Although relatively brief, Philippians is one of the most interesting and beloved of Paul's undisputed epistles. In Philippians and Philemon, Bonnie Thurston makes a convincing case that canonical Philippians is as Paul wrote it, one letter. Although there is not enough specific evidence to "name names," she suggests a number of possible audiences. A translation conforming as closely as possible to the original Greek is provided, along with a careful analysis of the language of the letter that yields insights into the context and theological underpinning of this epistle. The apostle's very brief letter to Philemon stands solidly within the Pauline collection of authentic and canonical letters. In this volume, Judith Ryan argues that Philemon makes two specific appeals. The first seeks to elicit Philemon's partnership and his community's support in welcoming Onesimus back as both beloved brother and honored guest. The second requests that Onesimus be allowed to use the freedom he already has to serve Christ and his Gospel. In this commentary Ryan provides a fresh translation, critical notes for each verse, and interpretation on defined sections. She situates the letter in the historical context of slavery in the ancient world and shows how Paul combined his theology with contemporary rhetorical strategies to produce an effective challenge to his audience. Bonnie B. Thurston, PhD, lives in West Virginia in solitude. She is ordained in the Christian Church (Disciples of Christ) and the author of several books, including The Spiritual Landscape of Mark and Religious Vows, the Sermon on the Mount, and Christian Living (Liturgical Press) and Preaching Mark (Fortress Press). Judith M. Ryan, PhD,STL, is associate professor of New Testament at the University of St. Thomas School of Theology at St. Mary's Seminary, Houston, Texas. Previously she taught at Catholic University of America, Fordham University, the University of Scranton, College Misericordia, and St. Mary's Seminary and University, Baltimore, Maryland.

If the rise of modernism is the story of a struggle between the burden of tradition and a desire to break free of it, then Rilke's poetic development is a key example of this tension at work. Taking a sceptical view of Rilke's own myth of himself as a solitary genius, Judith Ryan reveals how deeply his writing is embedded in the culture of its day. She traces his often desperate attempts to grapple with problems of fashion, influence and originality as he shaped his career during the crucial decades in which modernism was born. This 1999 book was the first systematic study of Rilke's trajectory from aestheticism to modernism as seen through the lens of his engagement with poetic tradition and the visual arts. It is full of surprising discoveries about individual poems. Above all, it shifts the terms of the debate about Rilke's place in modern literary history.

This collection of eleven essays by leading literary studies and cultural studies scholars examines the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other. These notable scholars take on a broad range of topics, including the falsified Hitler diaries, the creation of national identity in Bohemia, and Jean-Etienne Liotard's fraudulent "Turkish" identity. Each essay asks how forgery-at once the work of a criminal and a "master"-has shaped modern culture and challenged our understandings of authorship and value.

Illuminates the major aspects of the works of Germany's greatest 20th-century poet. Rainer Maria Rilke (1875-1926) is the best-known German poet of his generation and is widely appreciated today by readers in Europe, the United States, and world-wide. Because of the inventiveness and musicality of his poetic language and the visionary intuition of his thinking, Rilke's influence extends well beyond poetry to include religion, philosophy, the social sciences, and the arts. His works have been widely translated into English, and new enderings of such poem cycles as The Duino Elegies and The Sonnets to Orpheus appear frequently. Critics regard Rilke's Notebooks of Malte Laurids Brigge as a seminal modern novel. The Companion to Rilke provides essential, up-to-date essays by top Rilke scholars on a wide range of the major aspects of Rilke's life and works. The volume follows the chronology of Rilke's career, emphasizing those works that have met with the greatest critical interest. Among the topics covered are: Rilke's life and thought; the writings before 1902; Das Stunden-Buch and Das Buch der Bilder; the Neue Gedichte, The Cornet and other brief narratives; Malte Laurids Brigge; The Duino Elegies; The Sonnets to Orpheus; Rilke as a poet in French; Rilke and the visual arts. Erika and Michael Metzger (SUNY Buffalo) have written extensively on various aspects ofGerman literature and have edited significant Baroque texts.

New essays by leading scholars on the most perplexing of modern writers, Franz Kafka. No other 20th-century writer of German-language literature has been as fully accepted into the canon of world literature as Franz Kafka. The unsettlingly, enigmatically surreal world of Kafka's novels and stories continues to fascinate readers and critics of each new generation, who in turn continue to find new readings. One thing has become clear: although all theories attempt to appropriate Kafka, there is no one key to his work. The challenge to criticshas been to present a strong point of view while taking account of previous Kafka research, a challenge that has been met by the contributors to this volume. Contributors: James Rolleston, Clayton Koelb, Walter H. Sokel, Judith Ryan, Russel A. Berman, Ritchie Robertson, Henry Sussman, Stanley Corngold, Bianca Theisen, Rolf J. Goebel, Richard T. Gray, Ruth V. Gross, Sander L. Gilman, John Zilcosky, Mark Harman James Rolleston is Professor Emeritus of German at Duke University.

Comparative studies of a number of mixed prose-and-verse literatures, from Europe to the Orient, from classical culture to the 19th century. In virtually all the literary traditions of the world there are works of verbal art that depend for part of their effect on the juxtaposition of prose and verse. This volume takes the first step towards a comparative study of "prosimetrum", the mixture of prose and verse, with essays by leading linguists and literary scholars of a selection of prosimetrical traditions. The nature of what constitutes verse or prose is one underlying question addressed. An outline of historical developments emerges, especially for Europe and the Near East, with articles on classical, medieval and nineteenth-century literatures. Oriental prosimetrical literatures discussed include that of Vedic Indiaand the old literary cultures of China and Japan; also represented are oral and oral-derived folk literatures of recent centuries in Africa, the West, and Inner Asia. Professor KARL REICHL teaches in the English Department at the University of Bonn; Professor JOSEPH HARRIS teaches in the English Department at Harvard University. Contributors: KRISTIN HANSON, PAUL KIPARSKY, JAN ZIOLKOWSKI, ARDIS BUTTERFIELD, PROINSIAS Mac CANA, JOSEPH HARRIS, JUDITH RYAN, W.F.H. NICOLAISEN, LEE HARING, STEVEN WEITZMAN, WOLFHART HEINRICHS, DWIGHT REYNOLDS, JULIE SCOTT MEISAMI, KARL REICHL, WALTHER HEISSIG

Studies of one of the foremost 20c Austrian writers, as a critic and as a novelist and dramatist. The Austrian novelist Hermann Broch ranks with Kafka and Musil among the three greatest 20th-century Austrian novelists and belongs to the century's most gifted novelists in German from whatever country. He established his reputation with The Sleepwalkers, a trilogy of political and philosophical novels. His best-known work is The Death of Virgil, a long, challenging work in a lyrical, exuberant, and sometimes nearly incomprehensible style, akind of cerebral stream-of-consciousness of the dying Virgil. Broch also wrote extensively about modern art and architecture, Hofmannsthal, and mass psychology. He has a special connection to Yale, as he lived the last years of his life there after having escaped Austria in 1938. The participants in the Yale Symposium of April 2001 are among the world's most prominent Broch scholars. Fourteen of their presentations have been extensively revised for this volume, which focuses on Broch as critic and as novelist and dramatist. Topics include Broch's views on kitsch and art, and on drama; his cultural criticism; his cooperation with Borgese and Arendt; his theory of mass psychology; history in his works, Ernst Kretschmer's influence on him; Virgil and Celan's Atemwende; Jean Starr Untermeyer's translation of Virgil; guilt and the fall in Those without Guilt; and Broch reception in Japan. Paul Michael Lutzeler is Distinguished University Professor of German at Washington University St. Louis and editor of Broch's collected works. MATTHIAS KONZETT is associate professor of German at Yale; WILLY RIEMER is associate professor of German at the University of Delaware, and CHRISTA SAMMONS is curator of the German collections of the Beinecke Library at Yale.

The prominent scholar-contributors to this volume share their experiences developing the field of US German Studies and their thoughts on literature and interdisciplinarity, pluralism and diversity, and transatlantic dialogue. The decisive contribution of the exile generation of the 1930s and '40s to German Studies in the United States is well known. The present volume carries the story forward to the next generation(s), giving voice to scholars from the US and overseas, many of them mentored by the exile generation. The exiles knew vividly the value of the Humanities; the following generations, though spared the experience of historical catastrophe, have found formidable challenges in building and maintaining the field in a time increasingly dismissive of that value. The scholar-contributors to this volume, prominent members of the profession, share their experiences of finding their way in the field and helping to develop it to its present state as well as their thoughts on its present challenges, including the question of the role of literature and of interdisciplinarity, pluralism, and diversity. Of particular interest is therole of transatlantic dialogue. Contributors: Leslie A. Adelson, Hans Adler, Russell A. Berman, Jane K. Brown, Walter Hinderer, Robert C. Holub, Leroy Hopkins, Andreas Huyssen, Claire Kramsch, Wilhelm Krull, Paul Michael Lutzeler, Mark W. Roche, Judith Ryan, Azade Seyhan, Lynne Tatlock, Liliane Weissberg. Paul Michael Lutzeler is Rosa May Distinguished University Professor in the Humanities at Washington University, St. Louis. PeterHoeyng is Associate Professor of German at Emory University.

German poetry has long held a special place within the Western literary tradition. Its major achievements include Luther's hymns, Goethe's unequalled poetic versatility, the Romantics' lyric songs and the challenging poetry of Hoelderlin, Rilke and Celan. Combining readings of traditional poems with fresh examples, Judith Ryan conveys the rich rewards that come with reading German poetry. Organized thematically, the book demonstrates the significance of the poems in their time while also showing their resonance in later periods. The nuanced readings in this book serve as ideal examples for close engagement with the primary texts. Quotations are given in the original German and translated into English prose. Special sections give guidance on how to approach an unfamiliar text and how to compose a close reading; an appendix on German metrics and a glossary of technical terms are also provided, along with further reading for those ready to explore more widely.

German poetry has long held a special place within the Western literary tradition. Its major achievements include Luther's hymns, Goethe's unequalled poetic versatility, the Romantics' lyric songs and the challenging poetry of Holderlin, Rilke and Celan. Combining readings of traditional poems with fresh examples, Judith Ryan conveys the rich rewards that come with reading German poetry. Organized thematically, the book demonstrates the significance of the poems in their time while also showing their resonance in later periods. The nuanced readings in this book serve as ideal examples for close engagement with the primary texts. Quotations are given in the original German and translated into English prose. Special sections give guidance on how to approach an unfamiliar text and how to compose a close reading; an appendix on German metrics and a glossary of technical terms are also provided, along with further reading for those ready to explore more widely."

If the rise of modernism is the story of a struggle between the burden of tradition and a desire to break free of it, then Rilke's poetic development is a key example of this tension at work. Taking a sceptical view of Rilke's own myth of himself as a solitary genius, Judith Ryan reveals how deeply his writing is embedded in the culture of its day. She traces his often desperate attempts to grapple with problems of fashion, influence and originality as he shaped his career during the crucial decades in which modernism was born. This 1999 book was the first systematic study of Rilke's trajectory from aestheticism to modernism as seen through the lens of his engagement with poetic tradition and the visual arts. It is full of surprising discoveries about individual poems. Above all, it shifts the terms of the debate about Rilke's place in modern literary history.

Groundbreaking essays highlighting Goethe's relevance to contemporary theoretical debates and Goethe criticism of recent decades. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. Goethe Yearbook 16 presents innovative interpretations by young scholars of Goethe's most prominent works. A special section on 20th-century theory, co-edited by Angus Nicholls, demonstrates the poet's importance within areas of contemporary debate such as postcolonial criticism and Heideggerian phenomenology. The volume includes Judith Ryan's 2007 Presidential Address to the Goethe Society on the aphorisms in Die Wahlverwandtschaften and the Wanderjahre, as well as essays on aspects of Hermann und Dorothea, Iphigenie, Wilhelm Meisters Lehrjahre, and Prometheus. Readers will also find a surprising interpretation of Schiller on subjectivity and military strategy, and a feminist archival history of the Hamburg actress Charlotte Ackermann. Contributors: Volker C. Doerr, Mary Helen Dupree, Ellis Dye, Bernd Hamacher, Katrin Kohl, Michael Mandelartz, Jan Mieszkowski, Angus Nicholls, Charlton Payne, Mattias Pirholt, Myriam Richter, Judith Ryan, and Christian Weber. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professor of German at the University of Pennsylvania.

The revolutionary spirit that animates the culture of the Germans has been alive for at least twelve centuries, far longer than the dramatically fragmented and reshaped political entity known as Germany. German culture has been central to Europe, and it has contributed the transforming spirit of Lutheran religion, the technology of printing as a medium of democracy, the soulfulness of Romantic philosophy, the structure of higher education, and the tradition of liberal socialism to the essential character of modern American life.

In this book leading scholars and critics capture the spirit of this culture in some 200 original essays on events in German literary history. Rather than offering a single continuous narrative, the entries focus on a particular literary work, an event in the life of an author, a historical moment, a piece of music, a technological invention, even a theatrical or cinematic premiere. Together they give the reader a surprisingly unified sense of what it is that has allowed Meister Eckhart, Hildegard of Bingen, Luther, Kant, Goethe, Beethoven, Benjamin, Wittgenstein, Jelinek, and Sebald to provoke and enchant their readers. From the earliest magical charms and mythical sagas to the brilliance and desolation of 20th-century fiction, poetry, and film, this illuminating reference book invites readers to experience the full range of German literary culture and to investigate for themselves its disparate and unifying themes.

Contributors include: Amy M. Hollywood on medieval women mystics, Jan-Dirk Muller on Gutenberg, Marion Aptroot on the Yiddish Renaissance, Emery Snyder on the Baroque novel, J. B. Schneewind on Natural Law, Maria Tatar on the Grimmbrothers, Arthur Danto on Hegel, Reinhold Brinkmann on Schubert, Anthony Grafton on Burckhardt, Stanley Corngold on Freud, Andreas Huyssen on Rilke, Greil Marcus on Dada, Eric Rentschler on Nazi cinema, Elisabeth Young-Bruehl on Hannah Arendt, Gordon A. Craig on Gunter Grass, Edward Dimendberg on Holocaust memorials.

Mastectomy Moments was forged in the fire of Judith's spirit. Her words take us into and out of the jaws of cancer; through the loss of her breast; and into the realm of mystery, where the body heals itself. Judith describes her Healing Health Plan with its life-affirming physical, emotional, mental and spiritual components. Gifts From Cancer, Chapter 21 is stunning in its declaration of gratitude. This book is tender, unsparing, informative and humorous. BONUS: In this book, you will enjoy a generous sampling of Judith's beautiful photography. She has integrated 23 of her nature photographs to accent and enrich her prose. "Mastectomy Moments is a masterful, fully integrated reflection of the most complex, layered, seemingly all too common "C" word in America. I love the way Judith expresses herself on such a complicated, sacred, precious topic. There are women all over the world who would benefit deeply from reading this book it is poignant, funny, informative and beautifully written." MaryAnne Church Trettenero, Occupational Therapist, Northwest Hospital in Seattle "Congratulations to Judith She has turned what could have been an overwhelming journey into an energetic, life-giving adventure. I commend her " Nichole Farr RN, LMP, CIMI "Judith has written a wonderful book, at once a vulnerable, heartfelt, spiritual account of her journey through life threatening illness, as well as a down-to-earth guide, a toolbox that will be invaluable to many women navigating the tumultuous seas of cancer. I loved this book." Basha Brownstein, Cancer Thriver, Community Program Manager, Cancer Lifeline in Seattle

Although relatively brief, Philippians is one of the most interesting and beloved of Paul's undisputed epistles. In Philippians and Philemon, Bonnie Thurston makes a convincing case that canonical Philippians is as Paul wrote it, one letter. Although there is not enough specific evidence to "name names," she suggests a number of possible audiences. A translation conforming as closely as possible to the original Greek is provided, along with a careful analysis of the language of the letter that yields insights into the context and theological underpinning of this epistle. The apostle's very brief letter to Philemon stands solidly within the Pauline collection of authentic and canonical letters. In this volume, Judith Ryan argues that Philemon makes two specific appeals. The first seeks to elicit Philemon's partnership and his community's support in welcoming Onesimus back as both beloved brother and honored guest. The second requests that Onesimus be allowed to use the freedom he already has to serve Christ and his Gospel. In this commentary Ryan provides a fresh translation, critical notes for each verse, and interpretation on defined sections. She situates the letter in the historical context of slavery in the ancient world and shows how Paul combined his theology with contemporary rhetorical strategies to produce an effective challenge to his audience. Bonnie B. Thurston, PhD, lives in West Virginia in solitude. She is ordained in the Christian Church (Disciples of Christ) and the author of several books, including The Spiritual Landscape of Mark and Religious Vows, the Sermon on the Mount, and Christian Living (Liturgical Press) and Preaching Mark (Fortress Press). Judith M. Ryan, PhD,STL, is associate professor of New Testament at the University of St. Thomas School of Theology at St. Mary's Seminary, Houston, Texas. Previously she taught at Catholic University of America, Fordham University, the University of Scranton, College Misericordia, and St. Mary's Seminary and University, Baltimore, Maryland.

Containing three of Goethe's major prose works, this volume explores a range of themes: unfulfilled love, infidelity, divorce, tragic love, fantasy, and moral rebirth. One of Goethe's best known works, "The Sorrows of Young Werther, " explores the extremes of the subjective experience through the novel's depiction of a sensitive young man caught up in a love impossible to fulfill. In "Elective Affinities, " a novel of tragic love, Goethe employs all the requisites of sentimental romance to give a deeply ironic perspective to the idea of love. As the title indicates, "Novella" examines the possibilities inherent in this genre.

This collection of eleven essays by leading literary studies and cultural studies scholars examines the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other. These notable scholars take on a broad range of topics, including the falsified Hitler diaries, the creation of national identity in Bohemia, and Jean-Etienne Liotard's fraudulent "Turkish" identity. Each essay asks how forgery-at once the work of a criminal and a "master"-has shaped modern culture and challenged our understandings of authorship and value.