'One of the greatest novels ever written' Philippe Sands Set against the doomed splendour of the Austro-Hungarian Empire, The Radetzky March tells the story of the celebrated Trotta family, tracing their rise and fall over three generations. Theirs is a sweeping history of heroism and duty, desire and compromise, tragedy and heartbreak, a story that lasts until the darkening eve of World War One, when all is set to fall apart. Rich, epic and profoundly moving, The Radetzky March is Joseph Roth's timeless masterpiece.

'One of the greatest European novelists of the century' Sunday Times Andreas is an alcoholic and a vagrant who lives under a bridge. Downtrodden, submerged at the bottom of society, he lives a fortuitous life - dictated by happenstance and the whims of others - until a run of exceptionally good luck lifts him, briefly, onto a different plane of existence. First published after Roth's death in 1939, The Legend of the Holy Drinker is haunting and melancholic, yet filled with empathy. A secular miracle-tale, it is an unforgettable testament to Roth's lucidity and compassion.

The Emperor's Tomb is a magically evocative, haunting elegy to the vanished world of the Austro-Hungarian Empire, and to the passing of time and the loss of youth and friends. Prophetic and regretful, intuitive and exact, Roth's acclaimed novel is the tale of one man's struggle to come to terms with the uncongenial society of post-First World War Vienna and the first intimations of Nazi barbarities.

In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political writings that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants - the Jewish immigrants, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the threat posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty, creating in the process an unforgettable portrait of a city.

'Many years ago there lived in Zuchnow, in Russia, a man named Mendel Signer. He was pious, God-fearing and ordinary, an entirely commonplace Jew...' So Roth begins his novel about the loss of faith and the experience of suffering. His modern Job goes through his trials in the ghettos of Tsarist Russia and on the unforgiving streets of New York. Mendel Singer loses his family, falls terribly ill and is badly abused. He needs a miracle...

Joseph Roth, the greatest European newspaper correspondent of his age, left the splintering Weimar Republic for Paris in 1925 and, as an Austrian Jew, was exiled there for the rest of his life. Collected together here for the first time in English, these exhilarating pieces evoke a world of suppleness, beauty and promise. From the port town of Marseilles to the Riviera of Nice and Monte Carlo, to the exotic hill country around Avignon, from the socialist workers and cattlemen with whom Roth ate breakfast, to prostitutes and Sunday bullfighters, The White Cities is not only a swan song to a European order that could no longer hold but also a beautifully crafted and revelatory work.

This novella, one of the most haunting things that Joseph Roth ever composed, was published in 1939, the year the author died. Like Andreas, the hero of the story, Roth drank himself to death in Paris, but this is not an autobiographical confession. Rather, it is a secular miracle-tale, in which the vagrant Andreas, after living under bridges, has a surprising run of good luck that changes his circumstances profoundly. The novella is extraordinarily compressed, dry-eyed and witty, despite its melancholic subject matter.

'A hugely significant and wonderfully haunting collection' William Boyd In the 1920s and 1930s, Joseph Roth travelled extensively in Europe, living in hotels and writing about the towns through which he passed and the people he encountered. Collected in one volume, his experiences in Italy, Germany, Russia, Albania and Ukraine form a series of tender vignettes that capture life in the inter-war years. Evocative, curious and sharply observed, these literary postcards document a continent clinging to tradition while on the brink of further upheaval.

The legendary Austro-Hungarian novelist and essayist, Joseph Roth, was born in Ukraine in 1894 and died tragically in Paris in 1939. These letters span the breadth of Roth's life, from the schoolboy to the veteran of 44, marked by war, poverty, alcoholism, the loss of his wife through madness, and two decades of prolific work. It is a deeply moving portrait of the life of the writer as an outsider, in exile from a world he no longer recognized as his own.

In The Spider's Web, his first novel, Roth paints a chillingly realistic picture of the conspiracies of the radical right that were to undermine the Weimar Republic and pave the way for Hitler and National Socialism.

Joseph Roth paints a vivid portrait of Emperor Napoleon's last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica-an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth's signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. "There may be," as James Wood has stated, "no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile."

Rebellion is the story of Great War veteran Andreas Pum, who loses a leg and gains a medal. He marries, plays a barrel organ and is happy. But hen he is imprisoned after a fight, life seems unbearably altered. A chance encounter with an old comrade who has made his fortune introduces Pum to a world where he has a transfiguring experience of justice.

The Joseph Roth revival has finally gone mainstream with the thunderous reception for "What I Saw," a book that has become a classic with five hardcover printings. Glowingly reviewed, "What I Saw" introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, "New York Times Book Review"). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty a memorable portrait of a city and a time of commingled hope and chaos. "What I Saw," like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic."

Joseph Roth's sensibility-both clear-eyed and nostalgic, harshly realistic and tenderly humane-produced some of the most distinctive fiction of the twentieth century. This collection of his most essential stories, in exquisite new translations by Ruth Martin, showcases the astonishing range and power of his short stories and novellas. In prose of aching beauty and precision, Roth shows us isolated souls pursuing lost ideals and impossible desires. Forced to remove a bust of the fallen Austrian emperor from his house, an eccentric old count holds a funeral for it and intends to be buried in the same plot himself; a humble coral merchant, dissatisfied with his life and longing for the sea, chooses to adulterate his wares with false coral, with catastrophic results; young Fini, just entering the haze of early sexuality, falls into an unsatisfying relationship with an older musician. With the greatest craft and sensitivity, Roth unfolds the many fragilities of the human heart.

NEW STATESMAN BOOKS OF THE YEAR 2015 'Sublime ... it inspires a kind of evangelical cult passion among its devotees' Simon Schama 'Roth is Austria's Chekhov' William Boyd Strauss's Radetzky March, signature tune of one of Europe's most powerful regimes, presides over Joseph Roth's account of three generations of the Trotta family in the years preceding the Austro-Hungarian collapse in 1918. Grandfather, son and grandson are equally dependent on the empire: the first for his enoblement; the second for the civil virtues that make him a meticulous servant of an administration whose failure he can neither comprehend nor survive; the third for the family standards of conduct which he cannot attain but against which he is too enfeebled to rebel.

A powerful collection written on the eve of the destruction of Europe by the Second World War, by the great Joseph Roth

In January 1933, on the very day Hitler seized power in Germany, Joseph Roth fled to Paris. There, in what he called the 'hour before the end of the world', he wrote a series of articles. The end he foresaw would soon come to pass in the full horror of Hitler's barbarism, the Second World War and most crucially for Roth, the final irreversible destruction of a pan-European consciousness.

Incisive and ironic, the writing evokes Roth's bitterness, frustration and morbid despair at the coming annihilation of the free world while displaying his great nostalgia for the Habsburg Empire into which he was born and his ingrained fear of nationalism in any form.

Set in Vienna in the early part of the twentieth century, Zipper and His Father is a compelling and wonderfully atmospheric portrayal of a childhood friend, Arnold Zipper, and his father, as seen through the eyes of a young boy. The Zipper family welcome the arrival of their son's friend and the boy is fascinated by their cosy suburban life. Zipper Senior, a violin-maker and travelling salesman, is determined that the boys will attain the success that was denied to him. However, as the two friends mature their lives take different paths - the army, university, early career choices and a disastrous marriage to an aspiring actress all take their toll - and each has a very different story to tell. From the outskirts of Vienna to the Hollywood Hills, Zipper and His Father charts the ambitions of a whole generation who, during period of erratic social change, found themselves dreaming of what might have been.

Set in the early days of the Russian Revolution, Tarabas tells the story of Nicholas Tarabas, a young revolutionary, shamefully dispatched from St Petersburg to New York by his outraged family. During a visit to Coney Island's amusement park, the deeply superstitious Tarabas learns from a gypsy that it is his destiny to be both a murderer and a saint and, following a fight with a local cafe owner, he flees back to Russia as war with Austria is declared. Following his rapid promotion to captain, Tarabas gains a fearful reputation among his soldiers and the local villagers, until a miraculous discovery unleashes a chain of events that see him undergo a final, dramatic transformation. It is Roth's special gift that, in Tarabas's fulfilling of his tragic destiny, the larger movements of history find their perfect expression in the fate of one man.