This first major study of feminist theory, revised and updated here into its fourth edition, now takes the reader into the twenty-first century. With the renewed interest in feminism, which has been called "the "fourth wave" of feminism - the "first wave" being the nineteenth-century movement, the "second wave" the developments between 1960-80, and the "third wave" the emergence in the 1990s of ecofeminism, global feminism, the intertwining of the women's rights and animal rights movements, and so-called postmodern feminism - people are re-engaging with the basic question, "What is feminism? What does it mean?" Donovan's book provides a clear answer to the question, outlining the various strands of feminist theory: liberal, cultural, Marxist-socialist, Freudian, and radical. This Fourth Edition brings the discussion up-to-date, integrating the developments in feminist theory that have emerged in the last two decades and particularly since the publication of the Third Edition (2000).

This is a pioneering work in comparative European literature by a leading American scholar. So-called Local Color Literature emerged in the mid nineteenth century, both in the United States and Europe. The US tradition has received scholarly attention, most notably by Donovan herself, whose pioneering work opened up the field. Her new book, on the European tradition, fills a significant gap in the literary history of Western culture. It covers the German ("Dorfgeschichten" - more or less "village histories"), French ("Contes" or "stories"), Irish, and Scottish traditions in detail, with a chapter devoted to each. In Germany, the tradition has been neglected by critics and commentators because of an unfair association with the Nazi heimet (home) literature. A final chapter will limn the European influence on the American local colorists - an influence not studied before. In an age of globalization, with the fears we all have of conformity and homogenization, interest in local-color literatures is growing. This book will help bring these literatures and their tradition back to life.

In this important new book from a distinguished scholar, Josephine Donovan develops a new aesthetics of care, which she establishes as the basis for a critical approach to the representation of animals in literature. The Aesthetics of Care begins with a guide to the relationship between ethics and aesthetics, leading to a reconceptualization of key literary critical terms such as mimesis and catharsis, before moving on to an applied section, with interpretations of the specific treatment of animals handled by a wide range of authors, including Willa Cather, Leo Tolstoy, George Sand, and J.M. Coetzee. The book closes with three concluding theoretical chapters. Clear, original, and provocative, The Aesthetics of Care introduces and makes new contributions to a number of burgeoning areas of study and debate: aesthetics and ethics, critical theory, animal ethics, and ecofeminist criticism.

Critical Theory and Animal Liberation is the first collection to approach our relationship with other animals from the critical or "left" tradition in political and social thought. Breaking with past treatments that have framed the problem as one of "animal rights," the authors instead depict the exploitation and killing of other animals as a political question of the first order. The contributions highlight connections between our everyday treatment of animals and other forms of social power, mass violence, and domination, from capitalism and patriarchy to genocide, fascism, and ecocide. Contributors include well-known writers in the field as well as scholars in other areas writing on animals for the first time. Among other things, the authors apply Freud's theory of repression to our relationship to the animal, debunk the "Locavore" movement, expose the sexism of the animal defense movement, and point the way toward a new transformative politics that would encompass the human and animal alike.

This is the story of William N. Donovan, a U.S. Army medical officer in the Philippines who, as a prisoner of war, faced unspeakable conditions and abuse in Japanese camps during World War II. Through his own words we learn of the brutality, starvation, and disease that he and other men endured at the hands of their captors. And we learn of the courage and determination that Donovan was able to summon in order to survive. P.O.W. in the Pacific: Memoirs of an American Doctor in World War II describes the last weeks before Donovan's capture and his struggles after being taken prisoner at the surrender of Corregidor to the Japanese on May 6, 1942. He remained a P.O.W. until his release on August 14, 1945, V-J Day. Shocking, moving, and yet tinged with Donovan's dry sense of humor, P.O.W. in the Pacific offers a new perspective-that of a medical doctor-on the experience of captivity in Japanese prison camps as well as on the war in the Pacific. The book is edited by Donovan's daughter Josephine, with the assistance of her sister, Ann Devigne Donovan. Readers will be inspired by this true story of one American's heroism.

What if the American literary canon were expanded to consistently represent women writers, who do not always fit easily into genres and periods established on the basis of men's writings? How would the study of American literature benefit from this long-needed revision? This timely collection of essays by fourteen women writers breaks new ground in American literary study. Not content to rediscover and awkwardly "fit" female writers into the "white male" scheme of anthologies and college courses, editors Margaret Dickie and Joyce W. Warren question the current boundaries of literary periods, advocating a revised literary canon. The essays consider a wide range of American women writers, including Mary Rowlandson, Margaret Fuller, Harriet Beecher Stowe, Emily Dickinson, Frances Harper, Edith Wharton, Gertrude Stein, Amy Lowell and Adrienne Rich, discussing how the present classification of these writers by periods affects our reading of their work. Beyond the focus of feminist challenges to American literary periodization, this volume also studies issues of a need for literary reforms considering differences in race, ethnicity, class, and sexuality. The essays are valuable and informative as individual critical studies of specific writers and their works. Challenging Boundaries presents intelligent, original, well-written, and practical arguments in support of long-awaited changes in American literary scholarship and is a milestone of feminist literary study.

Animals and Women is a collection of pioneering essays that explores the theoretical connections between feminism and animal defense. Offering a feminist perspective on the status of animals, this unique volume argues persuasively that both the social construction and oppressions of women are inextricably connected to the ways in which we comprehend and abuse other species. Furthermore, it demonstrates that such a focus does not distract from the struggle for women's rights, but rather contributes to it. This wide-ranging multidisciplinary anthology presents original material from scholars in a variety of fields, as well as a rare, early article by Virginia Woolf. Exploring the leading edge of the species/gender boundary, it addresses such issues as the relationship between abortion rights and animal rights, the connection between woman-battering and animal abuse, and the speciesist basis for much sexist language. Also considered are the ways in which animals have been regarded by science, literature, and the environmentalist movement. A striking meditation on women and wolves is presented, as is an examination of sexual harassment and the taxonomy of hunters and hunting. Finally, this compelling collection suggests that the subordination and degradation of women is a prototype for other forms of abuse, and that to deny this connection is to participate in the continued mistreatment of animals and women.

In "Beyond Animal Rights," Josephine Donovan and Carol J. Adams introduced feminist "ethic of care" theory into philosophical discussions of the treatment of animals. In this new volume, seven essays from "Beyond Animal Rights" are joined by nine new articles-most of which were written in response to that book-and a new introduction that situates feminist animal care theory within feminist theory and the larger debate over animal rights. Contributors critique theorists' reliance on natural rights doctrine and utilitarianism, which, they suggest, have a masculine bias. They argue for ethical attentiveness and sympathy in our relationships with animals and propose a link between the continuing subjugation of women and the human domination of nature. Beginning with the earliest articulation of the idea in the mid-1980s and continuing to the theory's most recent revisions, this volume presents the most complete portrait of the evolution of the feminist-care tradition.

In "Beyond Animal Rights," Josephine Donovan and Carol J. Adams introduced feminist "ethic of care" theory into philosophical discussions of the treatment of animals. In this new volume, seven essays from "Beyond Animal Rights" are joined by nine new articles-most of which were written in response to that book-and a new introduction that situates feminist animal care theory within feminist theory and the larger debate over animal rights. Contributors critique theorists' reliance on natural rights doctrine and utilitarianism, which, they suggest, have a masculine bias. They argue for ethical attentiveness and sympathy in our relationships with animals and propose a link between the continuing subjugation of women and the human domination of nature. Beginning with the earliest articulation of the idea in the mid-1980s and continuing to the theory's most recent revisions, this volume presents the most complete portrait of the evolution of the feminist-care tradition.

This is a new release of the original 1930 edition.

1930. A novel concerning an Irish family farming in northwest Iowa. The book begins: Direction?...There was no direction. The prairie stretched to the end of the world. Nell Connor, seated on a high wagon, swayed with the motion of the ox team and closed her eyes. Would there be, perhaps, some change in this scene when she looked again? No. No change. She became insensible to the prattle of Tim and the children, and listened to Dutch Fred as he directed his oxen. Gee-e. Haw! Haw! Ha-! On, on toward an elusive horizon. Did that driver with the long, bushy beard and kind gray eyes really know of a destination? Where was he taking the Connor family? Why had Tim selected land so far, far from any signs of life? It was hours, days, since the railroad terminal-the last connection with civilization-had been swallowed in those palpitating grasses.

1930. A novel concerning an Irish family farming in northwest Iowa. The book begins: Direction?...There was no direction. The prairie stretched to the end of the world. Nell Connor, seated on a high wagon, swayed with the motion of the ox team and closed her eyes. Would there be, perhaps, some change in this scene when she looked again? No. No change. She became insensible to the prattle of Tim and the children, and listened to Dutch Fred as he directed his oxen. Gee-e. Haw! Haw! Ha-! On, on toward an elusive horizon. Did that driver with the long, bushy beard and kind gray eyes really know of a destination? Where was he taking the Connor family? Why had Tim selected land so far, far from any signs of life? It was hours, days, since the railroad terminal-the last connection with civilization-had been swallowed in those palpitating grasses.

A pioneering work in comparative European literature by a leading American scholar. >

1930. A novel concerning an Irish family farming in northwest Iowa. The book begins: Direction?...There was no direction. The prairie stretched to the end of the world. Nell Connor, seated on a high wagon, swayed with the motion of the ox team and closed her eyes. Would there be, perhaps, some change in this scene when she looked again? No. No change. She became insensible to the prattle of Tim and the children, and listened to Dutch Fred as he directed his oxen. Gee-e. Haw! Haw! Ha-! On, on toward an elusive horizon. Did that driver with the long, bushy beard and kind gray eyes really know of a destination? Where was he taking the Connor family? Why had Tim selected land so far, far from any signs of life? It was hours, days, since the railroad terminal-the last connection with civilization-had been swallowed in those palpitating grasses.

1930. A novel concerning an Irish family farming in northwest Iowa. The book begins: Direction?...There was no direction. The prairie stretched to the end of the world. Nell Connor, seated on a high wagon, swayed with the motion of the ox team and closed her eyes. Would there be, perhaps, some change in this scene when she looked again? No. No change. She became insensible to the prattle of Tim and the children, and listened to Dutch Fred as he directed his oxen. Gee-e. Haw! Haw! Ha-! On, on toward an elusive horizon. Did that driver with the long, bushy beard and kind gray eyes really know of a destination? Where was he taking the Connor family? Why had Tim selected land so far, far from any signs of life? It was hours, days, since the railroad terminal-the last connection with civilization-had been swallowed in those palpitating grasses.

In this important new book from a distinguished scholar, Josephine Donovan develops a new aesthetics of care, which she establishes as the basis for a critical approach to the representation of animals in literature. The Aesthetics of Care begins with a guide to the relationship between ethics and aesthetics, leading to a reconceptualization of key literary critical terms such as mimesis and catharsis, before moving on to an applied section, with interpretations of the specific treatment of animals handled by a wide range of authors, including Willa Cather, Leo Tolstoy, George Sand, and J.M. Coetzee. The book closes with three concluding theoretical chapters. Clear, original, and provocative, The Aesthetics of Care introduces and makes new contributions to a number of burgeoning areas of study and debate: aesthetics and ethics, critical theory, animal ethics, and ecofeminist criticism.

A critical study of 19th century women writers of New England, (orig. pub. 1983) evaluates the originality of the group that included Harriet Beecher Stowe, Annie Fields, Rose Terry Cooke, Elizabeth Stuart Phelps, Sarah Orner Jewett, Mary E. Wilkes Freeman].

A continuation of Josephine Donovan's exploration of American women's literary traditions, begun with New England Local Color Literature: A Women's Tradition, which treats the nineteenth-century realists, this work analyzes the writing of major women writers of the early twentieth century--Edith Wharton, Willa Cather, and Ellen Glasgow.

The author sees the Demeter-Persephone myth as central to these writers' thematics, but interprets the myth in terms of the historical transitions taking place in turn-of-the-century America. Donovan focuses on the changing relationship between mothers and daughters--in particular upon the "new women's" rebellion against the traditional women's culture of their nineteenth-century mothers (both literary and literal). An introductory chapter traces the male-supremacist ideologies that formed the intellectual climate in which these women wrote.

Reorienting Wharton, Cather, and Glasgow within women's literary traditions produces major reinterpretations of their works, including such masterpieces as Ethan Frome, Summer, My Antonia, Barren Ground, and others.

This first major study of feminist theory, revised and updated here into its fourth edition, now takes the reader into the twenty-first century. With the renewed interest in feminism, which has been called "the "fourth wave" of feminism - the "first wave" being the nineteenth-century movement, the "second wave" the developments between 1960-80, and the "third wave" the emergence in the 1990s of ecofeminism, global feminism, the intertwining of the women's rights and animal rights movements, and so-called postmodern feminism - people are re-engaging with the basic question, "What is feminism? What does it mean?" Donovan's book provides a clear answer to the question, outlining the various strands of feminist theory: liberal, cultural, Marxist-socialist, Freudian, and radical. This Fourth Edition brings the discussion up-to-date, integrating the developments in feminist theory that have emerged in the last two decades and particularly since the publication of the Third Edition (2000).