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This collection features five peer-reviewed literature reviews on
the environmental impact of livestock production. The first chapter
discusses life cycle assessment (LCA) and its role in evaluating
the environmental footprint of farming systems. The chapter also
explores how the practical trade-off between feasibility and
scientific rigour should be addressed in the field of ruminant
production systems. The second chapter explores some of the many
facets of livestock's contributions to climate change and the
difficulties involved in quantifying them, with a closer look into
the contribution of livestock methane emissions to changing
atmospheric methane concentrations over the last few decades. The
third chapter presents a review of the environmental sustainability
impacts of swine production, focused at the farm level because the
majority of environmental impacts occur by this stage of the supply
chain. The fourth chapter considers the potential strategies that
can be implemented to improve the environmental performance of
intensive poultry systems. The final chapter examines how LCA can
be used as a tool to quantify multiple resource use and
environmental impacts. The chapter details how potentially harmful
emissions can be assessed and measured at each stage in the life
cycle of sheep products.
Vibrant colour was essential to the paintings of the American pop
artist Roy Lichtenstein (1923-1997), and when he began exploring
outdoor sculpture in the late 1970s, vivid hues-often achieved
through the use of recently developed industrial paints and
coatings-remained an important part of his artistic vocabulary.
Today, preserving these remarkable works after they have endured
decades in outdoor environments around the world is an issue of
pressing concern. This abundantly illustrated volume is based on
extensive archival research of his studio materials, interviews
with his assistants, and a thorough technical analysis of the
sculpture Three Brushstrokes, now in the collection of the J. Paul
Getty Museum. The book concludes with a chapter showing various
options for the care, conservation, and restoration of
Lichtenstein's sculptural works, making this an essential resource
for conservators, curators, and others interested both in the
iconic artist and modern sculpture in general.
"The collection of seventeenth- and eighteenth-century French
silver at the J. Paul Getty Museum is of exceptional quality and
state of preservation. Each piece is remarkable for its beauty,
inventive form, skillful execution, illustrious provenance, and the
renown of its maker. This volume is the first complete study of
these exquisite objects, with more than 250 color photographs
bringing into focus extraordinary details such as minuscule makers'
marks, inscriptions, and heraldic armorials. The publication
details the formation of the Museum's collection of French silver,
several pieces of which were selected by J. Paul Getty himself, and
discusses the regulations of the historic Parisian guild of gold-
and silversmiths that set quality controls and consumer
protections. Comprehensive entries catalogue a total of
thirty-three pieces with descriptions, provenance, exhibition
history, and technical information. The related commentaries shed
light on the function of these objects and the roles they played in
the daily lives of their prosperous owners. The book also includes
maker biographies and a full bibliography. "
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