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Focusing on the global media coverage of Hong Kong's transfer from
Britain to China, Global Media Spectacle explores how the world
media plans, operates, competes, and produces a historical record
during significant global events. The authors interviewed
seventy-six print and television reporters from the United States,
Britain, the People's Republic of China, Hong Kong, Taiwan,
Australia, Canada, and Japan to delve into the revealing world of
writing first drafts of history from reporters' vantage points.
Memories of Tiananmen: Politics and Processes of Collective
Remembering in Hong Kong, 1989-2019 analyzes how collective memory
regarding the 1989 Beijing student movement and the Tiananmen
crackdown was produced, contested, sustained, and transformed in
Hong Kong between 1989 and 2019. Drawing on data gathered through
multiple sources such as news reports, digital media content,
on-site vigil surveys, population surveys, and in-depth interviews
with activists, rally participants, and other stakeholders, it
identifies six key processes in the dynamics of social remembering:
memory formation, memory mobilization, memory institutionalization,
intergenerational transfer, memory repair, and memory
balkanization. The book demonstrates how a socially dominant
collective memory, even one the state finds politically irritable,
can be generated and maintained through constant negotiation and
efforts by a wide range of actors. While Memories of Tiananmen
mainly focuses on the interplay between political changes and the
Tiananmen commemoration in the historical period within which the
society enjoyed a significant degree of civil liberties, it also
discusses how the trajectory of the collective memory may take a
drastic turn as Hong Kong's autonomy is abridged. The book promises
to be a key reference for anyone interested in collective memory
studies, social movement research, political communication, and
China and Hong Kong studies.
This book contains approximately fifty late Egyptian texts,
published for the first time. The texts represent an interesting
range of document types, a range of demotic handwriting, and
include a rare word list and a new mythological narrative. There is
also one late hieratic text concerned with temple land, and some
Greek fragments from the Byzantine period. The texts were purchased
by Professor Suzuki in the early 1960s from various dealers in
Cairo. The bulk of the collection, now housed in the Department of
Asian Civilization, School of Letters at Tokai University as part
of the Ancient Egyptian and Near Eastern Collection (AENET),
consists of early demotic texts. This book is a result of a
five-year collaboration between Tokai University, Yale University,
Johns Hopkins University, The University of Michigan, and the
Staatliche Museum, Â Berlin.
Focusing on the global media coverage of Hong Kong's transfer from
Britain to China, Global Media Spectacle explores how the world
media plans, operates, competes, and produces a historical record
during significant global events. The authors interviewed
seventy-six print and television reporters from the United States,
Britain, the People's Republic of China, Hong Kong, Taiwan,
Australia, Canada, and Japan to delve into the revealing world of
writing first drafts of history from reporters' vantage points.
This book is about the history of the Greeks in the Hellenistic
period, 323-30 BC, which was a dynamic and dramatic time in which
the Mediterranean landscape was transformed by war, migration,
urbanisation, by new religions and by the creation of new forms of
literature. This richness was created by the interaction of
cultures and ethnic groups that saw the centre of Greek culture
shift eastward. This Hellenistic culture has often been portrayed
as a time of the fusion or the isolation of the many cultures that
were part of this new world created by Alexander and his army.
Manning argues that more accurately this was a world of
hybridisation, as seen in institutions of governance, in economic
structures, in religion and art, and in many other areas as well.
He adopts four main themes throughout the book to illustrate this:
continuity, diversity, cultural interaction and ultimately unity.
This is an innovative book that re-evaulate the history of the
Hellenistic world.
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