Anna Brownwell Jameson (1794-1869) was a central figure in the London world of letters and art in the early Victorian period, and an important feminist writer. Her friends included such figures as Harriet Martineau, Lady Byron, Robert Browning and Elizabeth Barrett Browning. This study considers her life and works, using a different Jameson work as the central focus of each chapter. The author considers the particular non-fiction discourse in which the work is written, as well as such issues as gender and colonialism. Arranged chronologically, the book also charts the growth and development of a determined feminism in the vital years of the early Victorian period, and compares Jameson to her contemporaries.

Both travel and translation involve a type of journey, one with literal and metaphorical dimensions. Judith Johnston brings together these two richly resonant modes of getting from here to there as she explores their impact on culture with respect to the work of Victorian women. Using the metaphor of the published journey, whether it involves actual travel or translation, Johnston focusses particularly on the relationships of various British women with continental Europe. At the same time, she sheds light on the possibility of appropriation and British imperial enhancement that such contact produces. Johnston's book is in part devoted to case studies of women such as Sarah Austin, Mary Busk, Anna Jameson, Charlotte Guest, Jane Sinnett and Mary Howitt who are representative of women travellers, translators and journalists during a period when women became increasingly robust participants in the publishing industry. Whether they wrote about their own travels or translated the foreign language texts of other writers, Johnston shows, women were establishing themselves as actors in the broad business of culture. In widening our understanding of the ways in which gender and modernity functioned in the early decades of the Victorian age, Johnston's book makes a strong case for a greater appreciation of the contributions nineteenth-century women made to what is termed the knowledge empire.

Both travel and translation involve a type of journey, one with literal and metaphorical dimensions. Judith Johnston brings together these two richly resonant modes of getting from here to there as she explores their impact on culture with respect to the work of Victorian women. Using the metaphor of the published journey, whether it involves actual travel or translation, Johnston focusses particularly on the relationships of various British women with continental Europe. At the same time, she sheds light on the possibility of appropriation and British imperial enhancement that such contact produces. Johnston's book is in part devoted to case studies of women such as Sarah Austin, Mary Busk, Anna Jameson, Charlotte Guest, Jane Sinnett and Mary Howitt who are representative of women travellers, translators and journalists during a period when women became increasingly robust participants in the publishing industry. Whether they wrote about their own travels or translated the foreign language texts of other writers, Johnston shows, women were establishing themselves as actors in the broad business of culture. In widening our understanding of the ways in which gender and modernity functioned in the early decades of the Victorian age, Johnston's book makes a strong case for a greater appreciation of the contributions nineteenth-century women made to what is termed the knowledge empire.

Anna Brownwell Jameson (1794-1869) was a central figure in the London world of letters and art in the early Victorian period, and an important feminist writer. Her friends included such figures as Harriet Martineau, Lady Byron, Robert Browning and Elizabeth Barrett Browning. This study considers her life and works, using a different Jameson work as the central focus of each chapter. The author considers the particular non-fiction discourse in which the work is written, as well as such issues as gender and colonialism. Arranged chronologically, the book also charts the growth and development of a determined feminism in the vital years of the early Victorian period, and compares Jameson to her contemporaries.

Examining the important role played by the Victorian periodical in defining and refining gender roles during the second half of the nineteenth century, this study analyzes the periodical press in nineteenth-century culture. It considers issues of gender in the presses' development as a powerful political and social medium. The authors examine broad questions as they are explored in a range of periodicals, from literary and political reviews to comic magazines.

Periodicals in the Victorian era portrayed and reinforced gender notions and ideals. Indeed, the Victorian periodical press was a critical cultural site for the representation of competing gender ideologies. This is a full-length book examining masculinities and femininities as defined and interrogated in these periodicals. It investigates readers, editors, and journalists; and it considers the power of the press at home, in the domestic space, in metropolitan centres and at the margins of empire. The work is based on archival research into a wide range of publications from the 1830s to the fin de siecle; from enduring intellectual heavyweight quarterlies through more ephemeral women's and working men's magazines, to magazines for boys and girls. The study is informed by the theories and approaches of media and cultural studies and women's studies. A valuable appendix supplies information about the many periodicals of the period mentioned in the book.

This volume makes available for the first time the entire surviving journals and diaries of the great Victorian novelist, George Eliot, and constitutes a new text by her--the closest she came to autobiography. The journals span her life from 1854, when she entered into a common-law union with George Henry Lewes, to her death in 1880, revealing the professional writer George Eliot as well as the remarkable private woman, Marian Evans. The edition includes a chronology, introduction, headnotes to each diary, and an annotated index supplying valuable contextual and explanatory information.

This volume makes available for the first time the entire surviving journals and diaries of the great Victorian novelist, George Eliot, and constitutes a new text by her--the closest she came to autobiography. The journals span her life from 1854, when she entered into a common-law union with George Henry Lewes, to her death in 1880, revealing the professional writer George Eliot as well as the remarkable private woman, Marian Evans. The edition includes a chronology, introduction, headnotes to each diary, and an annotated index supplying valuable contextual and explanatory information.

Studies in Medievalism is the only journal entirely devoted to modern re-creations of the middle ages: a field of central importance not only to scholarship but to the whole contemporary cultural world. The middle ages remain a prize to be fought for and a territory to control. From early modern times rulers and politicians have sought to ground their legitimacy in ancient tradition - which they have often invented or rewritten for their own purposes. This issue of Studies in Medievalism presents a number of such cases, ranging from the rewriting of Mozart, and Merovingian history, for the King of Bavaria, to the anglicization of the medieval WelshMabinogion by the wife of an English ironmaster. Other articles consider the involvement of scholarship with national and professional self-definition, whether in Renaissance Holland or Victorian Britain. And who "discovered" America, Christopher Columbus or Leif Ericsson? This is an issue of vital importance to many 19th-century Americans, but one created and determined entirely by scholarship. Simple commercial motives for exploiting the middle ages are also represented, whether straightforward forgery for sale, or the giant modern industry of tourism. Professor TOM SHIPPEY teaches in the Department of English at the University of St Louis; Dr MARTIN ARNOLD teaches at University College, Scarborough. Contributors: SOPHIE VAN ROMBURGH, ROLF H. BREMMER JR, BETSY BOWDEN, WERNER WUNDERLICH, JUDITH JOHNSTON, GERALDINE BARNES, RICHARD UTZ, JOHN BLOCK FRIEDMAN, STEVE WATSON.

In George Eliot's last two novels, Middlemarch (1871-72) and Daniel Deronda (1876), she abandons the realism she had explored and articulated so carefully, most famously in Adam Bede, "a faithful account of men and things," for an unprecedented return to "cloud-borne angels, [...] prophets, sibyls, and heroic warriors." This study addresses Eliot's exploitation of Victorian medievalism by considering the way in which she utilizes the discourses of medievalism, both for their potential for subversiveness and their potential for mediation, to affirm that change is possible socially, culturally, and politically, in her modern contemporary world. The various medieval discourses are revealed as interstices within what initially appears to be a continuation of the realism of her earlier novels. They permit political and cultural readings of a different, and often unexpected, kind to the realist bourgeois values of novels like Adam Bede, and to a lesser extent, Felix Holt. These political and cultural readings reveal a more determined, more obvious feminist and socialist polemic in her two last and possibly greatest novels.

Victorian Turns, NeoVictorian Returns: Essays on Fiction and Culture brings together essays by scholars of international reputation in nineteenth-century British literature. Encompassing new work on Victorian writers and subjects as well as later readings, rewritings, and adaptations, the two-part arrangement of this collection highlights an ongoing dialogue. Part One: Victorian Turns focuses principally on some of the major novelists of the period-George Eliot, Charles Dickens, Charlotte Bronte-while placing them in a wide cultural context, in particular that provided by the intellectual journals to which many of the novelists contributed. Reflecting the diversity of debate in the Victorian period, contributors' essays range across key topics of the day, including the woman question, class relations, language, science, work, celebrity, and travel. English writers' consciousness of the challenging contemporary developments in French literature forms a significant and persistent theme. In Part Two: NeoVictorian Returns, the rich and varied afterlife of Victorianism is touched on. NeoVictorianism in contemporary literature and film demonstrates an ongoing and productive engagement with an age which established the social and cultural directions of the modern world. In rewritings, appropriations, and colonial writings-back, and in the persistent power of nineteenth-century images and stories in modern cinema, the period's social, cultural and political modernity continues to flourish.

Australians have, until very recently, taken their British inheritance for granted. This timely anthology is a collection of writings, and some cartoons, from the 19th century British periodical press, which was the popular press of its day. The pieces ra