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George Eliot and the Discourses of Medievalism (Hardcover)
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George Eliot and the Discourses of Medievalism (Hardcover)
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In George Eliot's last two novels, Middlemarch (1871-72) and Daniel
Deronda (1876), she abandons the realism she had explored and
articulated so carefully, most famously in Adam Bede, "a faithful
account of men and things," for an unprecedented return to
"cloud-borne angels, [...] prophets, sibyls, and heroic warriors."
This study addresses Eliot's exploitation of Victorian medievalism
by considering the way in which she utilizes the discourses of
medievalism, both for their potential for subversiveness and their
potential for mediation, to affirm that change is possible
socially, culturally, and politically, in her modern contemporary
world. The various medieval discourses are revealed as interstices
within what initially appears to be a continuation of the realism
of her earlier novels. They permit political and cultural readings
of a different, and often unexpected, kind to the realist bourgeois
values of novels like Adam Bede, and to a lesser extent, Felix
Holt. These political and cultural readings reveal a more
determined, more obvious feminist and socialist polemic in her two
last and possibly greatest novels.
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