and the troubled American occupation. In channeling a tragedy of epic dimensions through the stories of real people caught up in the whirlwind of history, Jon Lee Anderson has written a book of timeless significance.

Prior to gaining international renown for his definitive biography of Che Guevara and first-hand reporting on the war in Iraq for the "New Yorker," Jon Lee Anderson wrote "Guerrillas," a pioneering account of five diverse insurgent movements around the worldathe mujahedin of Afghanistan, the FMLN of El Salvador, the Karen of Burma, the Polisario of Western Sahara, and a group of young Palestinians fighting against Israel in the Gaza Strip. Making the most of unprecedented, direct access to his subjects, Anderson combines powerful, firsthand storytelling with balanced, penetrating analysis of each situation. A work of phenomenal range, analytical acuity, and human empathy, "Guerrillas" amply demonstrates why Jon Lee Anderson is one of our most important chroniclers of societies in crisis.

During the years he spent among the Marsh Arabs of southern Iraq Wilfred Thesiger came to understand, admire and share a way of life that had endured for many centuries. Travelling from village to village by canoe, he won acceptance by dispensing medicines and treating the sick. In this account of his time there he pays tribute to the hospitality, loyalty, courage and endurance of the people, describes their impressive reed houses, the waterways and lakes teeming with wildlife, the herding of buffalo and hunting of wild boar, moments of tragedy and moments of pure comedy, all in vivid, engaging detail. Untouched by the modern world until recently, these independent people, their way of life and their surroundings have suffered widespread destruction under the regime of Saddam Hussein. Wilfred Thesiger's magnificent account of his time spent among them is a moving testament to their now threatened culture and the landscape they inhabit.

Collecting Jon Lee Anderson's African chronicles for the first time, this book demonstrates why he is considered to be one of the world's best journalists. With a bravery that borders on recklessness, the author doesn't hesitate to venture into extreme places and situations, teeming with chaos and violence, so that he can later narrate what he observed with great objectivity. Rarely does he allow himself to take sides, which makes his narration of the complicated realities he witnesses that much more effective. In his chronicles from Liberia, Angola, Sao Tome, Zimbabwe, Somalia, Guinea, Sudan, and Libya during Gaddafi's last days, the author gains direct access to the highest echelons of power, revealing to readers what resides in the minds of leaders, including some of the bloodiest dictators. Additionally, he takes the time to learn the common man's story so as to give a voice to those who invariably suffer from the tyrants' excesses and bloody political struggles. "Reuniendo por primera vez las cronicas de Africa de Jon Lee Anderson, este libro demuestra por que es considerado uno de los mejores periodistas del mundo. Con una valentia que raya en lo temerario, el autor no duda en aventurarse en lugares y situaciones limite, de caos y violencia totales, para posteriormente narrar lo observado con una gran objetividad. Rara vez se permite tomar partido, lo cual vuelve mucho mas efectivo su relato de las realidades tan complicadas que presencia. En sus cronicas desde Liberia, Angola, Santo Tome, Zimbabue, Somalia, Guinea, Sudan y la Libia de los ultimos dias de Gaddafi, el autor consigue acceso directo a las mas altas esferas del poder, revelando al lector de que estan pobladas las mentes de los lideres, incluyendo a algunos de los mas sanguinarios dictadores. A la vez, se da el tiempo de conocer el relato del hombre comun para lograr darle voz a aquellos que invariablemente padecen los excesos de los tiranos y de las encarnizadas luchas politicas."

In his documentary work, photographer Guillaume Bonn (born in Madagascar) has been recording social and political events in Congo, Rwanda, Tanzania, or Somalia for publications such as the New York Times, Guardian Magazine, and Vanity Fair. For the artist, who lives in Paris, Nairobi, and London, his East African home has become today's "Mosquito Coast": much the same as during the colonial era in the region in the eastern Caribbean called the Miskito or Mosquito Coast after its indigenous people, eastern Africa is currently experiencing a transformation-mosquito- and malaria-ridden, marked by the traces of dictatorship and war, at the mercy of the consumption and commerce of the Western world. Guillaume Bonn's photographs present the old Africa in its unrelentingly vibrant native culture in the midst of modern skyscrapers, new highways, and what are purported to be technical improvements. "I cannot push away this feeling of sadness I have in seeing all these changes. My antidote has been to document the old Africa struggling to survive and the new one that is emerging." Guillaume Bonn