Over the past decade, increasing attention has been paid to the life and work of Charles W. Chesnutt (1858-1932), considered by many the major African-American fiction writer before the Harlem Renaissance by virtue of the three novels and two collections of short stories he published between 1899 and 1905.
Less familiar are the essays he wrote for American periodicals from 1899 through 1931, the majority of which are analyses of and protests against white racism. Collected as well in this volume are the addresses he made to both white and black audiences from 1881 through 1931, on topics ranging from race prejudice to the life and literary career of Alexandre Dumas.
The 77 works included in this volume comprise all of Chesnutt's known works of nonfiction, 38 of which are reprinted here for the first time. They reveal an ardent and often outraged spokesman for the African American whose militancy increased to such a degree that, by 1903, he had more in common with W. E. B. Du Bois than Booker T. Washington. He was, however, a lifelong integrationist and even an advocate of "race amalgamation," seeing interracial marriage as the ultimate means of solving "the Negro Problem," as it was termed at the end of the century. That he championed the African American during the Jim Crow era while opposing Black Nationalism and other "race pride" movements attests to the way Chesnutt defined himself as a controversial figure, in his time and ours.
The essays and speeches in this volume are not, however, limited to polemical writings. An educator, attorney, and man of letters with wide-ranging interests, Chesnutt stands as a humanist addressing subjects of universal interest, including the novels of George Meredith, the accomplishments of Samuel Johnson, and the relationship between literature and life.

This book collects the letters written between 1906 and 1932 by novelist and civil rights activist Charles W. Chesnutt (1858-1932). Between 1885 and 1905, this pioneer in the African-American literary tradition published three novels, two books of short stories, a biography of Frederick Douglass, and many short stories and essays in prestigious periodicals-at the same time managing a stenography and court reporting firm in Cleveland, Ohio. His works, which featured the experiences of African-Americans in the ante- and post-bellum period, received favorable reviews. But they did not find a large and appreciative audience until many decades later when both the civil rights movement and increased interest in the African-American contribution to American cultural life resulted in the "rediscovering" of Chesnutt's large body of writings. Though he never saw the publication of another of his book-length manuscripts after 1905, Chesnutt continued to write fiction and essays, and to deliver speeches ranging from disenfranchisement to the life and works of Alexandre Dumas, and to act in behalf of the African-American cause through such organizations as the Committee of Twelve and the N.A.A.C.P. A dedicated integrationist opposed to "race-pride" movements of all kinds, Chesnutt in his post-1905 letters includes many references to the unfortunate consequences of racial segregation, addressed to both African-American and white correspondents. These letters also reveal a multi-faceted personality with interests that transcended the issue of race and urged everyone to live life to the fullest. His correspondents included prominent members of the Harlem Renaissance as well as major American political figures Chesnutt sought to influence on behalf of his fellow African-Americans. As a successful businessman enjoying the amenities of upper middle class American life, a family man, and an Episcopalian who worshipped at a "white church," Chesnutt in many respects embodied the realization of the American Dream. He was, as William Dean Howells termed Booker T. Washington, an "exemplary citizen" and a role model for all Americans.

Over the past decade, increasing attention has been paid to the life and work of Charles W. Chesnutt (1858-1932), considered by many the major African-American fiction writer before the Harlem Renaissance by virtue of the three novels and two collections of short stories he published between 1899 and 1905.
Less familiar are the essays he wrote for American periodicals from 1899 through 1931, the majority of which are analyses of and protests against white racism. Collected as well in this volume are the addresses he made to both white and black audiences from 1881 through 1931, on topics ranging from race prejudice to the life and literary career of Alexandre Dumas.
The 77 works included in this volume comprise all of Chesnutt's known works of nonfiction, 38 of which are reprinted here for the first time. They reveal an ardent and often outraged spokesman for the African American whose militancy increased to such a degree that, by 1903, he had more in common with W. E. B. Du Bois than Booker T. Washington. He was, however, a lifelong integrationist and even an advocate of "race amalgamation," seeing interracial marriage as the ultimate means of solving "the Negro Problem," as it was termed at the end of the century. That he championed the African American during the Jim Crow era while opposing Black Nationalism and other "race pride" movements attests to the way Chesnutt defined himself as a controversial figure, in his time and ours.
The essays and speeches in this volume are not, however, limited to polemical writings. An educator, attorney, and man of letters with wide-ranging interests, Chesnutt stands as a humanist addressing subjects of universal interest, including the novels of George Meredith, the accomplishments of Samuel Johnson, and the relationship between literature and life.

Collected in this volume are the 1889--1905 letters of one of the first African-American literary artists to cross the "color line" into the de facto segregated American publishing industry of the turn of the century. Selected for inclusion are those chronicling the rise of Charles W. Chesnutt (1858-1932), an attorney and businessman in Cleveland, Ohio, who achieved prominence as a novelist, short story writer, essayist, and lecturer despite the obstacles faced by a man of color during the "Jim Crow" period. In his insightful commentaries on his own situation, Chesnutt provides as well a special perspective on life-at-large in America during the Gilded Age, the "gay '90s" (which were not so gay for African Americans), and the Progressive era. Like his black correspondents--Booker T. Washington, W.E.B. Du Bois, T. Thomas Fortune, and William M. Trotter--he was one of the major commentators on what was then termed the "Negro Problem." His most distinguished novels, The House Behind the Cedars (1900) and The Marrow of Tradition (1901), were published by major "white" presses of the time; not only did his editors and publishers but then-preeminent black and white critics greet these literary protests against racism as proof of the intellectual and artistic excellence of which a long-oppressed people were capable when afforded equal opportunity. Since the 1960s, when the rediscovery of his genius began in earnest, Chesnutt has received even more recognition than he enjoyed by the early 1900s. Joseph R. McElrath, Jr., and Robert C. Leitz, III, have surveyed every collection of Chesnutt's papers and those of his correspondents in order to reconstruct the story of his most vital years as an author. Their introduction contextualizes the letters in light of Chesnutt biography and the less-than-promising prospects faced by a would-be literary artist of his racial background. Their encyclopedic annotations explaining contemporary events to which Chesnutt responds and what was then transpiring in both black and white cultural environments illuminate not only Chesnutt's character but those of many now unfamiliar figures who also contributed to what Chesnutt termed the "cause." Provided in this first-ever edition of Chesnutt's letters is a detailed portrait of one of the pioneers in the African-American literary tradition and a panorama of American life a century ago. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Collected in this volume are the 1889--1905 letters of one of the first African-American literary artists to cross the "color line" into the de facto segregated American publishing industry of the turn of the century. Selected for inclusion are those chronicling the rise of Charles W. Chesnutt (1858--1932), an attorney and businessman in Cleveland, Ohio, who achieved prominence as a novelist, short story writer, essayist, and lecturer despite the obstacles faced by a man of color during the "Jim Crow" period. In his insightful commentaries on his own situation, Chesnutt provides as well a special perspective on life-at-large in America during the Gilded Age, the "gay 90s" (which were not so gay for African Americans), and the Progressive era. Like his black correspondents--Booker T. Washington, W.E.B. Du Bois, T. Thomas Fortune, and William M. Trotter--he was one of the major commentators on what was then termed the "Negro Problem." His most distinguished novels, "The House Behind the Cedars" (1900) and "The Marrow of Tradition" (1901), were published by major "white" presses of the time; not only did his editors and publishers but then-preeminent black and white critics greet these literary protests against racism as proof of the intellectual and artistic excellence of which a long-oppressed people were capable when afforded equal opportunity.

Since the 1960s, when the rediscovery of his genius began in earnest, Chesnutt has received even more recognition than he enjoyed by the early 1900s. Joseph R. McElrath, Jr., and Robert C. Leitz, III, have surveyed every collection of Chesnutt's papers and those of his correspondents in order to reconstruct the story of his most vital years as an author. Their introduction contextualizes the letters in light of Chesnutt biography and the less-than-promising prospects faced by a would-be literary artist of his racial background. Their encyclopedic annotations explaining contemporary events to which Chesnutt responds and what was then transpiring in both black and white cultural environments illuminate not only Chesnutt's character but those of many now unfamiliar figures who also contributed to what Chesnutt termed the "cause." Provided in this first-ever edition of Chesnutt's letters is a detailed portrait of one of the pioneers in the African-American literary tradition and a panorama of American life a century ago.

Originally published in 1997.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This volume is the first to collect the critical responses of Steinbeck's generation to his many fiction and nonfiction works, as they appeared from the late 1920s on. The articles trace the record of Steinbeck's progress through the 1930s and go on to reflect his steady series of achievements through the 1960s, including his attainment of the Nobel Prize in 1967. These articles offer at last a means of seeing Steinbeck's writings as they were perceived by his contemporaries, whose task it was first to evaluate and interpret them for an ever-growing readership.

The American Critical Archives is a series of reference books that provide representative selections of contemporary reviews of the main works of major American authors. Each volume contains full reviews and excerpts from reviews that appeared in newspapers and weekly and monthly periodicals, generally within a few months of the publication of the work concerned. There is an introductory historical overview by the volume editor, as well as checklists of additional reviews located but not quoted. This volume collects the critical responses of Steinbeck's generation to his many fiction and non-fiction works, as they appeared from the late 1920s on. The articles trace the record of Steinbeck's progress through the 1930s and go on to reflect Steinbeck's steady series of achievements through the 1960s, including his attainment of the Nobel Prize in 1967. These articles offer a means of seeing Steinbeck's writings as they were perceived by his contemporaries, whose task it was to first evaluate and interpret them for an ever-growing readership.