A new, narrative history of the Renaissance that takes in the whole of Europe and its global context, written by one of the UK’s foremost art critics and respected writers on art. What was the 'Renaissance'? In the nineteenth century this flowering of creativity and thought was celebrated as the birth of the modern world. Today many historians are sceptical about its very existence. Earthly Delights rekindles the Renaissance as a seismic change in European mentalities, in a panoramic history that encompasses Florence and Bruges, London and Nuremberg. Artists from northern as well as southern Europe, including Leonardo, Bosch, Bruegel and Titian, star in a captivating and beautifully illustrated narrative that sets their lives against a period of convulsive change across a continent that was finding itself as it ‘discovered’ the world. Art critic and writer Jonathan Jones tells the story of Renaissance artists as pioneers, adventurers and ‘geniuses’, a Renaissance concept. Albrecht Dürer gazes with wonder on Aztec art in Brussels in 1520, Leonardo da Vinci tries to perfect a flying machine, Hieronymus Bosch finds inspiration in West African ivory carvings imported by the Portuguese to Antwerp. A then unknown Netherlandish painter, Pieter Bruegel, arrives in 1550s Rome just as Michelangelo is striving in the same city to raise the new St Peter’s Basilica towards heaven. From Atlantic voyages to Germanic woods, Italian palazzi to the royal castle of Prague, this was an age when people dared to experiment with the occult and dabble in utopias: to think and create new worlds.

This book brings together previous work by the authors that explores the location of foreign direct investment. It uses a broad range of approaches and quantitative techniques. The issues that are addressed concern the changing nature of FDI location, its determinants, and the role of policy in attracting FDI. The chapters of this book focus on the UK experience, but also analyse the location determinants at a European level. The authors present expert analysis that charts the increase in FDI since the mid-1980s and examines the shift in manufacturing and service location, arguing that these result from policy changes and the creation of the European Single Market. Overall, the book finds that the regional benefit of FDI location is unlikely to be long-lasting, owing both to the nature of plant reinvestment and to the effect of agglomeration economics on FDI location.

The Romance of Regionalism in the Work of F. Scott and Zelda Fitzgerald: The South Side of Paradise explores resonances of "Southernness" in works by American culture's leading literary couple. At the height of their fame, F. Scott and Zelda Fitzgerald dramatized their relationship as a romance of regionalism, as the charming tale of a Northern man wooing a Southern belle. Their writing exposes deeper sectional conflicts, however: from the seemingly unexorcisable fixation with the Civil War and the historical revisionism of the Lost Cause to popular culture's depiction of the South as an artistically deprived, economically broken backwater, the couple challenged early twentieth-century stereotypes of life below the Mason-Dixon line. From their most famous efforts (The Great Gatsby and Save Me the Waltz) to their more overlooked and obscure (Scott's 1932 story "Family in the Wind," Zelda's "The Iceberg," published in 1918 before she even met her husband), Scott and Zelda returned obsessively to the challenges of defining Southern identity in a country in which "going south" meant decay and dissolution. Contributors to this volume tackle a range of Southern topics, including belle culture, the picturesque and the Gothic, Confederate commemoration and race relations, and regional reconciliation. As the collection demonstrates, the Fitzgeralds' fortuitous meeting in Montgomery, Alabama, in 1918 sparked a Southern renascence in miniature.

Artemisia Gentileschi was the greatest female artists of the Baroque age. In Artemisia Gentileschi, critic and historian Jonathan Jones discovers how Artemisia overcame a turbulent past to become one of the foremost painters of her day. As a young woman Artemisia was raped by her tutor, and then had to endure a seven-month-long trial during which she was brutally examined by the authorities. Gentileschi was shamed in a culture where honour was everything. Yet she went on to become one of the most sought-after artists of the seventeenth century. Yet she went on to become one of the most sought-after artists of the seventeenth century. Gentileschi's art communicated a powerful personal vision. Like Frida Kahlo, Louise Bourgeois or Tracey Emin, she put her life into her art. 'Lives of the Artists'is a new series of brief artists biographies from Laurence King Publishing. The series takes as its inspiration Giorgio Vasari's five-hundred-year-old masterwork, updating it with modern takes on the lives of key artists past and present. Focusing on the life of the artist rather than examining their work, each book also includes key images illustrating the artist's life.

This accessible and expertly written introduction and overview of Tracey Emin's life offers a completely up-to-date view on the work of one of the most important and respected artists working today. From some of her previously unpublished early works from the 1980s, through the period of the 'Young British Artists' when she first found international fame, and up to her very latest works - many also published here for the first time - The Guardian's art critic Jonathan Jones brings together Tracey Emin's complete career into one concise and essential volume.

The best-selling Guardian art critic Jonathan Jones presents a radical new story of British art.   "Sensations is a riveting story of art and science: thoughtful, provocative and persuasive" - The Times   "Erudite, impassioned, fascinating" - Financial Times   “Sensations brilliantly marshals Jones’s extensive research into engaging narratives of British intellectual history… Compelling.� Times Literary Supplement   “I even loved Jonathan’s writing when he slagged my work off! He is a true thinker, a brilliant art historian who can back up his criticism with more than just opinion.� – Tracey Emin   “Sensations presents a radically new story of British art. It connects the artists of today with British culture more than three hundred years ago as it finds an unexpected thread that links William Hogarth and Tracey Emin, Thomas Gainsborough and Lucian Freud. What they share is an eye for the real world. I hope this book will change how you see Britain, and its art.� – Jonathan Jones   What is the artistic impulse uniting Robert Hooke's drawings of insects, George Stubbs's studies of horses and Damien Hirst's pickled shark? In this new and spirited account of British art, Jonathan Jones argues for empiricism. From the Enlightenment to the present, British artists have shared a passion for looking hard at the world around them. Jones shows how this zeal for precision and careful observation paved the way for Realism, Impressionism and the birth of modern art.   This essential art book is a must-read for fans of Gombrich’s The Story of Art and the perfect introduction to British art history.     Also by Laurence King Publishing: - A World History of Art by John Fleming and Hugh Honour (9781856695848) - The Short Story of Art by Susie Hodge (9781780679686)

The renowned Oxford Chemistry Primer series, which provides focused introductions to a range of important topics in chemistry, has been refreshed and updated to suit the needs of today's students, lecturers, and postgraduate researchers. The rigorous, yet accessible, treatment of each subject area is ideal for those wanting a primer in a given topic to prepare them for more advanced study or research. Moreover, cutting-edge examples and applications throughout the texts show the relevance of the chemistry being described to current research and industry. The learning features provided, including questions at the end of every chapter and online multiple-choice questions, encourage active learning and promote understanding. Furthermore, frequent diagrams, margin notes, further reading, and glossary definitions all help to enhance a student's understanding of these essential areas of chemistry. NMR: The Toolkit describes succinctly the range of NMR techniques commonly used in modern research to probe the structures and properties of molecules in liquids. Emphasis is placed throughout on how these experiments actually work, giving a unique perspective on this powerful experimental tool. Online Resource Centre The Online Resource Centre to accompany NMR The Toolkit: How Pulse Sequences Work features: For registered adopters of the text: * Figures from the book available to download For students: * Full worked solutions to the end-of-chapter exercises

Compiled in close collaboration with the artist and unprecedented in its scope, this definitive book collects ten years of Tracey Emin s drawings, paintings, sculptures, appliques and embroideries, neons, video stills, and installations. A multimedia artist whose intensely personal work blurs the boundaries between art and life, Emin remains one of the most highly publicised contemporary British artists and continues to stir as much controversy as she has acclaim. Moving chronologically through a prolific decade of work from major public installations to recent reflective paintings and sculptures this book shows a coherent vision that defies the idiosyncrasies of Emin s evolution as an artist. The same mixture of anger, hope, curiosity, and vulnerability that informs her delicate drawings and handwritten neon works can be felt in the darker tones of recent monoprints and the weight of later bronze pieces. Written by Jonathan Jones, whose text places Emin s work in a broad art-historical context and sees this recent decade of her artwork as an entry point to examining her full career, this is a beautiful monograph on one of the world s most influential living artists.

This centennial catalogue celebrates the remarkable achievements of the Whitechapel Gallery between 1901-2001. Featuring essays by Jonathan Jones, Jeremy Millar, Guy Brett, Mark Francis, Catherine Lampert, Jon Newman, Juliet Styen, Marco Livingstone, Felicity Lunn, Paul Bonaventura, Rachel Lichtenstein and Alan Dein, Janeen Haythornthwaite and Brandon Taylor. Artists surveyed include Ian McKeever, Tim Head, Alfredo Jaar, Ian Breakwell, Susana Solano, Cathy de Monchaux, Tunga, Boyd Webb, Matthew Higgs and Paul Noble, Zarina Bhimji, Hamish Fulton and John Murphy

In 1504, the informal rivalry between two of the most celebrated artists in Florence became a direct competition. Michelangelo was commissioned to paint a scene from the ancient battle of Cascina on a wall of the Palazzo Vecchio--in the same room where Leonardo da Vinci had already been commissioned to paint a scene from another great Florentine victory, the battle of Anghiari. As the paintings progressed, Michelangelo set out to prove that his work, not Leonardo's, embodied the future of art. In fact, the influence of both is visible in the works of subsequent generations of artists.
Historian and art critic Jonathan Jones offers a riveting exploration of this great rivalry, which would become a turning point in the careers of both men, and brings to life an era of fascinating political and cultural transformation.

Plant Biology is a new textbook written for upper-level undergraduate and graduate students. It is an account of modern plant science, reflecting recent advances in genetics and genomics and the excitement they have created. The book begins with a review of what is known about the origins of modern-day plants. Next, the special features of plant genomes and genetics are explored. Subsequent chapters provide information on our current understanding of plant cell biology, plant metabolism, and plant developmental biology, with the remaining three chapters outlining the interactions of plants with their environments. The final chapter discusses the relationship of plants with humans: domestication, agriculture and crop breeding. Plant Biology contains over 1,000 full color illustrations, and each chapter begins with Learning Objectives and concludes with a Summary.