Traces Maya astronomy back to Atlantis
- Shows that the Mayan Calendar was brought to Mexico by survivors of Atlantis
- Correlates scientific studies with the Mayan Calendar to reveal that 2012 could be the start of a new ice age
- Reveals the link between Atlantis and Lemuria discovered by Edgar Cayce
Based on more than 25 years of research around the globe and statements from Edgar Cayce about Atlantis and its Pacific sister civilization of Lemuria, Frank Joseph reveals that the Mayan Calendar was brought to Mexico by survivors of Atlantis. Uncovering the Atlantean influences in both ancient Mesoamerican culture and ancient Egyptian culture, he links the demise of Atlantis with the birth of the Olmec civilization in Mexico (the progenitors of the Maya), the beginning of the first Egyptian dynasty, and the start of the Mayan Calendar.
Joseph explains that the Mayan Calendar was invented by the combined genius of Atlantis and Lemuria and describes how it predicts an eternal cycle of global creation, destruction, and renewal. Correlating this recurring cycle with scientific studies on glacial ice cores and predictions from the Hopi, the Incas, and the Scandinavian Norse, Joseph reveals that 2012 could be the start of a new ice age and the advent of a massive solar storm. However, Joseph shows that the Maya knew the way to reestablish civilization's cosmic balance before time runs out.

From the author of the definitive biography of Fyodor Dostoevsky, never-before-published lectures that provide an accessible introduction to the Russian writer's major works Joseph Frank (1918-2013) was perhaps the most important Dostoevsky biographer, scholar, and critic of his time. His never-before-published Stanford lectures on the Russian novelist's major works provide an unparalleled and accessible introduction to some of literature's greatest masterpieces. Presented here for the first time, these illuminating lectures begin with an introduction to Dostoevsky's life and literary influences and go on to explore the breadth of his career-from Poor Folk, The Double, and The House of the Dead to Notes from Underground, Crime and Punishment, The Idiot, and The Brothers Karamazov. Written in a conversational style that combines literary analysis and cultural history, Lectures on Dostoevsky places the novels and their key characters and scenes in a rich context. Bringing Joseph Frank's unmatched knowledge and understanding of Dostoevsky's life and writings to a new generation of readers, this remarkable book will appeal to anyone seeking to understand Dostoevsky and his times. The book also includes Frank's favorite review of his Dostoevsky biography, "Joseph Frank's Dostoevsky" by David Foster Wallace, originally published in the Village Voice.

From the author of the definitive biography of Fyodor Dostoevsky, never-before-published lectures that provide an accessible introduction to the Russian writer's major works Joseph Frank (1918-2013) was perhaps the most important Dostoevsky biographer, scholar, and critic of his time. His never-before-published Stanford lectures on the Russian novelist's major works provide an unparalleled and accessible introduction to some of literature's greatest masterpieces. Presented here for the first time, these illuminating lectures begin with an introduction to Dostoevsky's life and literary influences and go on to explore the breadth of his career-from Poor Folk, The Double, and The House of the Dead to Notes from Underground, Crime and Punishment, The Idiot, and The Brothers Karamazov. Written in a conversational style that combines literary analysis and cultural history, Lectures on Dostoevsky places the novels and their key characters and scenes in a rich context. Bringing Joseph Frank's unmatched knowledge and understanding of Dostoevsky's life and writings to a new generation of readers, this remarkable book will appeal to anyone seeking to understand Dostoevsky and his times. The book also includes Frank's favorite review of his Dostoevsky biography, "Joseph Frank's Dostoevsky" by David Foster Wallace, originally published in the Village Voice.

Joseph Frank's award-winning, five-volume "Dostoevsky" is widely recognized as the best biography of the writer in any language--and one of the greatest literary biographies of the past half-century. Now Frank's monumental, 2500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, "Dostoevsky: A Writer in His Time" illuminates the writer's works--from his first novel "Poor Folk" to "Crime and Punishment" and "The Brothers Karamazov"--by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.

This volume collects papers dedicated to Jerry Ericksen on his sixtieth birthday, December 20, 1984. They first appeared in Volumes 82-90 (1983-1985) of the Archive for Rational Mechanics and Analysis. At the request of the Editors the list of authors to be invited was drawn up by C. M. Dafermos, D. D. Joseph, and F. M. Leslie. The breadth and depth of the works here reprinted reflect the corresponding qualities in Jerry Ericksen's research, teaching, scholarship, and inspiration. His interests and expertness center upon the mechanics of materials and extend to everything that may contribute to it: pure analysis, algebra, geometry, through all aspects of theoretical mechanics to fundamental experiment, all of these illumi nated by an intimate and deep familiarity with the sources, even very old ones. He is independent of school and contemptuous of party spirit; his generosity in giving away his ideas is renowned, but not everyone is capable of accepting what is offered. His writings are totally free of broad claims and attributions beyond his own study. Some are decisive, some are prophetic, and all are forthright. His work has served as a beacon of insight and simple honesty in an age of ever more trivial and corrupt science. The authors of the memoirs in this volume are his students, colleagues, admirers, and (above all) his friends."

Set in mid 19th-century Russia, Demons examines the effect of a charismatic but unscrupulous self-styled revolutionary leader on a group of credulous followers.Inspired by the true story of a political murder that horrified Russians in 1869, Fyodor Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia-a novel that is rivaled only by The Brothers Karamazov as Dostoevsky's greatest. The award-winning translators Richard Pevear and Larissa Volokhonsky continue their acclaimed series of Dostoevsky translations with this novel, also known as The Possessed.

This book consists of essays and reviews that address social, political, and cultural issues which arose in connection with literature broadly conceived in the wake of the First World War, and extending throughout the twentieth century. The first portion of the volume concerns France, with both essays on individual writers such as Paul Vali 1/2ry, Jacques Maritain, Albert Camus, Andri 1/2 Malraux, Jean-Paul Sartre, and Yves Bonnefoy and a piece on French intellectuals between the wars.The second part concerns Germany and Romania, with essays on Ernst Juenger, Gottfried Benn, Erich Kahler, E. M. Cioran, and others. The volume concludes with essays on problems of literary criticism, in dialogue with such critics as Gary Saul Morson, Ian Watt, T. S. Eliot, and R. P. Blackmur. These essays also discuss the history of the novel and the question of real

Joseph Frank's continuing biography of Dostoevsky is by now recognized as one of the major achievements of this century in this form, and perhaps the best work on the author in any language. During the course of this long-range effort, Frank has also produced articles, introductions, and occasional pieces that arise from his acute awareness of how Western ideas are changed, transformed, and given new meanings and implications when they are reflected through the Russian prism. It is this interaction between Russia and the West that has fascinated Frank for many years and that provides the focus for these essays. Assembled here are twenty contributions dealing with the culture that generated the great novels of Dostoevsky and the criticism of the Russian formalists of the early twentieth century, whose perceptions still shape our views of Russian and much of world literature. Included are evaluations of books by Jakobson and Bakhtin, as well as of books about the development of Russian formalist criticism and thought. At the center are pieces on Dostoevsky and his milieu, as well as on his influence on world literature. Among them are Frank's New Criterion piece on Ralph Ellison's debt to Dostoevsky and a critical examination of the world-famous article by Freud on the Russian master. Gathered together, these essays reveal one of the powerful critical intelligences of our time, considering issues that arise from his study of Dostoevsky but which extend well beyond the time and place of that novelist alone.

Describes Dostoevsky's experiences in a prison camp in Siberia, examines the influence of Russian intellectual life on him, and discusses his early writings.

This volume, the fourth of five planned in Joseph Frank's widely acclaimed biography of Dostoevsky, covers the six most remarkably productive years in the novelist's entire career. It was in this short span of time that Dostoevsky produced three of his greatest novels--"Crime and Punishment, The Idiot, " and "The Devils"--and two of his best novellas, "The Gambler" and "The Eternal Husband." All these masterpieces were written in the midst of harrowing practical and economic circumstances, as Dostoevsky moved from place to place, frequently giving way to his passion for roulette. Having remarried and fled from Russia to escape importuning creditors and grasping dependents, he could not return for fear of being thrown into debtor's prison. He and his young bride, who twice made him a father, lived obscurely and penuriously in Switzerland, Germany, and Italy, as he toiled away at his writing, their only source of income. All the while, he worried that his recurrent epileptic attacks were impairing his literary capacities. His enforced exile intensified not only his love for his native land but also his abhorrence of the doctrines of Russian Nihilism--which he saw as an alien European importation infecting the Russian psyche. Two novels of this period were thus an attempt to conjure this looming spectre of moral-social disintegration, while "The Idiot" offered an image of Dostoevsky's conception of the Russian Christian ideal that he hoped would take its place.