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Darwin's Bridge - Uniting the Humanities and Sciences (Hardcover)
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Darwin's Bridge - Uniting the Humanities and Sciences (Hardcover)
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Darwin's Bridge: Uniting the Humanities and Sciences explores the
meaning of consilience and considers the unity of human evolution,
human nature, social dynamics, art, and narrative. The term
"consilience" in its modern usage was first established by
co-editor Edward O. Wilson in his 1998 book, Consilience: The Unity
of Knowledge. Wilson's original thesis had two parts: that nature
forms a unitary order of causal forces, hierarchically organized,
and that scientific knowledge, because it delineates nature, also
forms a unitary order, providing a unity of knowledge across a
variety of fields. Bringing together cutting-edge scientists and
scholars across this range, this volume gives an expert account of
consilience and makes it possible to see how far we have come
toward unifying knowledge about the human species, what major
issues are still in contention, and which areas of research are
most likely to produce further progress. The essays in Darwin's
Bridge raise and give substantial answers to questions such as:
What is the precise trajectory of human evolution? What were the
main factors driving the evolution of the human brain and human
motivational system? How closely does life among contemporary
hunter-gatherers mirror conditions of ancestral life? In what ways
have genes and culture co-evolved, reciprocally influencing one
another? How does selection at the level of individuals interact
with selection among groups? How complete and adequate are our
current models of human nature? How well do these models integrate
ideas about human universals, individual identity, and specific
cultures? How well can we now delineate the causal chains leading
from elementary principles of evolutionary biology to specifically
human forms of social organization, individual identity, and
imaginative culture? Are human proclivities to make and consume
works of art by-products of adaptations, or are they themselves
adaptations? Can evolutionary thinking guide us in giving close
analytic and explanatory attention to individual works of art?
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