Disney animated feature following a naive and curious lion cub as he struggles to find his place in nature's great 'circle of life'. Simba (voice of Jonathan Taylor Thomas/Matthew Broderick) is excited about being king of the pride but is forced into exile by his evil and greedy uncle, Scar (Jeremy Irons), who wants to claim the throne for himself. Away from his family, Simba meets a meerkat named Timon (Nathan Lane) and a warthog named Pumbaa (Ernie Sabella). With the help of his new friends he overcomes great fear and adversity to defeat Scar and take his rightful place as ruler of the Pride Lands.

These are tales from the post-industrial scablands – stories of austerity, poverty, masochism and migration. The people here are sick, lonely, lost, half-living in the aftermath of upheaval or trauma. A teacher obsessively canes himself. A neurologist forgets where home is. A starving woman sells hugs in an abandoned kiosk. Yet sometimes, even in the twilit scablands, there’s also beauty, music, laughter. Sometimes a town square is filled with bubbles. Sometimes sisters dream they can fly. Sometimes an old man plays Bach to an empty street, two ailing actors see animal shapes in clouds, a cancer survivor searches for a winning lottery ticket in her rundown flat. And sometimes Gustav Mahler lives just round the corner, hoarding rare records in a Stoke terrace.

Cuneiform script on tablets of clay is, as far as we know, the oldest form of writing in the world. The choice of clay as writing medium in ancient Mesopotamia meant that records of all kinds could survive down to modern times, preserving fascinating documents from ancient civilization, written by a variety of people and societies. From reading these tablets we can understand not only the history and economics of the time but also the beliefs, ideas and superstitions. This new book will bring the world in which the cuneiform was written to life for the non-expert reader, revealing how ancient inscriptions can lead to a new way of thinking about the past. It will explain how this pre-alphabetic writing really worked and how it was possible to use cuneiform signs to record so many different languages so long ago. Richly illustrated with a wealth of fresh examples ranging from elementary school exercises to revealing private letters or beautifully calligraphic literature for the royal library, we will meet people that arent so very different from ourselves. We will read the work of many scribes from mundane record keepers to state fortune tellers, using tricks from puns to cryptography. For the first time cuneiform tablets and their messages are not remote and inaccessible, but wonderfully human documents that resonate today.

Disney animated feature following a naive and curious lion cub as he struggles to find his place in nature's great 'circle of life'. Simba (voice of Jonathan Taylor Thomas/Matthew Broderick) is excited about being king of the pride but is forced into exile by his evil and greedy uncle, Scar (Jeremy Irons), who wants to claim the throne for himself. Away from his family, Simba meets a meerkat named Timon (Nathan Lane) and a warthog named Pumbaa (Ernie Sabella). With the help of his new friends he overcomes great fear and adversity to defeat Scar and take his rightful place as ruler of the Pride Lands.

An Introduction to Statistical Learning provides an accessible overview of the field of statistical learning, an essential toolset for making sense of the vast and complex data sets that have emerged in fields ranging from biology to finance, marketing, and  astrophysics in the past twenty years. This book presents some of the most important modeling and prediction techniques, along with relevant applications. Topics include linear regression, classification, resampling methods, shrinkage approaches, tree-based methods, support vector machines, clustering, deep learning, survival analysis, multiple testing, and more. Color graphics and real-world examples are used to illustrate the methods presented. This book is targeted at statisticians and non-statisticians alike, who wish to use cutting-edge statistical learning techniques to analyze their data. Four of the authors co-wrote An Introduction to Statistical Learning, With Applications in R (ISLR), which has become a mainstay of undergraduate and graduate classrooms worldwide, as well as an important reference book for data scientists. One of the keys to its success was that each chapter contains a tutorial on implementing the analyses and methods presented in the R scientific computing environment. However, in recent years Python has become a popular language for data science, and there has been increasing demand for a Python-based alternative to ISLR. Hence, this book (ISLP) covers the same materials as ISLR but with labs implemented in Python. These labs will be useful both for Python novices, as well as experienced users.

'God is dead,' Nietzsche famously declared in The Gay Science; but this book will investigate God's surprising persistence and resurrection in the works of even the most seemingly atheistic of writers, who continue to deploy Judaic and Christian narratives and tropes even as they radically rewrite them in the face of new cultural, political and scientific imperatives. Contributors explore the range, power and implication of Christian and Jewish heresies in canonical Anglo-American writers -- including Edgar Allan Poe, Thomas Hardy, Robert Louis Stevenson, T S Eliot, John Steinbeck and Jim Crace -- as well as in some less familiar texts: the Mormon Scriptures of Joseph Smith and various Victorian rewritings of the Book of Esther. A polemical essay by Michelene Wandor reflects on conceptions of Jewishness, which she finds in need of heretical renewal. Valentine Cunningham's provocative introduction argues that the acts of literary writing and reading are necessarily heretical. A coda to the book, 'Between Heresy and Superstition', takes as its motto Thomas Huxley's observation in 1881 that 'It is the customary fate of new truths to begin as heresies and to end as superstitions.';Contributions offer readers a rare opportunity of witnessing an extended academic exchange -- exploring the process by which former heresies may indeed risk ossification as new kinds of doctrinal conformity. Bryan Cheyette's critique of the 'Christian Albums' of Bob Dylan is answered by Kevin Mills's essay which uncovers heretical possibility even in this most seemingly orthodox part of Dylan's work. The revitalisation of heresy in literary interpretations, as well as in our religious thinking, forms the guiding objective of this exciting critical book.

Shortlisted for the 2013 East Midlands Book Award Entertaining Strangers is a tragi-comedy about the eccentric Edwin Prince - a depressive intellectual obsessed with high culture and ants - and the mysterious, homeless narrator Jules, who gradually unravels Edwin's impossible relationships with his landlady, neurotic mother, psychotic brother, domineering ex-wife, dead grandfather and, above all, his ant-farm. At the same time, Jules continually experiences traumatic memories full of fire and water, and gradually a terrible pre-history emerges from beneath all of the other stories, which seems somehow to shape both Jules's fiery dreams and Edwin's obsessions - a great fire, massacre and one girl's drowning in Smyrna, 75 years earlier.

Laughter, Literature, Violence, 1840-1930 investigates the strange, complex, even paradoxical relationship between laughter, on the one hand, and violence, war, horror, death, on the other. It does so in relation to philosophy, politics, and key nineteenth- and twentieth-century literary texts, by Edgar Allan Poe, Edmund Gosse, Wyndham Lewis and Katherine Mansfield - texts which explore the far reaches of Schadenfreude, and so-called 'superiority theories' of laughter, pushing these theories to breaking point. In these literary texts, the violent superiority often ascribed to laughter is seen as radically unstable, co-existing with its opposite: an anarchic sense of equality. Laughter, humour and comedy are slippery, duplicitous, ambivalent, self-contradictory hybrids, fusing apparently discordant elements. Now and then, though, literary and philosophical texts also dream of a different kind of laughter, one which reaches beyond its alloys - a transcendent, 'perfect' laughter which exists only in and for itself.

All 23 episodes from Season 2 of the series about Superman's early life. In 'Vortex', Clark (Tom Welling) rescues Lana (Kristin Kreuk) from the eye of a tornado, and then discovers that the storm has powered up his spaceship and deposited it in an exposed position in a cornfield. In 'Heat', Clark goes into hiding after discovering his new power of heat vision, which can have some rather startling effects. 'Duplicity' sees Pete (Sam Jones) happening upon Clark's spaceship in the cornfield, which forces Clark to reveal his secret to him. In 'Red', Clark is given his high school ring which is supposedly set with ruby, but is actually red meteor rock. The rock has an instant and dramatic effect on him, changing him into a wayward rebel who overspends on the family credit card and picks fights. In 'Nocturne', Lana finds a love poem left for her at her parents' grave by Byron Moore (Sean Faris), an elusive boy with a dark and dangerous secret. 'Lineage' sees a mysterious woman, Rachel Dunlevy (Blair Brown) turning up in Smallville, claiming to be Clark's biological mother. This prompts the Kents to finally reveal to Clark the truth about what happened when they discovered him as a toddler in the cornfield. In 'Ryan', Clark tests his powers to the limit to save Ryan (Ryan James), a telepathic boy who is being used as a test subject at the Summerholt Research Facility by the evil Dr Garner (Martin Cummins). In 'Dichotic', a gifted student, Ian (Jonathan Taylor Thomas) has cloned himself and is dating both Lana and Chloe (Allison Mack) at the same time. Clark tries to warn the girls, but they attribute his interference to jealousy. In 'Skinwalkers', Clark falls into a cave filled with Native American inscriptions that hold the key to his true identity. 'Visage' sees the return of Whitney Fordman (Eric Johnson), which disrupts the relationship betwen Clark and Lana - until his odd behaviour prompts Clark to make a shocking discovery about his true identity. In 'Suspect', Jonathan finds himself framed for murder after being found in possession of a murder weapon. But Clark and Pete mount their own investigation and discover a tangle of motives and possible suspects. 'Insurgence' sees Lex (Michael Rosenbaum) discovering that Lionel has secretly installed an electronic surveillance system in his mansion. In retaliation, Lex hires crooks to install cameras in Lionel's Metropolis office... In 'Rush', a parasitic worm infects Pete and Chloe, turning them into wild adrenaline junkies. In 'Prodigal', Lex tracks down his long-lost brother Lucas (Paul Wasilewski), and brings him home to Smallville in the hope that they can buy Lionel out and unite against him. 'Fever' sees Martha (Annette O'Toole) fall into a coma after breathing in meteor dust. It is then revealed that she is pregnant with Clark's brother or sister. 'Rosetta' features a guest appearance from the original Superman movie actor, Christopher Reeve, who plays Dr Virgil Swann, a brilliant scientist who helps Clark to receive messages from his home planet using the Native American symbols that Clark discovered when he fell into the cave. In 'Visitor', a new student, Cyrus Krupp (Jeremy Lelliot) reveals to Clark that he is an alien. 'Precipice' sees Clark jumping to Lana's defence when she is almost assaulted by a college student. He injures the student, causing him to question the virtue of his powers, and soon finds himself facing a lawsuit that could cost the Kents their farm. In 'Witness', Clark tries to intervene after inadvertently witnessing the theft of a Luthercorp truck, but is dismayed to discover that the thieves are as strong as he is. In 'Accelerate', Lana asks for Clark's advice after being visited by the ghost of her childhood friend, Emily (Jodelle Micah Ferlar). But Clark realises that the little girl is in fact a kryptonite-enhanced clone who is out to get revenge on Lana, and wants her to drown just as she, Emily, did several years before. In 'Calling', Dr Frederick Walden (Rob LaBelle) wakes from his coma to find himself in possession of incredible powers, and sets off on a dangerous mission to kill Clark. In 'Exodus', Clark makes an amazing discovery about his origins when the spaceship announces that it is programmed with memories of his Kryptonian father, Jor-El (Terence Stamp). It asks him to come at sunset to return to his family and friends and fulfil his destiny. But can Clark leave his life in Smallville behind? 'Redux' sees Clark coming to the rescue when a mutant, Chrissy (Maggie Lawson), starts killing young men by sucking their youth out of them to keep herself young, leaving them aged and lifeless.

The Official Veterinary Marketing Guide is a road map for veterinarians everywhere who want to grow their practice in today's economy. You'll find proven tools and strategies forming a step by step marketing system that will bring more targeted clients to your veterinary practice. This is not some dry, text book theory on marketing. Instead it's simple, effective and affordable marketing tactics that will work every time.

Challenging Sports Governing Bodies covers the decision to challenge the actions of a sports governing body and considers the causes of action that form a basis for them. This title refers to this important area of practice that more company, commercial and regulatory practitioners are venturing in to. The text is encyclopaedic in nature and practice based providing a practical analysis of key issues for practitioners. Footnotes are used to identify the leading cases for propositions in the main text and to help with finding similar and relevant cases. To ensure this work is comprehensive in its subject matter there is a short section on Remedies focusing on internal appeal routes and arbitration.