In this new book, Julie Cross examines the intricacies of textual humor in contemporary junior literature, using the tools of literary criticism and humor theory. Cross investigates the dialectical paradoxes of humor and debunks the common belief in oppositional binaries of simple versus complex humor. The varied combinations of so-called high and low forms of humor within junior texts for young readers, who are at such a crucial stage of their reading and social development, provide a valuable commentary upon the culture and values of contemporary western society, making the book of considerable interest to scholars of both children s literature and childhood studies.

Cross explores the ways in which the changing content, forms and functions of the many varied combinations of humor in junior texts, including the Lemony Snickett series, reveal societal attitudes towards young children and childhood. The new compounds of seemingly paradoxical high and low forms of humor, in texts for developing readers from the 1960s onwards, reflect and contribute to contemporary society s hesitant and uneven acceptance of the emergent paradigm of children s rights, abilities, participation and empowerment. Cross identifies four types of potentially subversive/transgressive humor which have emerged since the 1960s which, coupled with the three main theories of humor relief, superiority and incongruity theories enables a long-overdue charting of developments in humor within junior texts. Cross also argues that the gradual increase in the compounding of the simple and the complex provide opportunities for young readers to play with ambiguous, complicated ideas, helping them embrace the complexities and contradictions of contemporary life."

In this new book, Julie Cross examines the intricacies of textual humor in contemporary junior literature, using the tools of literary criticism and humor theory. Cross investigates the dialectical paradoxes of humor and debunks the common belief in oppositional binaries of 'simple' versus 'complex' humor. The varied combinations of so-called high and low forms of humor within junior texts for young readers, who are at such a crucial stage of their reading and social development, provide a valuable commentary upon the culture and values of contemporary western society, making the book of considerable interest to scholars of both children's literature and childhood studies. Cross explores the ways in which the changing content, forms and functions of the many varied combinations of humor in junior texts, including the Lemony Snickett series, reveal societal attitudes towards young children and childhood. The new compounds of seemingly paradoxical high and low forms of humor, in texts for developing readers from the 1960s onwards, reflect and contribute to contemporary society's hesitant and uneven acceptance of the emergent paradigm of children's rights, abilities, participation and empowerment. Cross identifies four types of potentially subversive/transgressive humor which have emerged since the 1960s which, coupled with the three main theories of humor - relief, superiority and incongruity theories - enables a long-overdue charting of developments in humor within junior texts. Cross also argues that the gradual increase in the compounding of the simple and the complex provide opportunities for young readers to play with ambiguous, complicated ideas, helping them embrace the complexities and contradictions of contemporary life.

. But landing a coveted photography internship brings her face to face with her dark past - and her ex. While Eve is snapping pictures, up-and-coming male model Alex is launching his career - which, for him, involves maintaining a fake relationship with his (secretly) underage co-star, Elana. But Alex is falling for Eve, and Eve won't let herself get hurt again. If Alex can pull off a fake love with Elana, can he convince Eve to risk a secret affair with him?

This is the first book in an exciting new trilogy - "The Time Traveller's Wife" meets "The Matrix". Jackson Meyer has thrown himself into his role as an agent for Tempest, the shadowy division of the CIA that handles all time-travel-related threats. Despite his heartbreak at losing the love of his life, Jackson has proved himself to be an excellent agent. However, all that changes when Holly - the girl he altered history to save - re-enters his life. And when Eyewall, an opposing division of the CIA, emerges, Jackson and his fellow agents find themselves under attack and on the run. Jackson must decide between saving the love of his life and the entire world...

"New York Times" bestselling author, Beth Revis on "Tempest: ""Julie Cross's thrilling debut is brimming with excitement, romance, and intrigue. I couldn't turn the pages fast enough "
The year is 2009. Nineteen-year-old Jackson Meyer is a normal guy... he's in college, has a girlfriend... and he can travel back through time. But it's not like the movies - nothing changes in the present after his jumps, there's no space-time continuum issues or broken flux capacitors - it's just harmless fun.
That is... until the day strangers burst in on Jackson and his girlfriend, Holly, and during a struggle with Jackson, Holly is fatally shot. In his panic, Jackson jumps back two years to 2007, but this is not like his previous time jumps. Now he's stuck in 2007 and can't get back to the future.
Desperate to somehow return to 2009 to save Holly but unable to return to his rightful year, Jackson settles into 2007 and learns what he can about his abilities.
But it's not long before the people who shot Holly in 2009 come looking for Jackson in the past, and these "Enemies of Time" will stop at nothing to recruit this powerful young time-traveler. Recruit... or kill him.
Piecing together the clues about his father, the Enemies of Time, and himself, Jackson must decide how far he's willing to go to save Holly... and possibly the entire world.

From the International Bestselling Author of the Tempest series A Mature YA contemporary set in the tough world of Elite Gymnastics. Her family may be shattered, but her dreams aren't... Seventeen year old Karen Campbell has just lost both her parents in a tragic car accident. Grief stricken and alone, her gymnastics coach opens his home to Karen, providing her a place to live while she continues to train, working toward a spot on the world championship team. Coach Bentley's only child, seventeen year old Jordan is good-looking and charming enough to scare away a girl like Karen-someone who has spent ten times more hours on balance beams and uneven bars than talking or even thinking about boys. But the two teens share a special connection almost immediately. It turns out Jordan has a tragic past of his own, grief buried for years. As Karen's gymnastics career soars, her nightmares and visions of the horrible accident grow in strength. She can only avoid facing her grief for so long before it begins to surface and ultimately spin out of control in a very dangerous way. Can discovering love and lust (simultaneously) help with the grieving process or will it only provide a temporary distraction while waiting for reality to hit full force?