This pioneering volume offers an expansive introduction to the relatively new field of evolutionary studies in imaginative culture. Contributors from psychology, neuroscience, anthropology, and the humanities probe the evolved human imagination and its artefacts. The book forcefully demonstrates that imagination is part of human nature. Contributors explore imaginative culture in seven main areas: Imagination: Evolution, Mechanisms and Functions Myth and Religion Aesthetic Theory Music Visual and Plastic Arts Video Games and Films Oral Narratives and Literature Evolutionary Perspectives on Imaginative Culture widens the scope of evolutionary cultural theory to include much of what "culture" means in common usage. The contributors aim to convince scholars in both the humanities and the evolutionary human sciences that biology and imaginative culture are intimately intertwined. The contributors illuminate this broad theoretical argument with comprehensive insights into religion, ideology, personal identity, and many particular works of art, music, literature, film, and digital media. The chapters "Imagination, the Brain's Default Mode Network, and Imaginative Verbal Artifacts" and "The Role of Aesthetic Style in Alleviating Anxiety About the Future" are licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/).

In Literary Darwinism, Carroll presents a comprehensive survey of this new movement with a collection of his most important previously published work, along with three new essays. The essays and reviews give commentary on all the major contributors to the field, situate the field as a whole in relation to historical trends and contemporary schools, provide Darwinist readings of major literary texts such as Pride and Prejudice and Tess of the d'Urbervilles, and analyze literary Darwinism in relation to the affiliated fields of evolutionary metaphysics, cognitive rhetoric, and ecocriticism. Collecting the essays in a single volume will provide a central point of reference for scholars interested in consulting what the "foremost practitioner" ("New York Times") of Darwinian literary criticism has to say about his field.

In Literary Darwinism, Carroll presents a comprehensive survey of this new movement with a collection of his most important previously published work, along with three new essays. The essays and reviews give commentary on all the major contributors to the field, situate the field as a whole in relation to historical trends and contemporary schools, provide Darwinist readings of major literary texts such as Pride and Prejudice and Tess of the d'Urbervilles, and analyze literary Darwinism in relation to the affiliated fields of evolutionary metaphysics, cognitive rhetoric, and ecocriticism. Collecting the essays in a single volume will provide a central point of reference for scholars interested in consulting what the "foremost practitioner" ("New York Times") of Darwinian literary criticism has to say about his field.

This pioneering volume offers an expansive introduction to the relatively new field of evolutionary studies in imaginative culture. Contributors from psychology, neuroscience, anthropology, and the humanities probe the evolved human imagination and its artefacts. The book forcefully demonstrates that imagination is part of human nature. Contributors explore imaginative culture in seven main areas: Imagination: Evolution, Mechanisms and Functions Myth and Religion Aesthetic Theory Music Visual and Plastic Arts Video Games and Films Oral Narratives and Literature Evolutionary Perspectives on Imaginative Culture widens the scope of evolutionary cultural theory to include much of what "culture" means in common usage. The contributors aim to convince scholars in both the humanities and the evolutionary human sciences that biology and imaginative culture are intimately intertwined. The contributors illuminate this broad theoretical argument with comprehensive insights into religion, ideology, personal identity, and many particular works of art, music, literature, film, and digital media. The chapters "Imagination, the Brain's Default Mode Network, and Imaginative Verbal Artifacts" and "The Role of Aesthetic Style in Alleviating Anxiety About the Future" are licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/).

Featuring thirty-nine essential essays by pioneering scholars, scientists, and critics, "Evolution, Literature, and Film" opens with an introduction to the principles of evolution, with essays from Charles Darwin on the logic of natural selection, Richard Dawkins on the genetic revolution of modern evolutionary theory, Edward O. Wilson on the unity of knowledge, Steven Pinker on the transformation of psychology into an explanatory science, and David Sloan Wilson on the integration of evolutionary theory into cultural critique. Later sections include essays on the adaptive function of the arts, discussions of evolutionary literary theory and film theory, interpretive commentaries on specific works of literature and film, and analyses using empirical methods to explore literary problems. Texts under the microscope include folk- and fairy tales; Homer's "Iliad"; Shakespeare's plays; works by William Wordsworth, Charles Dickens, Emily Bront?, and Zora Neale Hurston; narratives in sci-fi, comics, and slash fiction; and films from Europe, America, Asia, and Africa. Each essay explains the contribution of evolution to a study of the human mind, human behavior, culture, and art.

Darwin's Bridge: Uniting the Humanities and Sciences explores the meaning of consilience and considers the unity of human evolution, human nature, social dynamics, art, and narrative. The term "consilience" in its modern usage was first established by co-editor Edward O. Wilson in his 1998 book, Consilience: The Unity of Knowledge. Wilson's original thesis had two parts: that nature forms a unitary order of causal forces, hierarchically organized, and that scientific knowledge, because it delineates nature, also forms a unitary order, providing a unity of knowledge across a variety of fields. Bringing together cutting-edge scientists and scholars across this range, this volume gives an expert account of consilience and makes it possible to see how far we have come toward unifying knowledge about the human species, what major issues are still in contention, and which areas of research are most likely to produce further progress. The essays in Darwin's Bridge raise and give substantial answers to questions such as: What is the precise trajectory of human evolution? What were the main factors driving the evolution of the human brain and human motivational system? How closely does life among contemporary hunter-gatherers mirror conditions of ancestral life? In what ways have genes and culture co-evolved, reciprocally influencing one another? How does selection at the level of individuals interact with selection among groups? How complete and adequate are our current models of human nature? How well do these models integrate ideas about human universals, individual identity, and specific cultures? How well can we now delineate the causal chains leading from elementary principles of evolutionary biology to specifically human forms of social organization, individual identity, and imaginative culture? Are human proclivities to make and consume works of art by-products of adaptations, or are they themselves adaptations? Can evolutionary thinking guide us in giving close analytic and explanatory attention to individual works of art?

Featuring thirty-nine essential essays by pioneering scholars, scientists, and critics, "Evolution, Literature, and Film" opens with an introduction to the principles of evolution, with essays from Charles Darwin on the logic of natural selection, Richard Dawkins on the genetic revolution of modern evolutionary theory, Edward O. Wilson on the unity of knowledge, Steven Pinker on the transformation of psychology into an explanatory science, and David Sloan Wilson on the integration of evolutionary theory into cultural critique. Later sections include essays on the adaptive function of the arts, discussions of evolutionary literary theory and film theory, interpretive commentaries on specific works of literature and film, and analyses using empirical methods to explore literary problems. Texts under the microscope include folk- and fairy tales; Homer's "Iliad"; Shakespeare's plays; works by William Wordsworth, Charles Dickens, Emily Bront?, and Zora Neale Hurston; narratives in sci-fi, comics, and slash fiction; and films from Europe, America, Asia, and Africa. Each essay explains the contribution of evolution to a study of the human mind, human behavior, culture, and art.

Catholic University Of America, Canon Law Studies, Number 359.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Charles Darwin's On The Origin of Species, in which he writes of his theories of evolution by natural selection, is one of the most important works of scientific study ever published. This unabridged edition also includes a rich selection of primary source material: substantial selections from Darwin's other works (Autobiography, notebooks, letters, Voyage of the Beagle, and The Descent of Man) and selections from Darwin's sources and contemporaries (excerpts from Genesis, Paley, Lamarck, Spencer, Lyell, Malthus, Huxley, and Wallace).

As the founder and leading practitioner of literary Darwinism, Joseph Carroll remains at the forefront of a major movement in literary studies. Signaling key new developments in this approach, Reading Human Nature contains trenchant theoretical essays, innovative empirical research, sweeping surveys of intellectual history, and sophisticated interpretations of specific literary works, including The Picture of Dorian Gray, Wuthering Heights, The Mayor of Casterbridge, and Hamlet. Evolutionists in the social sciences have succeeded in delineating basic motives but have given far too little attention to the imagination. Carroll makes a compelling case that literary Darwinism is not just another school or movement in literary theory. It is the moving force in a fundamental paradigm change in the humanities a revolution. Psychologists and anthropologists have provided massive evidence that human motives and emotions are rooted in human biology. Since motives and emotions enter into all the products of a human imagination, humanists now urgently need to assimilate a modern scientific understanding of human nature. Integrating evolutionary social science with literary humanism, Carroll offers a more complete and adequate understanding of human nature.