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NINETEEN CWA DAGGER AWARD-WINNING SHORT STORIES FROM THE BEST OF THE BEST IN CRIME FICTION Maxim Jakubowski has edited all the great names in crime fiction and stories from his anthologies have won the CWA Dagger six times. Now he has collected 19 Dagger award-winning stories in one volume, making it the first retrospective deep dive into the CWA's archive of Dagger Award winners. Bringing together the greatest crime fictions authors such as Ian Rankin, Jeffery Deaver, John Connolly, Denise Mina, John Harvey and many more. Edgy, twisted and disturbing, Daggers Drawn is a visceral and thrilling collection showcasing the very best modern crime fiction has to offer. Contributors include: Ian Rankin Jeffery Deaver John Connolly John Harvey Denise Mina Julian Rathbone Martin Edwards Peter Lovesey Lauren Henderson Stella Duffy Peter O'Donnell (writing as Madeleine Brent) Danuta Reah Cath Staincliffe Margaret Murphy L.C. Tyler Phil Lovesey Larry Beinhart Richard Lange Jerry Sykes
On the Sussex Downs in 1066, the psychotic William and his gang of European mercenaries began the process which fragmented a civilisation. Walt, the last of King Harold's bodyguard, the one who survived Hastings, wanders across Asia Minor in the company of Quint, an intellectual renegade monk. On the way he unfolds the events that led up to the battle which affected the destinies of every English man and woman. With rare skill, Rathbone vividly recreates a civilisation that stubbornly remains alive in the collective memory to this day, and so identifies the roots of the still-held belief that every English person is born free and should stay free. Tender romance, savage war, courtly intrigue and some wry humour combine to make THE LAST ENGLISH KING an exhilarating roller-coaster ride into our past.
England, 1460: The War of the Roses. Rival factions - Lancastrians and Yorkists - are hacking each other to death in a conflict that only the English could name after a beautifully-scented flower. It's not an ideal climate for tourists - but three exotic travellers from the Far East are not here for pleasure. They've come to find a missing kinsman. The English, however, are truly strange. Most of the indigenous population are of the cowed peasant variety whilst any noble who can't trace his ancestry to Norman Conquest isn't, really, an awfully nice chap. In between battles of the most astonishing brutality they convey respects instead of affection, make love strangely (and briefly) and amuse themselves by playing a game with an inflated bladder that is in everyway a war except it’s called ‘footie’. The Indians think they’re mad. They also have this horrible suspicion that one day they will rule the world… A wonderfully offbeat take on medieval England at its most brutal and savage, KINGS OF ALBION snatches history, imbues it with the spirit of Rider Haggard and Joseph Conrad, turns it on its head, invites scintillating speculation and, best of all, renders it into a fabulously readable novel.
Spain - 1808 to 1813 - where Revolution collides with Reaction, a British Army with a French; the Spain of Goya, where ignorant armies clash and from under them all comes the voice of Joseph: by birth European, by education enlightened, and living in Salamanca which suffered a new invasion every six months and saw one of Wellington's greatest battles. From the moment in early childhood when Joseph hurls a stone at a playmate and makes an evil enemy for life, to the last page when he climbs a hill in North Spain accompanied by a donkey, a giantess, and a new-born babe, and blunders into a battle, he takes the reader by the elbow and hurries him 'will he or will he not' across the terrible years that saw the birth of our own times.
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