This study presents Moby-Dick as a novel with three distinct but interconnecting stories: Ishmael’s, which he shares ten years after it has taken place; Ahab’s, which is Ishmael's account of the memorable captain of a whaling ship; and a third which centres on whales and whaling, which has not received significant critical attention. While each of these perspectives compete for prominence in the narrative, Ahab and Ishmael's stories have often distracted from the vital significance of the whaling narrative as what outlasts Ahab’s obsessive mission. Catalano rights this wrong by coming to a strikingly original and thought-provoking conclusion which becomes the heart of the book's argument: “the unity of Melville’s book comes, first, from the way the numerous literary, philosophical, and religious reflections are rooted in those magnificent beings, whales and in the men and ships that pursue them, and, second, in the way these reflections illuminate our own lives.�

"Thinking Matter" is an original and provocative look at the nature of consciousness. While many contemporary philosophers have downplayed the significance of the body and subscribed to a brain/body dualism in human consciousness, Joseph S. Catalano argues that it is the "entire" fleshy body that thinks; the body of the dancer, the hands of the writer, and the eyes of the reader are not merely instruments of thought, but forms of thought itself. Calling for a thorough rethinking of philosophic traditions from Aristotle to Sartre, Catalano offers a holistic view of the bodily nature of consciousness--one that focuses on the total organic body rather than the brain alone.

Thinking Matter is an entirely original and provocative look at the nature of consciousness. Joseph Catalano describes a more holistic notion of consciousness in its relation to the world. Catalano persuasively argues that our philosophies and psychologies have overlooked the significance of the body. While many contemporary prominent philosophers argue for a brain-body dualism (in place of the old mind-body dualism), the distinctiveness of Catalano's approach to consciousness is that he argues that is the entire fleshy body that thinks.

An approachable abridgment of Sartre’s important analysis of Flaubert.   From 1981 to 1994, the University of Chicago Press published a five-volume translation of Jean-Paul Sartre’s The Family Idiot: Gustave Flaubert, 1821-1857, a sprawling masterwork by one of the greatest intellects of the twentieth century. This new volume delivers a compact abridgment of the original by renowned Sartre scholar, Joseph Catalano.   Sartre claimed that his existential approach to psychoanalysis required a new Freud, and in his study of Gustave Flaubert, Sartre becomes that Freud. The work summarizes Sartre’s overarching aim to reveal that human life is a meaningful adventure of freedom. In discussing Flaubert’s work, particularly his classic novel Madame Bovary, Sartre unleashes a fierce critique of modernity as nihilistic and demeaning of human dignity.

"["A Commentary on Jean-Paul Sartre's Being and Nothingness"] represents, I believe, a very important beginning of a deservingly serious effort to make the whole of "Being and Nothingness" more readily understandable and readable. . . . In his systematic interpretations of Sartre's book, [Catalano] demonstrates a determination to confront many of the most demanding issues and concepts of "Being and Nothingness," He does not shrink--as do so many interpreters of Sartre--from such issues as the varied meanings of 'being, ' the meaning of 'internal negation' and 'absolute event, ' the idiosyncratic senses of transcendence, the meaning of the 'upsurge' in its different contexts, what it means to say that we 'exist our body, ' the connotation of such concepts as quality, quantity, potentiality, and instrumentality (in respect to Sartre's world of 'things'), or the origin of negation. . . . Catalano offers what is doubtless one of the most probing, original, and illuminating interpretations of Sartre's crucial concept of nothingness to appear in the Sartrean literature."--Ronald E. Santoni, "International Philosophical Quarterly"

An approachable abridgment of Sartre's important analysis of Flaubert. From 1981 to 1994, the University of Chicago Press published a five-volume translation of Jean-Paul Sartre's The Family Idiot: Gustave Flaubert, 1821-1857, a sprawling masterwork by one of the greatest intellects of the twentieth century. This new volume delivers a compact abridgment of the original by renowned Sartre scholar, Joseph Catalano. Sartre claimed that his existential approach to psychoanalysis required a new Freud, and in his study of Gustave Flaubert, Sartre becomes that Freud. The work summarizes Sartre's overarching aim to reveal that human life is a meaningful adventure of freedom. In discussing Flaubert's work, particularly his classic novel Madame Bovary, Sartre unleashes a fierce critique of modernity as nihilistic and demeaning of human dignity.

Sartre's Critique of Dialectical Reason ranks with Being and Nothingness as a work of major philosophical significance, but it has been largely neglected. The first volume, published in 1960, was dismissed as a Marxist work at a time when structuralism was coming into vogue; the incomplete second volume has only recently been published in France. In this commentary on the first volume, Joseph S. Catalano restores the Critique to its deserved place among Sartre's works and within philosophical discourse as a whole. Sartre attempts one of the most needed tasks of our times, Catalano asserts-the delivery of history into the hands of the average person. Sartre's concern in the Critique is with the historical significance of everyday life. Can we, he asks, as individuals or even collectively, direct the course of our history? A historical context for our lives is given to us at birth, but we sustain that context with even our most mundane actions-buying a newspaper, waiting in line, eating a meal. In looking at history, Sartre argues, reason can never separate the historical situation of the investigator from the investigation. Thus reason falls into a dialectic, always depending upon the past for guidance but always being reshaped by the present. Clearly showing the influence of Marx on Sartre's thought, the Critique adds the historical dimension lacking in Being and Nothingness. In placing the Critique within the corpus of Sartre's philosophical writings, Catalano argues that it represents a development rather than a break from Sartre's existentialist phase. Catalano has organized his commentary to follow the Critique and has supplied clear examples and concrete expositions of the most difficult ideas. He explicates the dialogue between Marx and Sartre that is internal to the text, and he also discusses Sartre's Search for Method, which is published separately from the Critique in English editions.

In this volume, Joseph Catalano offers an in-depth exploration of Jean-Paul Sartre s four major philosophical writings: Being and Nothingness, Saint Genet: Actor and Martyr, The Critique of Dialectical Reason, and The Family Idiot. These works have been immensely influential, but they are long and difficult and thus challenging for both students and scholars. Catalano here demonstrates the interrelation of these four works, their internal logic, and how they provide insights into important but overlooked aspects of Sartre s thought, such as the body, childhood, and evil. The book begins with Sartre s final work, The Family Idiot, and systematically works backward to Being and Nothingness. Catalano then repeats the study by advancing chronologically, beginning with Being and Nothingness and ending with The Family Idiot and an afterword on Flaubert s Madame Bovary. Readers will appreciate Catalano s subtle readings as well as the new insights that he brings to Sartre s oeuvre.

In this volume, Joseph Catalano offers an in-depth exploration of Jean-Paul Sartre s four major philosophical writings: Being and Nothingness, Saint Genet: Actor and Martyr, The Critique of Dialectical Reason, and The Family Idiot. These works have been immensely influential, but they are long and difficult and thus challenging for both students and scholars. Catalano here demonstrates the interrelation of these four works, their internal logic, and how they provide insights into important but overlooked aspects of Sartre s thought, such as the body, childhood, and evil. The book begins with Sartre s final work, The Family Idiot, and systematically works backward to Being and Nothingness. Catalano then repeats the study by advancing chronologically, beginning with Being and Nothingness and ending with The Family Idiot and an afterword on Flaubert s Madame Bovary. Readers will appreciate Catalano s subtle readings as well as the new insights that he brings to Sartre s oeuvre.