The Greatest of the ancient mysteries are explored by experts in the field, in a dramatic re-evaluation of man's past, using archaeology, geology, history and astronomy. Ancient Empires rose and fell, new worlds were conquered and lost. Who were the people and how did their civilizations unfold? In this exciting new series, the reader travels into lost worlds, re-examining ancient history to discover the secrets of the past.In a drastic re-evaluation of man's history, using the high-tech tools of modern archaeology, geology and astronomy, civilizations lost for thousands of years are revealed; only now beiong recognized for the advanced societies they were.

The Macdonald sisters -- Alice, Georgiana, Agnes and Louisa -- started life among the ranks of the lower-middle classes, with little prospect of social advancement. But as wives and mothers they made a single family of the poet of Empire, Rudyard Kipling, the Pre-Raphaelite painter Edward Burne-Jones, Edward Poynter, President of the Royal Academy, and the Prime Minister, Stanley Baldwin. In telling their remarkable story, Judith Flanders displays the fluidity of Victorian society, and explores the life of the family in the 19th century.

Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

One of the great Victorian novels, The Moonstone has engrossed, entertained and enraptured readers since its first publication in 1868. This edition features an introduction by the renowned historian, journalist and author, Judith Flanders.

Lady Verinder’s uncle gives her the Moonstone – a magnificent diamond as large as an egg – for her eighteenth birthday, but it is not quite the generous gift it first seems. For he obtained it through bloody and nefarious means in India, and legend says the diamond’s guardians will stop at nothing to get it back. When the Moonstone is stolen, an innocent man is accused of the crime and from this simple beginning, Wilkie Collins creates a stunning, complex narrative of dark mystery, suspense and atmosphere – and one of the very first detective stories ever written.

One we've learned it as children few of us think much of the alphabet and its familiar sing-song order. And yet the order if the alphabet, that simple knowledge that we take for granted, plays a major role in our adult lives. From the school register to the telephone book, from dictionaries and encyclopaedias to library shelves, our lives are ordered from A to Z. Long before Google searches, this magical system of organization gave us the ability to sift through centuries of thought, knowledge and literature, allowing us to sort, to file, and to find the information we have, and to locate the information we need.

In A Place for Everything, acclaimed historian Judith Flanders draws our attention to both the neglected ubiquity of the alphabet and the long, complex history of its rise to prominence. For, while the order of the alphabet itself became fixed very soon after letters were first invented, their ability to sort and store and organize proved far less obvious. To many of our forebears, the idea of of organizing things by the random chance of the alphabet rather than by established systems of hierarchy or typology lay somewhere between unthinkable and disrespectful.

A Place for Everything fascinatingly lays out the gradual triumph of alphabetical order, from its possible earliest days as a sorting tool in the Great Library of Alexandria in the third century BCE, to its current decline in prominence in our digital age of Wikipedia and Google. Along the way, the reader is enlightened and entertained with a wonderful cast of unknown facts, characters and stories from the great collector Robert Cotton, who denominated his manuscripts with the names of the busts of the Roman emperors surmounting his book cases, to the unassuming sixteenth- century London bookseller who ushered in a revolution by listing his authors by 'sirname' first.

'We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.' Punch Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous - transformed into novels, into broadsides and ballads, into theatre and melodrama and opera - even into puppet shows and performing dog-acts. In this meticulously researched and compelling book, Judith Flanders - author of 'The Victorian House' - retells the gruesome stories of many different types of murder - both famous and obscure. From the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedies of the murdered Marr family in London's East End, Burke and Hare and their bodysnatching business in Edinburgh, and Greenacre who transported his dismembered fiancee around town by omnibus. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the dangerous to know, 'The Invention of Murder' is both a gripping tale of crime and punishment, and history at its most readable.

The bestselling social history of Victorian domestic life, told through the letters, diaries, journals and novels of 19th-century men and women. The Victorian age is both recent and unimaginably distant. In the most prosperous and technologically advanced nation in the world, people carried slops up and down stairs; buried meat in fresh earth to prevent mould forming; wrung sheets out in boiling water with their bare hands. This drudgery was routinely performed by the parents of people still living, but the knowledge of it has passed as if it had never been. Running water, stoves, flush lavatories - even lavatory paper - arrived slowly throughout the century, and most were luxuries available only to the prosperous. Judith Flanders, author of the widely acclaimed 'A Circle of Sisters', has written an incisive and irresistible portrait of Victorian domestic life. The book itself is laid out like a house, following the story of daily life from room to room: from childbirth in the master bedroom, through the scullery, kitchen and dining room - cleaning, dining, entertaining - on upwards, ending in the sickroom and death. Through a collage of diaries, letters, advice books, magazines and paintings, Flanders shows how social history is built up out of tiny domestic details. Through these we can understand the desires, motivations and thoughts of the age. Many people today live in Victorian terraces, and so the houses themselves are familiar, but the lives are not. 'The Victorian House' will change all that.

"Wonderful... Flanders] shines in her readings of literary novels containing criminal and detective elements, such as Oliver Twist, Mary Barton and Tess of the D'Urbervilles, but can be sharp and very funny about the vagaries of melodramatic and sensational plotting." -"Wall Street Journal"

In this fascinating exploration of murder in the nineteenth century, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction

Murder in Britain in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, transformed into novels, into broadsides and ballads, into theatre and melodrama and opera--even into puppet shows and performing dog-acts. Detective fiction and England's new police force developed in parallel, each imitating the other--the pioneers of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell.

In this fascinating book, Judith Flanders retells the gruesome stories of many different types of murder--both famous and obscure--from the crimes (and myths) of Sweeney Todd and Jack the Ripper to the tragedies of the murdered Marr family in London's East End; Burke and Hare and their bodysnatching business in Edinburgh; and Greenacre, who transported his dismembered fiancee around town by omnibus. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the dangerous to know, The Invention of Murder is both a gripping tale of crime and punishment, and history at its most readable.

'Marvellous...I read it with astonished delight..It is equally scholarly and entertaining.' Jan Morris

'Delightfully quirky and compelling' The Times

One we've learned it as children few of us think much of the alphabet and its familiar sing-song order. And yet the order if the alphabet, that simple knowledge that we take for granted, plays a major role in our adult lives. From the school register to the telephone book, from dictionaries and encyclopaedias to library shelves, our lives are ordered from A to Z. Long before Google searches, this magical system of organisation gave us the ability to sift through centuries of thought, knowledge and literature, allowing us to sort, to file, and to find the information we have, and to locate the information we need.

In A PLACE FOR EVERYTHING, acclaimed historian Judith Flanders draws our attention to both the neglected ubiquity of the alphabet and the long, complex history of its rise to prominence. For, while the order of the alphabet itself became fixed very soon after letters were first invented, their ability to sort and store and organize proved far less obvious. To many of our forebears, the idea of of organising things by the random chance of the alphabet rather than by established systems of hierarchy or typology lay somewhere between unthinkable and disrespectful.

A PLACE FOR EVERYTHING fascinatingly lays out the gradual triumph of alphabetical order, from its possible earliest days as a sorting tool in the Great Library of Alexandria in the third century BCE, to its current decline in prominence in our digital age of Wikipedia and Google. Along the way, the reader is enlightened and entertained with a wonderful cast of unknown facts, characters and stories from the great collector Robert Cotton, who denominated his manuscripts with the names of the busts of the Roman emperors surmounting his book cases, to the unassuming sixteenth- century London bookseller who ushered in a revolution by listing his authors by 'sirname' first.

The nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn. Charles Dickens obsessively walked London's streets, recording its pleasures, curiosities and cruelties. Now, Judith Flanders follows in his footsteps, leading us through the markets, transport systems, sewers, slums, cemeteries, gin palaces and entertainment emporia of Dickens' London. The Victorian City is a revelatory portrait of everyday life on the streets, bringing to life the Victorian capital in all its variety, vibrancy, and squalor. No one who reads it will view London in the same light again.

The Macdonalds were both of their own time and yet our contemporaries. In the personal and social journeys they made they were creatures of an exceptional moment in history, a social drama set in a privileged time and place, while in the ordinary dynamics of their relationships with each other they were us. The dynamism of family life mirrored the times. From the birth of Alice soon after Queen Victoria came to the throne, to their dispersal at the end of a long Edwardian summer, the Macdonalds were a prime example of the fluidity and social mobility that characterized the age.

Nineteenth-century Britain was then the world's most prosperous nation, yet Victorians would bury meat in earth and wring sheets out in boiling water with their bare hands. Such drudgery was routine for the parents of people still living, but the knowledge of it has passed as if it had never been. Following the daily life of a middle-class Victorian house from room to room; from childbirth in the master bedroom through the kitchen, scullery, dining room, and parlor, all the way to the sickroom; Judith Flanders draws on diaries, advice books, and other sources to resurrect an age so close in time yet so alien to our own.