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From critically acclaimed comic book writer Joshua Hale Fialkov (The Bunker, Echoes, and I, Vampire) and superstar artists Bernard Chang and Marcelo Maiolo (Green Lantern Corps, Batman Beyond) comes a postapocalyptic action/adventure comedy. King just wants what anybody wants: not to get fired, eaten, or forced to mate with a cheetah lady. For Earth's sole human survivor after the apocalypse, life among Los Angeles's strange new populace ain't easy. Working for the LA Department of Reclamation, King gets a lot of crappy jobs going on quests and searching for artifacts from the "old world," which can range from the mythical (Excalibur!) to the absurd (an iPod shuffle-which, let's be honest, was a terrible, terrible invention). The commute can be a real pain in the asphalt, too; the 405 freeway is filled with mutants, monsters, mayhem, and tentacled Elder Gods. And that's all before you hit the horrors of the San Fernando Valley. As the world's freakish inhabitants battle for supremacy, King searches for the "seed of life," which may give Earth the second chance it probably doesn't even deserve.
Abe, Fist, Skull, and Dog live in a house, get into fights, murder gnomes, and punch each other in the nuts. A lot. Vomit-out-loud comedy guaranteed! From Joshua Hale Fialkov (The Bunker, The Life After, I, Vampire) and Kody Chamberlain (Sweets, The Ride: Southern Gothic) comes a book unlikely to become a blockbuster movie. Much to their chagrin. Collecting Punks: The Comic issues #1-5.
Private investigator Frank Armstrong barely scrapes by in the Los Angeles underbelly until "the big one" hits his desk. Locate and retrieve the daughter of a drug kingpin, and he can finally afford more than the one-dollar meatloaf. Unfortunately, the job offer arrives just as the symptoms of his fatal, late-stage brain tumor intensify. Frank must find the target and keep her safe while time collapses, family turns into foe, and the specter of his murdered wife resurfaces in the eyes of a mobster's daughter.
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Snyman's Criminal Law
Kallie Snyman, Shannon Vaughn Hoctor
Paperback
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