Fyodor Dostoevsky's The Brothers Karamazov is unquestionably one of the greatest works of world literature. With its dramatic portrayal of a Russian family in crisis and its intense investigation into the essential questions of human existence, the novel has had a major impact on writers and thinkers across a broad range of disciplines, from psychology to religious and political philosophy. This proposed reader's guide has two major goals: to help the reader understand the place of Dostoevsky's novel in Russian and world literature, and to illuminate the writer's compelling and complex artistic vision. The plot of the novel centers on the murder of the patriarch of the Karamazov family and the subsequent attempt to discover which of the brothers bears responsibility for the murder, but Dostoevsky's ultimate interests are far more thought-provoking. Haunted by the question of God's existence, Dostoevsky uses the character of Ivan Karamazov to ask what kind of God would create a world in which innocent children have to suffer, and he hoped that his entire novel would provide the answer. The design of Dostoevsky's work, in which one character poses questions that other characters must try to answer, provides a stimulating basis for reader engagement. Having taught university courses on Dostoevsky's work for over twenty years, Julian W. Connolly draws upon modern and traditional approaches to the novel to produce a reader's guide that stimulate the reader's interest and provides a springboard for further reflection and study.

Teaching Nabokov's Lolita in the #MeToo Era and Online seeks to critique Nabokov's Lolita from the standpoint of its teachability to undergraduate and graduate students in the twenty first century. The #MeToo Movement has spurred a reassessment of what constitutes appropriate professional and sexual relations, a reassessment that has challenged how we teach our students, especially when we are studying controversial works. The time has come to ask in the #MeToo Era and beyond, how do we approach Nabokov's inflammatory masterpiece, Lolita? How do we read a novel that describes an unpardonable crime? How do we balance analysis of Lolita's brilliant language and aesthetic complexity with due attention to its troubling content? This volume offers practical and specific answers to this question and includes suggestions for teaching the novel in conventional and online modalities. Essays by distinguished Nabokov scholars explore the multilayered nature of Nabokov's Lolita by sharing innovative assignments and creative-writing exercises, teaching approaches to especially challenging parts of the text, methodologies of teaching the novel through different mediums from film to theatre, and new critical analyses and interpretations.

Teaching Nabokov's Lolita in the #MeToo Era seeks to critique the novel from the standpoint of its teachability to undergraduate and graduate students in the twenty-first century. The time has come to ask: in the #MeToo era and beyond, how do we approach Nabokov's inflammatory masterpiece, Lolita? How do we read a novel that describes an unpardonable crime? How do we balance analysis of Lolita's brilliant language and aesthetic complexity with due attention to its troubling content? This student-focused volume offers practical and specific answers to these questions and includes suggestions for teaching the novel in conventional and online modalities. Distinguished Nabokov scholars explore the multilayered nature of Lolita by sharing innovative assignments, creative-writing exercises, methodologies of teaching the novel through film and theatre, and new critical analyses and interpretations.

Nabokov's Women: The Silent Sisterhood of Textual Nomads is the first book-length study to focus on Nabokov's relationship with his heroines. Essays by distinguished Nabokov scholars explore the multilayered and nomadic nature of Nabokov's women: their voice and voicelessness, their absentness, the paradigm of power and sacrifice within which they are situated, the paradox of their unattainability, their complex relationship with textual borders, the travel narrative, with the author himself. By design, Nabokov's woman is often assigned a short-term tourist visa with a firm expiration date. Her departure is facilitated by death or involuntary absence, which watermarks her into the male protagonist's narrative, granting him an artistic release or a gift of self-understanding. When she leaves the stage, her portrait remains ambiguous. She can be powerfully enigmatic, but not self-actualized enough to be dynamic or, for even where the terms of her existence are deeply considered or her image beheld reverently, her recognition seems to be limited to the "Works Cited" register of the male narrator's personal life. As a result, Nabokov's texts often feature a nomadic woman who seems to live without a narratorial homeland, papers of her own, or storytelling privileges. This volume explores the "residency status" of Nabokov's silent nomads-his fleeting lovers, witches, muses, mermaids, and nymphets. As Nabokov scholars analyze the power dynamic of the writer's narrative of male desire, they ponder-are these female characters directionless wanderers or covert operatives in the terrain of Nabokov's text? Whereas each essay addresses a different aspect of Nabokov's artistic relationship with the feminine, together they explore the politics of representation, authorization, and voicelessness. This collection offers new ways of reading and teaching Nabokov and is poised to appeal to a wide range of student and scholarly audiences. Chapter 4, "Nabokov's Mermaid: 'Spring in Fialta'" by Elena Rakhimova-Sommers, is not available in the ebook format due to digital rights restrictions. You can find the earlier version of the chapter in the journal Nabokov Studies.

In the centenary year of Nabokov's birth, eleven of the world's foremost Nabokov scholars offer original essays on the writer and his fiction. They cover a broad range of topics and approaches, from close readings of major texts to penetrating discussions of the relationship between Nabokov's personal beliefs and experiences and his art. There is a first glimpse at a recently published work, The Tragedy of Mr. Morn, and a fresh perspective on Nabokov's most famous novel, Lolita.

Nabokov's Women: The Silent Sisterhood of Textual Nomads is the first book-length study to focus on Nabokov's relationship with his heroines. Essays by distinguished Nabokov scholars explore the multilayered and nomadic nature of Nabokov's women: their voice and voicelessness, their absentness, the paradigm of power and sacrifice within which they are situated, the paradox of their unattainability, their complex relationship with textual borders, the travel narrative, with the author himself. By design, Nabokov's woman is often assigned a short-term tourist visa with a firm expiration date. Her departure is facilitated by death or involuntary absence, which watermarks her into the male protagonist's narrative, granting him an artistic release or a gift of self-understanding. When she leaves the stage, her portrait remains ambiguous. She can be powerfully enigmatic, but not self-actualized enough to be dynamic or, for even where the terms of her existence are deeply considered or her image beheld reverently, her recognition seems to be limited to the "Works Cited" register of the male narrator's personal life. As a result, Nabokov's texts often feature a nomadic woman who seems to live without a narratorial homeland, papers of her own, or storytelling privileges. This volume explores the "residency status" of Nabokov's silent nomads-his fleeting lovers, witches, muses, mermaids, and nymphets. As Nabokov scholars analyze the power dynamic of the writer's narrative of male desire, they ponder-are these female characters directionless wanderers or covert operatives in the terrain of Nabokov's text? Whereas each essay addresses a different aspect of Nabokov's artistic relationship with the feminine, together they explore the politics of representation, authorization, and voicelessness. This collection offers new ways of reading and teaching Nabokov and is poised to appeal to a wide range of student and scholarly audiences. Chapter 4, "Nabokov's Mermaid: 'Spring in Fialta'" by Elena Rakhimova-Sommers, is not available in the ebook format due to digital rights restrictions. You can find the earlier version of the chapter in the journal Nabokov Studies.

Published in 1999 to mark the centenary of Vladimir Nabokov's birth, this volume brings together the work of eleven of the world's foremost Nabokov scholars offering perspectives on the writer and his fiction. Their essays cover a broad range of topics and approaches, from close readings of major texts, including Speak, Memory and Pale Fire, to penetrating discussions of the significant relationship between Nabokov's personal beliefs and experiences and his art. Several of the essays attempt to uncover the artistic principles that underlie the author's literary creations, while others seek to place Nabokov's work in a variety of literary and cultural contexts. Among these essays are a first glimpse at a little-known work, The Tragedy of Mr Morn, as well as a perspective on Nabokov's most famous novel, Lolita. The volume as a whole offers valuable insight into Nabokov scholarship.

This book traces the evolution of Vladimir Nabokov's prose fiction from the mid-1920s to the late 1930s. While individual works by Nabokov have attracted extensive commentary, the precise contours of Nabokov's development as a writer of fiction have received little attention. Julian Connolly traces this development by focusing on a crucial subject: the relationship between self and other in its various forms (including character to character, character to author, author to reader). At the core of Professor Connolly's analysis is the discovery of a powerful structure of bifurcation in Nabokov's work, between the character dimensions of a protagonist's identity and its latent authorial dimensions. As Nabokov's works grow more sophisticated, the author manipulates the relationship between these two dimensions, creating a series of memorable characters who seek to attain the status of authentic author by shedding that aspect of the self which functions as a character. Julian Connolly's investigation into the relationship between self and other in the early fiction provides an original model for approaching all of Nabokov's fictional writing, and constitutes a major contribution to Nabokov scholarship.

Vladimir Nabokov held the unique distinction of being one of the most important writers of the twentieth century in two separate languages, Russian and English. Known for his verbal mastery and bold plots, Nabokov fashioned a literary legacy that continues to grow in significance. This 2005 volume offers a concise and informative introduction into the author's fascinating creative world. Specially commissioned essays by distinguished scholars illuminate numerous facets of the writer's legacy, from his early contributions as a poet and short-story writer to his dazzling achievements as one of the most original novelists of the twentieth century. Topics receiving fresh coverage include Nabokov's narrative strategies, the evolution of his world-view, and his relationship to the literary and cultural currents of his day. The volume also contains valuable supplementary material such as a chronology of the writer's life and a guide to further critical reading.

Fyodor Dostoevsky's The Brothers Karamazov is unquestionably one of the greatest works of world literature. With its dramatic portrayal of a Russian family in crisis and its intense investigation into the essential questions of human existence, the novel has had a major impact on writers and thinkers across a broad range of disciplines, from psychology to religious and political philosophy. This proposed reader's guide has two major goals: to help the reader understand the place of Dostoevsky's novel in Russian and world literature, and to illuminate the writer's compelling and complex artistic vision. The plot of the novel centers on the murder of the patriarch of the Karamazov family and the subsequent attempt to discover which of the brothers bears responsibility for the murder, but Dostoevsky's ultimate interests are far more thought-provoking. Haunted by the question of God's existence, Dostoevsky uses the character of Ivan Karamazov to ask what kind of God would create a world in which innocent children have to suffer, and he hoped that his entire novel would provide the answer. The design of Dostoevsky's work, in which one character poses questions that other characters must try to answer, provides a stimulating basis for reader engagement. Having taught university courses on Dostoevsky's work for over twenty years, Julian W. Connolly draws upon modern and traditional approaches to the novel to produce a reader's guide that stimulate the reader's interest and provides a springboard for further reflection and study.

Vladimir Nabokov held the unique distinction of being one of the most important writers of the twentieth century in two separate languages, Russian and English. Known for his verbal mastery and bold plots, Nabokov fashioned a literary legacy that continues to grow in significance. This 2005 volume offers a concise and informative introduction into the author's fascinating creative world. Specially commissioned essays by distinguished scholars illuminate numerous facets of the writer's legacy, from his early contributions as a poet and short-story writer to his dazzling achievements as one of the most original novelists of the twentieth century. Topics receiving fresh coverage include Nabokov's narrative strategies, the evolution of his world-view, and his relationship to the literary and cultural currents of his day. The volume also contains valuable supplementary material such as a chronology of the writer's life and a guide to further critical reading.

Julian W. Connolly's companion to Vladimir Nabokov's Invitation to a Beheading includes a general introduction discussing the work in the context of Nabokov's oeuvre as well as its place within the Russian literary tradition. Also included are primary sources and other background materials, as well as discussions of the work by leading scholars and an annotated bibliography. Combining the highest order of scholarship with accessibility, this critical companion illuminates a great work of literature, and will enhance is appreciation by both teachers and students.