Joseph Frank's continuing biography of Dostoevsky is by now
recognized as one of the major achievements of this century in this
form, and perhaps the best work on the author in any language.
During the course of this long-range effort, Frank has also
produced articles, introductions, and occasional pieces that arise
from his acute awareness of how Western ideas are changed,
transformed, and given new meanings and implications when they are
reflected through the Russian prism. It is this interaction between
Russia and the West that has fascinated Frank for many years and
that provides the focus for these essays. Assembled here are twenty
contributions dealing with the culture that generated the great
novels of Dostoevsky and the criticism of the Russian formalists of
the early twentieth century, whose perceptions still shape our
views of Russian and much of world literature. Included are
evaluations of books by Jakobson and Bakhtin, as well as of books
about the development of Russian formalist criticism and thought.
At the center are pieces on Dostoevsky and his milieu, as well as
on his influence on world literature. Among them are Frank's New
Criterion piece on Ralph Ellison's debt to Dostoevsky and a
critical examination of the world-famous article by Freud on the
Russian master. Gathered together, these essays reveal one of the
powerful critical intelligences of our time, considering issues
that arise from his study of Dostoevsky but which extend well
beyond the time and place of that novelist alone.
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