Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, communicate, and understand human motivations, desires, and needs. In this book the editors put forward two core propositions: creative artistic behavior is one of the key challenges of artificial intelligence research, and computer-assisted creativity and human-centered artificial intelligence systems are the driving forces for research in this area. The invited chapters examine computational creativity and more specifically systems that exhibit artistic behavior or can improve humans' creative and artistic abilities. The authors synthesize and reflect on current trends, identify core challenges and opportunities, and present novel contributions and applications in domains such as the visual arts, music, 3D environments, and games. The book will be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts.

This book adopts an innovative historical approach to Terrorism, focusing on the weaknesses of terrorist states and organizations as reflected in the ideologies, methodologies and propaganda of Russian populist, National Socialist and Islamic Terrorism. Drawing upon multilingual primary sources, the book challenges the oft repeated claim that the Nazi regime and Islamic State produced propaganda of superior quality, instead arguing that the manipulation of information is the Achilles heel of terrorist organizations. It offers a critical examination of the fears of terrorists themselves, as opposed to the traditional focus on the fear instilled by terrorist organizations in governments and citizens. Taking a multidisciplinary approach and long-term history perspective, the book provides a method for exploring the minds of terrorists and the inner workings of their organizations and traces the evolution of terrorist thought and methodology across time and place. This is the ideal volume for researchers of Terrorism within the fields of History, Politics, Security Studies, Religious Studies and Legal Studies.

This book adopts an innovative historical approach to Terrorism, focusing on the weaknesses of terrorist states and organizations as reflected in the ideologies, methodologies and propaganda of Russian populist, National Socialist and Islamic Terrorism. Drawing upon multilingual primary sources, the book challenges the oft repeated claim that the Nazi regime and Islamic State produced propaganda of superior quality, instead arguing that the manipulation of information is the Achilles heel of terrorist organizations. It offers a critical examination of the fears of terrorists themselves, as opposed to the traditional focus on the fear instilled by terrorist organizations in governments and citizens. Taking a multidisciplinary approach and long-term history perspective, the book provides a method for exploring the minds of terrorists and the inner workings of their organizations and traces the evolution of terrorist thought and methodology across time and place. This is the ideal volume for researchers of Terrorism within the fields of History, Politics, Security Studies, Religious Studies and Legal Studies.

In the early hours of July 14, 1958, Iraqi military officers overthrew the British-installed Iraqi monarchy. The Free Officers coup initiated an era of military and subsequently Ba'thist rule that only ended with the U.S.-led invasion of Iraq in 2003. Historians are at variance over the nature of what is called the Iraqi Revolution in the Arab world. Some scholars argue that the overthrow was merely a coup d'etat orchestrated by the Free Officers Movement. Other analysts contend that the overthrow constituted a real revolution. Very few works, if any, provide a detailed analysis in support of the "revolutionary" argument. Dr. Romero's book advances the argument that the events of July 14 simultaneously constituted a coup and a revolution for a number of reasons, including military involvement, popular participation, and policies that radically departed from those of the previous regime.

This book constitutes the refereed proceedings of the Third International Conference on Biologically Inspired Music, Sound, Art and Design, Evo MUSART 2014, held in Granada, Spain, in April 2014, co-located with the Evo* 2013 events Euro GP, Evo COP, Evo BIO and Evo Applications. The 11 revised full papers presented were carefully reviewed and selected from 30 submissions. They cover a wide range of topics and application areas.

Evolutionary computation (EC) techniques are e?cient nature-inspired pl- ning and optimization methods based on the principles of natural evolution and genetics. Due to their e?ciency and the simple underlying principles, these methods can be used for a large number of problems in the context of problem solving, optimization, andmachinelearning. Alargeandcontinuouslyincreasing number of researchers and practitioners make use of EC techniques in many - plication domains. The book at hand presents a careful selection of relevant EC applications combined with thorough examinations of techniques for a successful application of EC. The presented papers illustrate the current state of the art in the application of EC and should help and inspire researchers and practitioners to develop e?cient EC methods for design and problem solving. All papers in this book were presented during EvoWorkshops 2005, which was a varying collection of workshops on application-oriented aspects of EC. Since 1999, the format of the EvoWorkshops has proved to be very successful and well representative of the advances in the application of EC. Consequently, over the last few years, EvoWorkshops has become one of the major events addressing the application of EC. In contrast to other large conferences in the EC ?eld, the EvoWorkshops focus solely on application aspects of EC and are an important link between EC research and the application of EC in a large variety of di?erent domain

This book presents the refereed joint proceedings of seven workshops on evolutionary computing, EvoWorkshops 2006, held in Budapest in April 2006. 65 revised full papers and 13 revised short papers presented were carefully reviewed and selected from a total of 149 submissions. The book is organized in topical sections including evolutionary bioinformatics, evolutionary computation in communications, networks, and connected systems, and more.

Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, communicate, and understand human motivations, desires, and needs. In this book the editors put forward two core propositions: creative artistic behavior is one of the key challenges of artificial intelligence research, and computer-assisted creativity and human-centered artificial intelligence systems are the driving forces for research in this area. The invited chapters examine computational creativity and more specifically systems that exhibit artistic behavior or can improve humans' creative and artistic abilities. The authors synthesize and reflect on current trends, identify core challenges and opportunities, and present novel contributions and applications in domains such as the visual arts, music, 3D environments, and games. The book will be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts.

This book constitutes the refereed proceedings of the 10th European Conference on Artificial Intelligence in Music, Sound, Art and Design, EvoMUSART 2021, held as part of Evo* 2021, as Virtual Event, in April 2021, co-located with the Evo* 2021 events, EvoCOP, EvoApplications, and EuroGP. The 24 revised full papers and 7 short papers presented in this book were carefully reviewed and selected from 66 submissions. They cover a wide range of topics and application areas, including generative approaches to music and visual art, deep learning, and architecture.

This book constitutes the refereed proceedings of the 9th European Conference on Artificial Intelligence in Music, Sound, Art and Design, EvoMUSART 2020, held as part of Evo*2020, in Seville, Spain, in April 2020, co-located with the Evo*2020 events EuroGP, EvoCOP and EvoApplications. The 15 revised full papers presented were carefully reviewed and selected from 31 submissions. The papers cover a wide spectrum of topics and application areas, including generative approaches to music and visual art, deep learning, and architecture.

In the early hours of July 14, 1958, Iraqi military officers overthrew the British-installed Iraqi monarchy. The Free Officers coup initiated an era of military and subsequently Ba'thist rule that only ended with the U.S.-led invasion of Iraq in 2003. Historians are at variance over the nature of what is called the Iraqi Revolution in the Arab world. Some scholars argue that the overthrow was merely a coup d'Ztat orchestrated by the Free Officers Movement. Other analysts contend that the overthrow constituted a real revolution. Very few works, if any, provide a detailed analysis in support of the 'revolutionary' argument. Dr. Romero's book advances the argument that the events of July 14 simultaneously constituted a coup and a revolution for a number of reasons, including military involvement, popular participation, and policies that radically departed from those of the previous regime.